Home » Entertainment » Kowloon Walled City Siege Shatters Box Office Records with 2 Billion Yen: Zheng Po-rui’s “Three Sons of the City Village” Triumphs in Tokyo

Kowloon Walled City Siege Shatters Box Office Records with 2 Billion Yen: Zheng Po-rui’s “Three Sons of the City Village” Triumphs in Tokyo

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Kowloon Walled City Siege: Box Office Success in Japan Leads to Tokyo Fan Event







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Kowloon Walled City Siege: Box Office Triumph in Japan Sparks Tokyo Fan Party

Director Zheng Baorui and star Louis koo,along with the “Three Sons of the City,” celebrated the film’s exceeding 200 million yen at the Japanese box office with enthusiastic fans in Shinjuku. The film, “The Siege of Kowloon City,” released last month, has sparked a “city craze” in Japan, prompting the director and cast to express their gratitude. Ticket prices soared as fans clamored to attend the special event on May 23rd.


“City Craze” Sweeps Japan as “Siege of Kowloon City” Exceeds Expectations

The action-packed film “The Siege of Kowloon City” has become a surprise hit in Japan, captivating audiences and exceeding box office expectations. Released last month, the movie quickly gained popularity, leading to a surge of interest and a dedicated fanbase. To show their recognition, director Zheng Baorui and actor Louis koo, accompanied by the “Three Sons of the City” – Lam Feng, Hu Zitong, and Zhang Wenjie – traveled to Tokyo for a special thank-you event.

On May 23rd, the team visited a theater in Shinjuku, engaging with fans during two separate thank-you ticket events. The demand to attend these events was so high that ticket prices skyrocketed, jumping from the original 2,500 yen (approximately 130 Hong Kong dollars) to an astounding 65,000 yen (around 3,400 Hong Kong dollars). Some viewers even confessed to watching the film an impressive 20 times, demonstrating the film’s strong appeal.

Louis Koo Charms Japanese Fans with a simple Greeting

The atmosphere at the thank-you event was electric, with fans eagerly awaiting the arrival of the director and cast. the host announced that as of May 22nd,”The Siege of Kowloon City” had grossed over 200 million yen (approximately 10.4 million Hong Kong dollars). The crowd erupted in cheers as Zheng Baorui and the actors took the stage.

Louis Koo, a beloved figure in hong Kong cinema, received a notably warm welcome. He greeted the audience in Japanese, saying, Hello everyone, I am Louis Koo, I love you. This simple gesture sent the crowd into a frenzy, with more than 400 people cheering and applauding enthusiastically.

Director Zheng Baorui Attributes Success to Comic Elements and Worldwide Themes

Director Zheng Baorui shared his thoughts on why “The Siege of Kowloon City” resonated so strongly with Japanese audiences. He noted that he has been an avid reader of Japanese comics since childhood and believes that the film’s action scenes, which incorporate comic elements, played a meaningful role in its success.

Moreover, Zheng Baorui highlighted the film’s depiction of Kowloon City and the themes of friendship as key factors in its appeal. He stated that he believes the reappearance of kowloon City and the friendship described in the movie are all the reasons why everyone likes it.

Cast Reflects on Memorable Moments and the Film’s Message

The cast members also shared their personal reflections on the film and its impact.For Gisin Peak, the action sequences were especially memorable, thanks to the guidance of action director Valley Kanji. Hu Zitong expressed his admiration for the “Chingzhai Four” and the hope he felt when looking at the cameras from the high building, hoping to convey a message of persistence. Zhang Wenjie fondly recalled playing marinade, emphasizing the friendship and camaraderie among the cast during filming.

Adding to the excitement, Zhang Wenjie, like Louis Koo, addressed the audience in Japanese, further endearing himself to the Japanese film fans.Many fans showed their support by bringing fan art, flowers, and other gifts.

Accolades and Nominations: Acknowledging excellence in action Design

“The Siege of Kowloon City” has garnered significant recognition for its outstanding action choreography. The film recently won the Best Stunt Award at the 29th Satellite Awards, hosted by the American International Journalists Association. action director Tanigaki Kenji traveled to the united States to accept the award.

Along with this prestigious award, “The Siege of Kowloon city” has received 14 nominations at the 43rd Hong Kong Film Awards, including a nomination for Kenji Tanigaki for Best Action Design. These accolades highlight the film’s remarkable quality and its impact on the action genre.

