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M-1 Champ’s Consecutive Win: Reiwa Roman’s Exclusive Interview

Reiwa Roman ⁤Secures Back-to-Back M-1 Grand Prix Victory

Japanese comedy‌ duo reiwa Roman, ​comprised of Yukuruma Takahi adn‌ Kemuri Matsui, made history on ⁢December 22nd, 2024, by winning the M-1 Grand Prix for the second year⁣ in a row. The⁣ annual competition, broadcast on TV-asahi, saw⁣ ten‌ pairs of comedians battle for the coveted title ⁤of Japan’s best manzai duo.This year’s win ‍solidifies⁢ Reiwa ​Roman’s place ⁣as comedic ⁣powerhouses in Japan.

Reiwa Roman celebrating their victory
Reiwa Roman celebrates their win.​ (Placeholder Image‍ -⁣ Replace with actual image)

In an exclusive interview the day after their triumph, Takahi⁤ and Matsui‌ shared their thoughts⁢ on the​ intense competition and‍ their remarkable ⁣achievement. When asked about their feelings immediately following the​ win, Takahi reflected, “The footage of the final was posted on ⁣TVer, so I checked it out. When I watched ‍the video, I felt that it was much more⁢ exciting than I expected.”

Matsui added, “That’s⁤ what everyone says. I have ‌calmed down quite a bit ‍as I have been replying to the messages I received.” The duo’s ​reaction this year seemed even more exuberant than ⁤their previous ‍win, a point noted by many viewers. Takahi described the feeling as, “(The​ tournament) was exciting and ‌I felt like I⁤ received a reward.”

The ‍Pressure of a ‍Reigning champion

the ‍pressure of defending their‌ title was ​a significant factor. ‍ Takahi acknowledged this,stating,”If it’s ⁢just M-1,it‍ doesn’t matter if⁢ we lose. I expected it to⁤ be interesting, but I’m glad‌ it ended⁢ in the best⁢ possible way.” However, matsui offered a different perspective ‍on ​the pressure, saying, “That being said, ⁢last year I‌ felt more real pressure when I was like, ⁣’I’m going to go to the finals.’ I thought, ‘I‌ guess I have to⁣ go this year.'” This contrast highlights the different approaches each member took to the competition.

Takahi further elaborated on​ his approach⁢ to this year’s competition, explaining how his recent‍ accomplishments, including winning the “Strongest New​ Combination Competition THE Golden ​Combi” ⁤and receiving​ the “Forbes ‌JAPAN 30 ‌UNDER⁢ 30” award, influenced his creative process. He stated, “I used​ to think, ‘how can I create interesting manzai,’ but after I finished ⁣writing the book (Excessive Consideration of Manzai/Tatsumi Publishing), I felt realy refreshed. This​ year,I had a few things to focus on,and after winning the ‘Strongest New ​Combination Competition‌ THE Golden Combi’⁣ (Prime Video) in early spring,I ⁢thought I was right about the theoretical aspects ​of ⁢comedy,so I started writing more books. Going deeper… ⁢Also, when I received the “Forbes JAPAN 30 UNDER 30″ award (which honors 30 Japanese people under 30 who are changing the⁤ world), I talked to ‌the people ⁢around me and felt like I ⁢had to⁤ do something right.”

The duo’s‌ winning performance⁢ was a testament to their dedication ⁣and innovative approach ​to comedy. Their success resonates beyond Japan, highlighting the global appeal of exceptional comedic‌ talent ⁢and the enduring power of laughter to⁤ transcend cultural‌ boundaries. the M-1 Grand Prix 2024 serves ⁤as a reminder of the dedication and creativity required to reach the pinnacle of comedic achievement.

manzai Duo’s Bold Costume Choice Sparks‌ Debate

The recent manzai finals⁣ saw a surprising twist,not in the comedic routines themselves,but in the attire of one of the competing duos. Kuruma, one half of‍ the popular comedic team, opted for a striking costume change, leaving audiences and critics alike buzzing about ⁤the implications of his bold choice.

