Few filmmakers breathed the atmosphere of the eighties more than Jean-Jacques Beineix, the bad boy who, together with Béatrice Dalle, gave an entire generation of students their favorite poster girl.
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In the 1960s, the French changed film history. It is quite possible to say something scornfully about the Nouvelle Vague – that in addition to brilliant ideas about content and form, there is also a lot of pretense …
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