You are now following the news of the shocking details of the hottest scene in Egyptian cinema, which started with hot kisses and ended with full sex in the presence of the film crew.. and the director made no move to stop the actors, and now with the details
RIYADH – Ruwaida bin Abbas – A report on an Egyptian film has been published, which has sparked a wave of controversy before and after its screening.
In details, the famous Egyptian director, Raafat El-Mehi, presented one of his finest films in 1986, which was written by him, starring the artist Yehia El-Fakharani, and one of the most famous alluring stars of cinema Egyptian, the late His Excellency Zayed, and the film bore the title: “Love has an end story.”
The film “Love Has One Last Story” was chosen as one of the top 100 films of Egyptian cinema, and its events revolve around a teacher who suffers from heart disease, and this teacher marries a poor girl, despite the opposition of his mother, who tries to convince him to divorce her in exchange for her right to the inheritance, so the wife fears for the life of her husband, who suffers from a serious illness, and despite his lack of faith in miracles, resorts to superstition, but the disease eventually wins and the husband dies.
A bold and unexpected scene
Artist Yahya Al-Fakharani was in the eighties, at the peak of his artistic activity and at the peak of his brilliance, as he varied between the roles of drama, film and theater, but in a day and a night he felt that his close relationship with his audience was in danger of collapsing after he received a warning to appear before the Prosecutor of Literature, due to a scene from a scandalous film, in one of the most important films in which he participated with the artist Maali Zayed.
It is known that artist Yehia Al-Fakharani selects his artworks very carefully, but in the movie “Love Has One Last Story”, there was a controversial scene, and it includes a different hot scene than the one to which the audience is used to it, and this scene is considered to be pivotal in the work because after it the hero dies.
A relationship of coexistence in the studio
The censorship in the events of the film played its role and cleared the scene to be shown on the cinema screen but one of Dabbak’s character viciously attacked the film and filed a complaint against the artist, Yahya Al-Fakharani, and His Excellency Zayed with the charge. that they had sex in the studio, and had already been summoned with the director via the morality police.
In the book History of Censorship of Cinema in Egypt by the late critic Samir Freij, he said: “Censorship did not ban any Egyptian films from 1984 to 2000, but the demand for a ban is no longer limited to the press, but to judicial arenas as well. “
Samir Farid added in his book, “In 1986, a police officer filed a lawsuit demanding that director Raafat El Mehi’s film ‘Love Has Another Story’ be banned, on the grounds that there was a scene of sexual intercourse between the two protagonists of the film, and the officer assumed that the intercourse was real, and was not just an act”.
Farid continued, “Yahya Al-Fakharani and the artist, His Excellency Zayed, and her husband, the filmmaker Raafat Al-Mihi, were investigated in the Literature Prosecutor’s Office and were released after the investigation.”
The artist, His Excellency Zayed, was married to director Raafat Al-Mihi, who started his life as a screenwriter, then became a director. Among his most famous films as a director are: Al-Avacato, Al-Sadat Al -Rajal, Tamarind Milk Fish and others.
The famous artist of seduction, Maali Zayed then won the best actress award for the film ‘Love is another story’ from Czechoslovakia. However, she remained accused pending trial, due to the scene which aroused controversy and obtained the support of a wide range of intellectuals, but over time the case was frozen without taking any legal action.
The film was only shown for a week and a half in cinemas, as it had failed to attract audiences at the time due to the campaign it was exposed to, across the media and mosque platforms, and after several years the film was ranked among the best hundred films in the history of Egyptian cinema.