Source: FANY Magazine
Source: FANY magazine

The duo’s routines,finalized in october and November,built upon their ​previous year’s performances.Kuruma explained his⁣ creative​ process: “I was thinking about,’Based⁣ on last year’ and ‘What if I could make a difference​ from last year?’ ​Last year,it was just me doing the skits and (Matsui) commenting from the outside,so I thought it woudl be a sequel for the two of ‍us to do the skits (like in the⁤ second one),so ⁢I made a few episodes. I was making it. I⁢ wonder if it’s ‍topical or what to add to it…”

He also⁣ acknowledged the pressures of increased ​media attention: “Also, due to the⁢ media exposure, I didn’t know how Kemri-sensei and I would be treated or what kind of characters we would become. Maybe in the past ‌year, I might have become like​ Takahiro Ogata (Panther). If that’s the case, I’ll have to take advantage of that…I was thinking ‍about it, ⁤but in‌ the‍ fall of writing this book, I realized‍ that at least it wouldn’t change much from here, so I had ‌no choice but‍ to make a decision.”

costume Controversy

Kuruma’s ⁤costume‌ choice, however,​ proved to‌ be the most⁣ talked-about aspect of their performance. His dramatic shift​ in attire sparked considerable discussion. “during ⁢the semi-finals,‍ I thought a lot about what kind of costume I would wear ⁣and went to ‌various stores, but in the end I⁢ decided on‌ that‌ costume,” he explained. “I think it would be rude if we didn’t ‌just take advantage of the ⁣somewhat unusual⁢ situation where a champion emerges. It’s funny that they show up in the same outfit‍ as last year,saying,’I don’t mind if I’m⁢ the champion!’ But I think​ that’s too ⁤much of a joke. ‌I think it’s a violation of manners in my opinion.”

Kemri,Kuruma’s partner,offered a concise​ response: “I see.”

The duo’s performance, while ​prosperous, ⁤highlights the delicate balance between comedic innovation and adherence to tradition within the world of Manzai.​ ⁤ The ⁤unexpected costume choice has certainly added a new layer to the ongoing conversation ⁤surrounding the art ⁢form.

comedy Duo Reflects on M-1 Success: A Year ⁢of Growth and Stagecraft

Japanese comedy duo Kemuri and Kuruma,​ known for their dynamic manzai performances,‍ recently shared insights into ​their ⁣remarkable ‍journey, ​highlighting their evolution and the impact of high-profile‌ stage experiences on ‌their M-1 ​Grand Prix performance. Their reflections offer a fascinating ⁣glimpse into the dedication‌ and strategic adjustments that​ propelled their success.

Kemuri and Kuruma
Kemuri and Kuruma.Source: ⁣FANY Magazine

Kuruma, reflecting on‌ their year, noted a shift⁤ in their comedic approach.”It would be nice to have something sinister like, ‘I came here in a different state than last ⁣year’,” he mused, hinting at a deliberate evolution in their material. He further elaborated on their refined comedic⁣ style: “When those three things I mentioned earlier came together, ⁣it ​became possible to ‍create something ‍like ‘correct champion comedy.’ The basics haven’t changed, but it’s like, ‌’I’m not humble as a‍ comedian.’ About halfway through this year, I felt like I had become a professional, or rather,⁣ I had become a comedian, so I thought I’d⁢ say‍ that as well.”

Kemuri, the tsukkomi (straight man) of the duo, ⁤offered a different perspective on their growth. “Personally, I don’t think my fundamental acting ability has improved, but perhaps the way ‌I’m seen has changed,” he explained.​ “While Kuruma-kun stands out, it may have become easier to see by adding a character‍ like ‘the person ⁣next to you.'” This suggests a⁤ conscious effort to enhance their dynamic⁣ and create a⁣ more‍ balanced ⁢stage presence.

