Home » Health » Jonathan Glazer and Scarlett Johansson’s film is a radical and magnificent science fiction exercise

Jonathan Glazer and Scarlett Johansson’s film is a radical and magnificent science fiction exercise

Adapting Michel Faber’s story, Jonathan Glazer goes deep into the grounds of the most unclassifiable science fiction with this story about the strange tourism of a strange character who travels through Scotland while maintaining a, let’s say, peculiar diet. Seven years later, ‘Under the Skin‘is already in our cinemas.

The woman who fell to the ground

It may be a little reckless of me to recommend an almost silent, experimental film and as formally and spiritually aggressive as ‘Under the Skin’, but my experience forces me to do it: Jonathan Glazer’s movie must be seen in a movie theater. Because in addition to a bizarre and aptly Martian visual treatment, the sound process of the film provided by Mica Levi is one that is not forgotten.





In the spirit of the most experimental science fiction cinema of the seventies, radical and not very friendly with facilitating the experience for the viewer closest to ‘Independence Day’, to give an example, Glazer takes another step towards full authorship with a third feature film that comes almost a decade after his distressing ‘Reincarnation’ (‘Birth’). Her latest film is a 100% artistic project that does not compromise.

Glazer approaches his work more from a sensory dimension than from a real environment, although it is precisely in those desolate places where the film is most devastating. A day at the beach, a few talks on the way to nowhere or a moment of privacy can be more terrifying than any spooky universe to dive into never to see the light of day again.

Unrivaled exfoliation

Before I mentioned ‘Reincarnation’, which in addition to being another distressing genre film, although somewhat more indeterminate, is somehow a luminous precedent for ‘Under the Skin’. Bright. ‘Birth’. Something completely unthinkable ten years ago. The movie starring Johansson is exactly the opposite of birth. Although it seems a baptism in its own way.

Under The Skin critica


Glazer portrays in these two films the existential loneliness of two characters trapped under different skins to which the world has turned its back at any given time. Kidman there and Johansson now they take the reins of history to grow as actresses and demonstrate that your risk and courage pays off. Because now, in the middle of 2020, no one can see ‘Under the Skin’ as the movie in which the Marvel star appears in full nude as well as you can not think of ‘Eyes Wide Shut‘like Tom Cruise’s nude woman movie.

Without fear of excess or grotesqueness, Glazer and his amateur and adventurous air land in our cinemas to put things in their place through a tragic and dreamlike survival story with one of the most overwhelming endings of the last decade. It may have been too late, but there is no doubt that in the midst of a situation like the one we are experiencing, ‘Under the Skin’ may be the most destructive and necessary experience of the strange movie buff season we are going through.


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