/ world right now information/ Penderetsky is the second little one within the household of a lawyer from the Polish city of Debika, the place he graduated from highschool. Fourteen-year-old gave his first solo live performance with violin items by Antonio Vivaldi. From 1955 to
In 1958 he studied on the Krakow Academy of Music, then labored there as a trainer, and in 1972 grew to become its director. He additionally teaches in Essen, Germany, and on the Yale College of Music within the USA.
His first works, created throughout his scholar years, had been within the custom of Béla Bartók, then his idol – solo songs, a string quartet, miniatures for clarinet and piano. His assembly with the Italian avant-garde Luigi Nono (19241990) additionally influenced his searches, which we are able to discover in Polish Diary, Emanations, Stanzas and Psalms of David.
Krzysztof Penderecki curiously and skilfully experiments each with particular person devices and with what he considers the inexhaustible potentialities of the human voice – often he treats it instrumentally, looking for the boundaries of its expression and virtuosity. A lot of Penderecki’s mature works embody sounds fairly uncommon for a bit of music: the rustling of paper, the scraping of a noticed, the tapping of wooden, the click of a typewriter keyboard, hissing, screeching. Usually, Penderecki seeks these “non-musical” sound or “sonorous” results to precise excessive, excessive states and emotions, usually drawing on biblical, legendary topics. Amongst his most important and carried out compositions are: “Luca Ardour”, “Tren, or Lament for the Victims of Hiroshima” for 52 string devices, “Dies Ire”, “Magnificat”, “Te Deum”, “Lacrimosa”, ” Polish Requiem”, the violin and cello concertos. Penderecki can also be the writer of three operas: “The Devils of Loudun” (staged in 1969 in Hamburg) – his most well-known stage work to date; “Paradise Misplaced” (based mostly on John Milton’s poem) and “The Black Masks” (based mostly on textual content by Gerhard Hauptmann). In his operatic aesthetics, he adopted – to a sure extent – the pursuits of Karl Orff (in musical theater) and Friedrich Hölderlin (in drama), however established himself as a totally unique creator – one of many innovators within the opera theater. He prefers the recitative model, the dynamic, cinematic growth of the stage motion and the intense expressiveness of the musical expression. The composer achieved all this by means of an natural unity of various stylistic approaches, amongst which we additionally discover parts of neoclassicism from the start of the 20th century. Krzysztof Penderecki’s musical notation is enriched by symbolic notations he invented, representing the varied noises and results.
Penderetsky was supposed to offer a live performance on June 11 this 12 months in Sofia. Along with the Sofia Philharmonic, he would current his Symphony No. 7 “The Seven Gates of Jerusalem” for soloists, reader, choir and orchestra within the “Bulgaria” corridor. In response to the plan, he was alleged to arrive with the Polish soloists Iwona Hossa, Karolina Sikora, Anna Ljubanska, Adam Zdunikowski, Piotr Nowacki and Slawomir Holland
Ognyan STAMBOLIEV
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I current to you his most well-known opera
The Devils of Loudoun
THE DEVILS OF LOUDUN
Opera in 3 acts (33 work)
Libretto by Krzysztof Penderecki (based mostly on the play of the identical identify by Aldous Huxley)
First efficiency: 20 June 1969, Hamburg
Actors
Zhana, abbess of the monastery “Saint Ursula” – soprano
Philippa, a younger lady from Loudoun – soprano
Ninon, the younger widow – mezzo-soprano
Father Grandier – baritone
Father Naked, vicar – bass/baritone
Baron De Lobardemon, Royal Commissioner – Tenor
Father Ranjie – bass
Father Mignon, mentor of the Ursuline nuns – tenor
Adam, Apothecary – Tenor
Manuri, surgeon – baritone
D’Aramagnac, Mayor of Loudoun – no singing
Serise, City Clerk – no singing
Prince Henri de Conde, King’s Plenipotentiary – baritone
Father Ambrose, previous priest – bass
Bontan, jailer – bass/baritone
Claire, the nun – mezzo-soprano
Gabriela, nun – soprano
Louisa, Nun – Alt
Place and time of motion: town of Loudoun, France, 1634.
Content material
First act
Within the monastery “Saint Ursula” within the metropolis of Ludyun. Abbess Jeanne needs to nominate the younger Jesuit priest Grandier because the confessor of the Ursuline nuns. She has heard rumors of his amorous exploits and tries to seduce him, however in useless. The ugly and hunchbacked Zhanna turns into embittered. She prays to God and receives a imaginative and prescient during which Father Grandier goes to the pyre.
* Avenue in Ludyun. Sister Claire provides the Abbess a letter from Grandier, during which he broadcasts that he doesn’t need to settle for the put up of confessor within the Ursuline convent. Jeanne has a brand new imaginative and prescient: Grandier and the wine product owner’s widow Ninon are bathing. Enraged with jealousy, she decides to destroy the daddy.
* A scene during which Grandier and Ninon bathe bare collectively in a big barrel.
