A little time travel in advance. In 1977, James Nolan took his seven-year-old son to the movies for the tenth James Bond adventure The spy who loved me to visit. The agent’s sophisticated self-assurance, the exotic locations, the huge buildings by Ken Adam, all of this delighted the boy beyond measure and condensed into the symbol of the possibilities of cinema itself. In the same year he began with the Super 8 camera making his father’s films with his action figures.
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