Film critic, curator and film researcher Dārta Ceriņa works on the jury of the International Federation of Film Critics FIPRESCI, who says: “In fact, for seven days we watch the films of the “Encounters” program from the spot. The focus is to find extraordinary cinema stories or innovations from around the world. The topography for this program is very versatile – starting with Singapore and ending with Brazil.”
“This is the first Berlin film festival for me. It is exciting, diverse, includes documentary, game cinema as well as cross-genres. It looks like this is going to be a good year for cinema,” comments film critic Nace Zavrls (Hungary), representative of the FIPRESCI jury.
Film journalist Deniza Sertkol (Germany, Turkey) also works on the FIPRESCI jury, who says about the works seen: “This is my 13th Berlinale, and it’s exciting to work with Dart and Nazi on this jury. There are many interesting films that talk about memories, loss, death and rebirth.”
The young Latvian producer Marta Romanova-Jēkabson works in the Ecumenical Jury, and she has to watch 30 films these days: “Mostly films that have some aspect of faith or some dilemmas for the main characters, human questions, choices.” Marta Romanova-Jekabson has worked as a producer on the films “Bille” and “Mother’s milk”, but six people from different countries of the world work with her in the Ecumenical jury.
In parallel with the main juries, almost twenty parallel and independent juries operate at the festival.
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2024-02-22 17:29:14
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