Kuruma attributed a ⁢significant portion of their success to the sheer volume of performances. “Speaking of that, I think it’s probably a big factor that out of the nearly 600 stages we⁣ performed ‌in one year, just⁤ like last year, there were many⁢ appearances at big ⁤halls like NGK (Namba Grand Kagetsu) and ‍Lumine the Yoshimoto,” he stated. “If I had to say, I think the volume of the lowest line has increased a little.” This emphasizes the importance of experience and consistent⁤ performance in honing their craft.

The duo also discussed the feedback they received, especially regarding their stage presence. Kuruma recalled, “The managers and employees at NGK are really⁢ passionate, and they take pictures of⁢ us during the⁢ story and give us advice like, ‘Both of us stand on the inside. Like the ⁢Nakagawa family, we face forward.’ As a result, facing the front may ⁣have made it look like a ‘champion’s manzai.’ in the first place,it’s correct as a ⁢manzai for ‍vaudeville,but as a manzai ‍for ⁤M-1,if you face that much forward in ‍the first⁢ performance,it looks ‍dignified,and‍ with that in ‌mind,they added ‍a place for your shoulders…I think the design was effective. I think so. In addition to speaking, ‌I…” This anecdote ⁢highlights the valuable⁢ role of mentorship and​ constructive criticism in shaping ‌their performance.

Kemuri agreed with​ Kuruma’s assessment, adding, “Looking back at last year’s M-1, I think that his voice and movements ⁢were a ‌bit small. Certainly. In that sense, Kuruma-kun’s ‘I became a⁣ comedian’ might have been‍ at a more⁢ basic stage ⁣(lol).” This self-aware reflection underscores their commitment ⁣to continuous improvement and their‍ ability to identify areas for growth.

Unexpected Upset at⁤ Prestigious M-1​ Competition: An ​Interview with Key Players

The M-1 competition, known for its ​intense‌ rivalry and high stakes, concluded with ⁤a stunning upset. While many ⁢predicted a showdown between established powerhouses,⁢ the ⁢final⁢ results surprised even the most seasoned​ observers. we spoke ‍with key players ⁤to understand ⁣the⁣ twists and turns ⁤of this year’s tournament.

Going into the final round, ⁣”Car,” a prominent ⁣competitor, shared his pre-battle thoughts: “I ‌always thought‍ that the final battle ⁣would be ‌against the vacuum, and​ this year it was a battle between the vacuum, us, and someone else. I was expecting the destructive type ‍of Batteries, Mama Tart, ⁤and Tom ⁣Brown, or Yarens (who ‍held ⁣3rd place)… When Batteries took ​first place and we had an 11-point lead, it felt like ⁤it was going ⁤to be pretty tough.”

Car’s expectations were further challenged by the performance of Batteries. He noted, “He was a top batter, so I thought he would be able to surpass me at that⁤ point, and I also thought ⁤that the tournament ⁢would be in trouble unless he⁣ could surpass ‍me. I thought that (in the second half) ⁣Mr. Evers,Mr.Mama Tart, and Mr. Tom Brown would⁤ also​ get involved.” The unexpected outcome highlighted the unpredictable nature of the ​competition.

Adding to the intrigue, Car reflected on the perceived gap between‍ Batteries’ earlier performance and‍ the final battle:‌ “That’s ⁣part ⁣of it, and maybe ‌it’s as it‌ wasn’t by​ far the best.‍ Up until now,I had passed the race in 1st place by far,and⁣ no matter what I did in the second race,I felt like I was going to win. This time we had ⁢an 11-point lead, ⁤but I don’t think the difference‍ was that ​big after the first run.”

Source: FANY Magazine
Source: FANY Magazine

kemri,another key competitor,offered their perspective: “Our first score​ was high,so we probably wouldn’t be in first place,but we thought we wouldn’t fall. From what I’ve seen of M-1, I⁤ thought ​Batteries was…” Their comments hint at a strategic understanding of the competition’s dynamics and ⁣the‌ unexpected ⁢rise of Batteries.

The M-1 competition continues to captivate audiences worldwide with ⁢its blend of skill, strategy, and unpredictable outcomes.⁤ This year’s results underscore the ever-evolving landscape of competitive gaming and the⁣ importance of adaptability in the face of⁤ unexpected challenges.

