Underneath the Instagram pseudonym _jeanne_dim_, Jeanne, a 16-calendar year-old female from a Catholic loved ones on the outskirts of Orléans, recounts the mockery of her superior college friends about her virginity and the harassment of which she is a target. Intimate reflections sent to her followers and to the fauna of the haters that proliferate on social networks. This contemporary Maid of Orléans is played by a youthful actress, Helena de Laurens, in a engage in by Marion Siéfert that overturns the codes of the theater: the actress movies her dwell effectiveness on Instagram by way of the @jeanne_darkish account. Spectators can pick out to see the clearly show on the phase of the FIAF Florence Gould Corridor or on Instagram Live.
” This is a person of the quite first demonstrates to make these kinds of use of social media. », Clarifies Mathilde Augé, programmer of the festival, about this piece uncovered in the course of the Covid pandemic. ” Marion Siéfert is a incredibly gifted young director, she is a single of the excellent voices of modern day French theater “. The first demonstrate to be performed equally on stage and on Instagram, _jeanne_dim_ will be one of the flagship exhibits of” Cross the line »This yr, the once-a-year competition of art and leisure of the French Alliance française Institute (FIAF). The kick-off of this fifteenth edition will be inaugurated on Friday 9 September with the exhibition “Clin d’Oeil” by the Senegalese artist Omar Ba. The prospect to share a glass of wine throughout a reception open to all from 6pm to 8pm.
Amid the 10 demonstrates proposed until Friday 28 Oct, that of Caroline Guiela Nguyen “FRATERNITY, A Fantastic Tale” – the tale of the survival of humanity just after a planetary catastrophe -, a broad and first output that mixes professional and non-expert actors “Freedom, I will have lived your aspiration until finally the final day” by Felwine Sarr and Dorcy Rugamba mixes theater and new music on the topic of political motivation – the title is a quote from René Char also dance with Kimberly Bartosik’s “The Encounter”, a earth premiere that concerns human relationships after two several years of social distancing or the 90s rave celebration edition of Gisèle Vienne’s “CROWD” which will be played at BAM.
The enjoy by thinker Bruno Latour and director Frédérique Aït-Touati «The Earth Trilogy “, will near the competition. “A reflection on how to carry on carrying out theater”, explains Mathilde Augé, a kind of ” experimentation-staging according to the author’s expression. ” All the reveals push the limits, they are all experiments. But they are all accessible. It was quite vital for us not to have a space reserved for a small class of persons “, Assures the pageant manager, anxious to attain out to the widest possible audience.
A wealthy 2022 program that reflects the demands of our society as we arise from the pandemic – artistic creation, ecology, interactions with many others – ” but we did not want to depress our viewers following these final two significantly distressing decadessmiles Mathilde Augé. T.All of these shows have a concept of optimism! “
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