* On the road. The apothecary Adam and the surgeon Manuri hate Grandier as a result of he’s extra discovered and extra profitable with girls than they’re. They meet him and determine that he’s getting back from a love affair tonight as properly.
* Within the church. Grandier makes a fervent prayer to God to be merciful to him and present him the proper path.
* Once more within the church. The abbess and the Ursuline nuns put together for morning prayer. Deeply disturbed, Jeanne begins to learn a textual content from a non secular edification e-book. Unexpectedly, Father Grandier enters, wearing festive garments. Jeanne avoids.
* On the road. Adam and Manuri determine collectively to write down a denunciation about Father Grandier’s dissolute life.
* Within the confessional. Philippa, a lady from a rich household, confesses her like to Grandier. The daddy hugs her.
* On the metropolis partitions. D’Armagnac, the mayor of Loudoun, and the king’s envoy, Baron de Lobardemon, are having a energetic dialog. In response to them, Grandier was “politically doubtful” as a result of, regardless of Cardinal Richelieu’s order, he insisted on preserving town partitions.
* On the road once more. Adam and Manuri are already spying on Grandier with the intention of discrediting him to the authorities.
* Gallery within the monastery. Jeanne tells Father Mignon concerning the supposed go to of Devil, who took the type of Grandier, to her cell.
* On the pharmacy. Father Mignon relays what Jeanne heard to Adam and Minori. He additionally knowledgeable the exorcists (monks who drive away evil spirits) Barre and Rangier about this.
* Within the church. Evening. Father Grandier marries the younger maiden Philippa.
* In Jeanne’s cell. Barre and Rangier cross-examine the abbess. She tells them concerning the “harmful servant of the satan” Grandier.
Second act
Within the church. They interrogate Jeanne once more – this time with the assistance of church relics.
* D’Armagnac and the city scribe Cerise discuss to Grandier about Jeanne.
* In Jeanne’s cell. She once more declares that Father Grandier has made contact with Devil, with whose assist he has been in a position to arouse amorous wishes in her and the opposite sisters within the convent.
* From the dialog with D’Armagnac, Grandier understood that by his conduct he was concerned within the political dispute between the king and Richelieu.
* Philippa tells Grandier that she is pregnant by him.
* On the pharmacy. Barre tells of a brand new decree in keeping with which all persecutions of Devil in France have to be instantly stopped.
* Within the backyard of the monastery. The Ursulines are outraged by the brand new decree and demand on talking with Barre.
* On the fortress partitions. D’Armagnac broadcasts the order of Richelieu, by advantage of which all of the fortress partitions within the kingdom will probably be destroyed. Grandier realizes that he’s in peril.
* Within the church. The physician who examined the Ursulines declared that these girls had been solely hysterical, however not possessed by Devil. However Grandier is framed by Jeanne as an “instigator”.
* In entrance of the church. A efficiency is given during which the “possessed of Devil” roll on the bottom, screaming wildly and tearing their garments. The king’s emissary, Prince Henri de Condé, insists {that a} relic field be positioned over Jeanne’s head as a result of she has publicly declared that she has freed herself from the facility of the satan. However the field seems to be empty – Jeanne and the Ursulines lied!
* The Crown Council, having obtained details about the general public show of exorcism (expulsion of the satan), has gathered to determine precisely what the guilt of Father Grandier is.
* In entrance of the church. The guards arrest Grandier and take him away.
Third act
Evening. Father Ambrose is in Grandier’s cell. Father Mignon is with the praying Jeanne. Grandier prays elsewhere.
* Cell. Baron de Lobardemon informs Adam and Minori of Grandier’s sentence. They bring about the daddy with out garments and barefoot. They lower his hair, pull out his nails.
* Plaza. They bring about within the condemned Grandier. He was accused of three lethal sins: lewdness, blasphemy, and sacrilege. Grandier maintains his innocence. Lobardemon tries in useless to get him to plead responsible and signal the sentence.
* In her despair, Jeanne tries to commit suicide within the convent, however the sisters stop her.
* Once more within the sq.. Regardless of the horrible torture, Father Grandier refused to confess his guilt.
* Procession. Dressed within the garb of a heretic, with a sharp cardboard hat on his head and a rope round his neck, Father Grandier walks slowly in the direction of the tall pyre.
* The procession passes by the monastery of St. Ursula, the place Jeanne seems. Father Grandier asks God to forgive the sins of his enemies. Lastly, the procession stops on the pyre. They tie up Grandier. When Barre, in his impotent rage on the condemned man’s “fiendish firmness,” leans right down to kiss him “for reconciliation,” the gang shouts “Judas!”. Father Naked and the brothers of the order gentle the pyre.
FROM “A NEW BOOK ON THE OPERA” – VOLUME 2 – AUTHOR OGNIAN STAMBOLIEV, EDITOR. “G.LIBRIS”, SOFIA
#MEMORIAM #Krzysztof #Penderecki #nice #musicians #23.11.1933 #29.03.2020
