One of the most impressive productions of the State Opera – Burgas – “Aida” by Giuseppe Verdi, in the director’s version of Assoc. Dr. Alexander Tekelievwill give unforgettable moments of contact with the popular opera to fans of classical music art – on August 17, Saturdayfrom 8:30 p.m on the mystical scene of the Thracian megalithic complex You’re running away.
The performance, which will recreate the atmosphere of ancient Egypt, will unfold its scenic beauty and impact under the master baton of Prof. Dr. Grigor Palikarov, with a magnificent artistic cast.
After the undisputed success with sold-out seats of the opera Rigoletto by Verdi – on August 10, the performance of “Aida” is the second headline from this year’s fifth edition of the festival “Sanctuary Opera”, successfully implemented for another year by State Opera – Burgas and Municipality Burgas.
The mysticism of Strandzha Mountain, combined with the eternal messages of classical works, will once again be a prerequisite for magical unforgettable experiences.
The staging of State Opera – Burgas of one of the most famous works of Giuseppe Verdi – “Aida” a monumental musical work, with large-scale sound and scenography, is an event that lives a long stage life, reincarnating each time in different shades of performing art, like an individual singing natural.
On August 17 on the stage of the Thracian ring, Begliktash will relive the exciting story of the captive Ethiopian princess Aida, the pharaoh’s daughter Amneris and the Egyptian warlord Radames, for whose heart the two beauties compete. In the role of Aida, the international audience on the stage of Begliktash will have the pleasure of seeing and hearing the remarkable lyric-dramatic soprano Joana Zhelezcheva.
Her powerful and penetrating voice, which, however, also possesses gentle lyrical parameters, as well as extraordinary spiritual power and impact, helps to build the whole image of the enslaved Ethiopian princess.
Ioana Zhelezcheva’s Aida is marked by softness and strength at the same time, with an inner longing for love and an outer expression of the impossibility of it being realized, due to the tragic force of the circumstances. to be carried out, due to the tragic force of the circumstances.
In the role of the rival for the heart of Radames – the powerful pharaoh’s daughter Amneris, the audience will have the privilege to enjoy the magnificent mezzo-soprano Daniela Dyakovawho impresses not only with a charismatic look, but also with wonderful vocal abilities and strong stage presence.
She will weave her feminine radiance and beautiful timbre into the construction of the princess torn by doubt and jealousy, who harbors in her heart simultaneously passion, devotion, cruelty, revenge, and a typically feminine evil that is devastating to her essence.
Despair, impatience with the emotional loss of the beloved man, intertwined with sincere suffering and pain in her purely human dimensions, give a special color to the image of Amneris.
The wonderful tenor will appear on the stage under the stars of Begliktash on August 17 Valery Georgiev – in the role of Radames, an Egyptian noble warrior, for whose love the beautiful Aida and Amneris vie – each in their own ways and emotional strength.
The tenor is known for the rich range of his voice with the so-called Rossini heights that very few tenors in the world possess.
The image of Radames is characterized by his heartfelt yearnings, contrary to logic and pragmatic choices, which are subordinated to his love for the Ethiopian captive Aida. The closing scene of the living Aida and Radames’ taunting remains in the mind for a long time with the drama of the musical statement, characterized by a muffled plaintive tone.
In it, however, it is not so much the despair of imminent death that stands out, but rather it sounds like the apotheosis of love and as one of the brightest symbols of immortality, embodied in the merging souls of two lovers, although doomed – here, in the earthly dimensions.
In the role of the Ethiopian king Amonasro comes the imposing baritone – in terms of voice power and stage presence Maryan Jovanoskisoloist of the National Opera of the Republic of North Macedonia and State Opera – Burgas.
The illustrious baritone gives the image a unique suggestiveness and dignity, by adhering to the force of the law, regardless of the unbearable grief caused to his daughter Amneris.
The bass enters the image of the high Egyptian priest Ramphis Delyan Slavov – stately and respectful. The bass will perform as the Pharaoh of Egypt Kostadin MechkovPriestess will be the soprano Nona KrastnikovaHerald – the tenor Milen Dinolov.
In the performance of Aida, the choir under the direction of Alexander Chepanov is not only a background to the stage action, but also an equal participant in the dramatic thread of events.
The choreography, performed by the ballet of the Burgas Opera House, is wonderfully thematically inscribed.
The designer of the sets, recreating the majestic and respectful environment in Egypt, with emblematic artifacts, is the work of the artist Chavdar Chomakov, the choreography, which is also in sync with the ancient Egyptian culture and specifics of costumes and movements, is the work of Prof. Hikmet Mehmedov.
The production of the State Opera – Burgas of one of the most famous works of Giuseppe Verdi – “Aida”, a monumental musical work, with large-scale sound and scenography, is an event that lives a long stage life, reincarnating each time in different shades of performing art , as an individual singing naturalist.
“Aida” is characterized by a polyphonic effect – from the masterful combination of the large-scale and artistic suggestions of Verdi’s music. Each performance of one of the most staged operas in the world achieves what is the meaning of art – high-level communication between the audience and the sculptors of the imposing production – soloists, chorus, orchestra, conductor.
They interweave mastery and inspiration in the common pursuit of sculpting memorable images and leave viewers with a sense of wholeness, completion, emotional cohesion, imprinting on the mind and memory of the musical suggestion.
The director of the play, adapted for the outdoor stage in Begliktash, is Alexander Tekeliev, choir conductor – Alexander Chepanovassistant directors of the production are Lina Peeva and Peter Tikholov, ballet tutor – Marina Zmeeva-Markova. The orchestra, choir and ballet of the State Opera – Burgas take part in the large-scale attractive spectacle.
The final event of this year’s Sanctuary Opera Festival is Carmen by Georges Bizet – on August 24 at 8:30 p.m.
Tickets – at the box office of the Opera House, said the Clock, on the Grabo networks – https://grabo.bg/burgas/opera-pod-zvezdite-03dm4m, Eventim – https://www.eventim.bg/bg/bileti/drzhavna-opera-burgas-trakiyskoto-svetilishche-beglik-tash-primorsko-1410250/performance.html and in front of the Tourist Information Center – Primorsko. Tickets are almost sold out!
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