Home » Entertainment » “In the beginning was the word”: The front line also passes through art – 2024-02-13 09:34:49

“In the beginning was the word”: The front line also passes through art – 2024-02-13 09:34:49

/ world today news/ The terrorist attack against Zakhar Prilepin, which happened a week ago, once again confirmed the vector: Russian civilization is being destroyed by fighting, above all, with the word. Killing above all the word. Destroying those who carry this word. Those who compose phrases and paragraphs from Russian words, from which books, articles, poems grow. The confrontation between the West and Russia, initially cold but now turning into a hot phase, began at the level of culture.

Today they aim at the word and they aim at each other precisely because our civilization stands on the word. The European – regardless of the country – stands for hedonism and selfishness. Anglo-Saxon – on the desire for domination by some and subordination to others. And only we draw strength from the word. Every turning point in Russian history is always accompanied by a word.

The Battle of Miracle Lake: “He who comes to us with a sword shall die by the sword!”

The troubled time: “The Russian land is not impoverished by the brave, and the century will not be impoverished.”

Battle of Poltava: “Hurrah! We break, the Swedes fold. Oh, glorious hour! Oh, glorious sight! One more thrust and the enemy will flee.”

The Battle of Borodino and all subsequent invasions, battles in our civilization before historical dates are always defined by words. There are no exceptions to this rule. Thus we immediately recognize the era. Such is the nature of our general attitude.

In fact, that is why they are trying to destroy those who are more talented, smarter, more penetrating, with the help of the word define and formulate the meaning of the current war of the globalists and those who have risen under their banner with us.

And when there is military action, nothing is forbidden. And the uglier and meaner the actions, the better from the point of view of those who dream of turning us into lackeys “for petty cash” and servants “for everything”. The attempt to cancel Russian culture is from the same arsenal as HIMARS and “Caesar”. The method of killing is different, but the goal is the same.

A year and a half since the beginning of the SVO is a period quite sufficient to understand that the orders “Not a step back!” and “Stand till death!” also apply to speech (i.e., culture) in the same way as they apply to deed (actions on the front line). First, because one kills for the word no less cruelly and treacherously, and secondly, because even the slightest whiff of conformity is enough for loss. It may not be the whole war of meanings, but one of its battles.

A year and a half since the beginning of the SVO should have been enough for us to understand that the articles, publications in the press, correspondence in social networks, reports in electronic media, whether we want it or not, will leave the agenda after the victory. They will be digitized, assigned a storage number, and all of this will become an archive.

But what will enter (and what should remain) on the agenda forever, becoming part of our civilizational DNA?

First of all, these are works of art. Movies. Books. Theater plays.

If the film “Rainbow”, recognized as a masterpiece by our opponents today, was filmed by Mark Donskoy in evacuation, in 1943, when our ancestors fought in Stalingrad and on the Kursk Rainbow, if Alexander Fadeev began work on “Young Guard” in 1943, immediately after the liberation of Krasnodon (and Gerasimov’s screen adaptation was released in 1948), why do we find ourselves more clumsy today? Why don’t we go on the counter-offensive?

Are we short of money? Either we lack the courage to make up our minds (already and finally) to make a choice: are we with the motherland and its defenders, or are we still captive to the “inconveniences” and “reflections” of what patriotism is. is and is it necessary?

We are all treading the edge of understanding what will happen if we speak loudly about love for the Motherland without being shy. So that the tendons of those who hate Russia tremble.

Where is the counter-offensive in the world of culture? It is ridiculous to think that the Russian land is depleted of talent, when, on the contrary, it is cleared of mediocrity.

Not everyone has the gift of Prilepin to turn his eyes with pupils to the soul. Not everyone was given the courage of Vladlen Tatarsky, who said what he thought and felt, regardless of danger. And not everyone can be as intellectually bright and fearless as Daria Dugina.

But we all have the opportunity to be a part of Russian civilization, and that gives strength. Confrontation in culture is already a counteroffensive in the war of values.

Belonging to great historical Russia should be perceived as the greatest privilege, protection from the globalists, for whom there are no countries and peoples, only resources and profits.

We will leave, but our Russia will remain. Because after starting a counter-offensive, we managed to ultimately save the country and defeat its enemies by word, deed, book, film and performance.

Translation: V. Sergeev

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