Home » Entertainment » Jolin Tsai Performs “Rose Boy” on Japanese Music Channel “THE FIRST TAKE” in Groovy Style

Jolin Tsai Performs “Rose Boy” on Japanese Music Channel “THE FIRST TAKE” in Groovy Style

Jolin Tsai appeared on the Japanese music channel “THE FIRST TAKE”. (Photo/Provided by THE FIRST TAKE)

Reporter Xu Ruilin / Taipei Report

Jolin Tsai appeared on the Japanese music channel “THE FIRST TAKE” and sang “Rose Boy”. She specially re-arranged the song and reinterpreted it with guitarist Luo Shaoen in a groovy style. Since the show only gives one chance to sing, it must be seen to the end , There is no room for NG at all, she admitted that when she stood in the all-white recording room, “I felt my heart beating, and I don’t know why, I don’t know whether it is excitement or nervousness.”

Jolin Tsai went on to say: “Maybe it’s because I’m in a confined space, and I’m rarely watched by so many cameras. Because when I’m recording, I usually have a lot of strange poses, and the lighting is also dim. So it was an interesting experience.” In the video, she took a headphone and walked towards the microphone, took a deep breath, confirmed that the guitarist was ready, and then began to sing with a smile, singing the free soul in the song with a penetrating voice the power of.

蔡依林獻唱〈玫瑰少年〉。(圖/THE FIRST TAKE提供)

Jolin Tsai sang “Rose Boy”. (Photo/Provided by THE FIRST TAKE)

After the successful singing, Jolin Tsai shared, “The arrangement of “Rose Boy” this time is to have a kind of lighting at home like turning on a very dim light, humming softly, and dancing for myself.” Because it is Participating in the recording of “THE FIRST TAKE” for the first time, she said: “So the arrangement has a little Motown, grooving, a little sexy, and then I can swing for myself, so I won’t be so nervous when I sing, I hope the dance can Help me relax a little bit.”

Regarding the biggest difference between normal and daily performances, Jolin Tsai shared: “The biggest difference is that I can interact with the audience in normal concerts, dance wildly, and control the distance of the microphone. Because there are many limitations in the recording studio, it is inevitable I am nervous or afraid of making mistakes. But this is also closer to my usual recording situation, that is, I can’t move too much, and try to enjoy interacting with myself in a small space.”

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