In a book on the history of the book, where books are cited that in turn speak of other books … This is the “setting in the abyss” written by Irene Vallejo in ‘El infinito en un junco’ (2019), a scholarly essay which, despite its historical rigor, reads like an exciting adventure novel, in which readers walk all the way through that wonderful object called a book.
From its origins in the Sumerian clay tablets, through the reed papyri in Egypt that gave rise to the library of Alexandria, as well as the precious medieval codices written by hand by monks, the first Venetian booksellers, reaching the printed book and digital, in which the reader is possibly reading, right now, that story about books.
Irene Vallejo is a Spanish philologist who for years devoted herself patiently, and pleasantly, to tracing in ancient sources, from the oldest libraries in the world (Oxford and Florence), the still untold stories of book culture. His book ‘El infinito en un junco’, received in 2020 the National Essay Award in Spain, and currently, with more than 50,000 copies sold, it is among the most successful books in Latin America.
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Why did you decide to write a book about books, when there are already so many on the subject?
That’s right, in fact ‘A Reading Story’ by Alberto Manguel was like my compass and my inspiration, I am well aware that there are even bookstores that dedicate entire shelves to books about books.
Starting from that humility, to recognize that it is not an original topic, I felt it necessary to write it when many voices proclaimed the end of the paper book, with the arrival of the electronic book.
But from my perspective as a historian, contemplating the course of the books and all the way that this amazing object has traveled, I had a differing vision of the matter, that is why I wanted to write a book that was a tribute but, at the same time, a testimony of hope.
Although I also want to redefine the relationship between the paper book and the electronic book, I believe that it is a coexistence and not a competition.
My book is a recognition of all that magnificent feat of survival of the paper book, of all the advantages that it continues to offer in the 21st century, that is why I like the reflection of Umberto Eco when he says that the book is one of those almost perfect objects Like the wheel, spoon, chair, scissors or hammer, almost impossible to improve.