Comedy Duo’s Post-Victory Plans: Theater, Tradition, and⁢ New Material

Japanese comedy duo Car and Kemri, fresh off their M-1 Grand Prix ⁢win, recently shared ​their vision ⁣for the future. Their victory⁣ has catapulted them into the spotlight, but the pair remain⁤ focused on their creative process and commitment​ to their unique brand ⁢of humor.

Car and Kemri
Source:‍ FANY Magazine

When asked about their⁢ post-M-1 goals, Car explained their approach to their theatrical performances: “That’s right. To be honest, I couldn’t find the one thing or⁣ form that was‍ right for me, so I tried adding something to suit the ⁢audience⁢ and rearranging the script… There are a lot of ‌seniors who fight like that, so I think we’ll be ⁢exploring them and finding interesting manzai in the theater.”

Kemri emphasized the‍ importance​ of maintaining their creative‌ momentum. “There are a lot of seniors‌ who keep coming up with‍ new material,”​ Kemri stated. “Since we also had ‍M-1, we had a certain cycle of creating new material, but I think it’s vital not to break this cycle. I think doing both ‘yose’ and ‘new material’ will work well, and I want⁤ to make sure we don’t cut corners.”

The duo’s⁤ comments highlight a dedication to both established comedic traditions and⁤ the generation of fresh, innovative​ material. Their approach reflects a ​commitment to continuous‍ growth and audience engagement,⁢ a strategy that likely contributed to their M-1 success.

The interview also touched ⁣upon the unique feeling of connection with the‍ audience often experienced in the M-1 competition.When asked‍ about this, Car responded, “It had that feeling, didn’t it?” Kemri ⁤simply agreed, underscoring the shared understanding of this ​crucial​ element of their comedic style.

Looking ahead, Car acknowledged the inherent limitations⁢ of‌ their ⁣craft while expressing a continued dedication to their art. “It ⁢doesn’t change that​ much, dose it? there are limits to what you can do,” Car ⁤said, suggesting a realistic yet determined ‌outlook on their⁤ future endeavors.


Let’s break down this exciting piece of writing and then imagine how we could continue the story of these comedy duos and their victory.



What’s Happening:



Rising Stars: We meet a up-and-coming comedy duo, Kuruma and Kemuri, who are making waves in the fast-paced world of Japanese⁣ manzai (sketch comedy).

defining Success: Thay reflect on their journey,acknowledging ⁣their own growth but also recognizing the‍ mentorship‍ and constructive criticism they’ve received.

M-1 Upset: The scene shifts to the ⁤prestigious M-1​ Grand Prix,‍ a major manzai competition.The article singles out a surprise‍ win⁣ by a duo called “Batteries,” defying expectations and shaking things up.

Reactions: We see the reactions of other competitors, like “Car” and “Kemri,” who give us insight into the‌ competitive atmosphere and the shock of Batteries’ victory.



Intriguing Questions:



Batteries’ journey: How did this underdog duo manage to pull off such an ⁣astonishing win? What were their strategies? What’s their story?

Diversfying Manzai: The article mentions several competing acts (Vacuum, Mama Tart, Tom Brown, Yarens), suggesting a vibrant and diverse manzai scene. What makes each of ⁢these groups unique?

The Afterglow: What impact will Batteries’ victory have on their careers?



Continuing the Story ideas:



Batteries’ backstory:Delve deeper into Batteries’ past, their training, their comedic style, and the relationships within the duo.



Aftermath: Explore‍ the‍ immediate aftermath of the victory. How does sudden fame affect Batteries?​ What challenges⁣ and opportunities do they face?



Rivalries: Focus on the rivalry between Batteries and other​ prominent acts, like Car or Kemuri. What are their motivations? ‌How do their comedic styles clash or complement each other?



* Manzai​ Evolution:



Examine how Batteries’ win might influence the future of manzai. Do ⁤other comedians try to‌ emulate‍ their style? ​Do ⁣they inspire new trends in comedy?









let me know what direction sparks your interest – I’m ready to help develop this story further!

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