Kowloon Walled City Siege: A Box Office Phenomenon in Japan – An Exclusive Interview

Did you know that a Hong Kong action film recently sparked a “city craze” in Japan, prompting a surge in ticket sales and a special fan event in Tokyo? Let’s delve into the unexpected success of “The siege of Kowloon City” with Dr. Anya Sharma, a leading expert in Asian cinema and cultural trends.

World-Today-news.com senior Editor (WTN): Dr. Sharma, the success of “The Siege of Kowloon City” in Japan is truly remarkable.Can you shed light on the factors that contributed to its unexpected popularity with Japanese audiences?

Dr. Anya Sharma (DAS): Absolutely. The film’s success in Japan isn’t just a fluke; it’s a confluence of factors. Firstly,the film adeptly blends thrilling action sequences with comedic elements,a formula that resonates strongly with Japanese audiences familiar with the action-comedy genre. The remarkable fight choreography, drawing inspiration from Japanese comics and manga, played a crucial role in captivating viewers who appreciate visually stunning and dynamic action scenes. The film’s use of sui generis (one-of-a-kind) fight choreography is a testament to its dedication to visual storytelling. secondly, the narrative’s exploration of themes like friendship and loyalty within the unique setting of the kowloon Walled City creates a powerful emotional hook. this transcends cultural boundaries, appealing to viewers’ global recognition for these themes. The story’s exploration of resilience within a challenging environment likely resonated deeply due to its universality and focus on human connection.

WTN: The film’s box office revenue surpassed 200 million yen. What does this financial success signify for hong Kong cinema’s global reach and the potential for future collaborations between Hong Kong and Japanese filmmakers?

DAS: The film’s phenomenal box office performance in Japan speaks volumes about the expanding global appeal of Hong kong cinema. The success of “The siege of Kowloon City,” exceeding expectations, signifies a greater opportunity for cross-cultural collaborations. It demonstrates the potential for Hong kong films to resonate with diverse audiences and underscores the exciting prospect of future projects that leverage this prosperous model. This financial success opens doors for co-productions, talent exchanges, and the sharing of filmmaking expertise, ultimately enriching both cinematic landscapes. This success showcases the power of compelling storytelling that transcends geographical and cultural limits, emphasizing the potential for similar future collaborations.

WTN: The fan event in Tokyo, with its skyrocketing ticket prices, reflects an intense level of fan engagement. How does this dedication from Japanese fans contribute to the film’s overall impact and legacy?

DAS: The fervent enthusiasm displayed by Japanese fans at the Tokyo fan event indicates that “the Siege of Kowloon City” has successfully cultivated a dedicated following. Fans buying tickets at such inflated prices demonstrate an exceptional level of dedication, indicating that the emotional connection to the film extends beyond typical viewing. This powerful fan engagement, extending beyond the box office, significantly adds to its lasting legacy. Such passionate support can propel the film’s reach beyond those who initially watched it in theaters, influencing future collaborations and sparking continued interest in Hong Kong cinema.

WTN: Director Zheng Baorui highlighted the film’s use of comic elements and universal themes as contributing factors to its success.How crucial are these elements in bridging cultural divides and appealing to global audiences?

DAS: Zheng Baorui’s insights are spot-on. The successful integration of comic elements in the action sequences and overarching themes of friendship make the film easily accessible to a broader audience. Many successful films have demonstrated that universal themes—like friendship, loyalty, and overcoming adversity—form a strong foundation, allowing for cross-cultural appreciation. By incorporating comedic elements that are visually engaging and universally understood, regardless of the cultural background, the director succeeded in creating a film that captivates international audiences. By skillfully weaving together these elements, the film transcends cultural boundaries, creating a captivating viewing experience for all.

WTN: Looking ahead, what implications does the success of “The Siege of Kowloon City” have for the future of Hong Kong action cinema and its global expansion?

DAS: The success of “The Siege of Kowloon City” signifies a turning point in the global representation of Hong Kong action cinema. It highlights the potential for diverse genres within action. This success sets a positive precedent for other hong Kong filmmakers seeking to engage international audiences. This success paves the way for new collaborative projects and reinforces the idea of action cinema not being limited by cultural boundaries. By showcasing the depth and versatility of Hong Kong cinematic capabilities, the film suggests a brighter future for Hong Kong action movies on the global stage and inspires new levels of creativity within the genre.

WTN: Thank you, Dr. Sharma,for these enlightening insights. Your viewpoint provides a deeper understanding of this exciting growth in asian cinema.

DAS: my pleasure. The success of “The Siege of Kowloon City” demonstrates the power of compelling storytelling when cultural barriers are overcome.

What are your thoughts on the global appeal of Hong Kong cinema? Share your comments below and let’s discuss!

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