This summer will not be remembered well by Hollywood. While just a few months ago, the studio heads were intoxicated with early successes Creeda IIIfourth John Wickbillion super maria, horror movies and after all, those too Guardians of the Galaxy (currently Star-Lord already has a nice 835 megabytes), with the onset of summer it’s from mud to puddle. Not to be excellent Spideyho, so at the box office it didn’t live up to expectations or almost every major film from the last few months failed. The latest return of the beloved archeologist with a whip and a cool hat in the started trend unfortunately continues.
IIndiana Jones and the Tool of Fate opened in a far above-average number of 4,600 theaters (only five films had more theaters available overseas) and gobbled up most of the IMAX and other premium theaters from the remaining unfortunates. In addition, he had an extended, exclusive and study-sought Independence Day weekend. Everything was in vain. Just 60 million for the opening weekend is level Flash and even though the Indy will get close to a kilo very quickly thanks to the following holidays, he will still have trouble conquering just 200 rounds in the US.
Bad news for James Mangold, Harrison Ford and another is not the end even when looking at the global numbers. Perhaps even more tragic is the sight of 70 million from the rest of the world. Salvation for Tool of Fate neither did China. The ridiculous two watermelons mean that almost no one came to the multiplexes there. How could he, if the previous parts Indy’s in a country of billions, they never went to the cinemas. Maybe so Disney he didn’t even have to bother.
What is the final nail in the Disney coffin? Huge budget. While previously there was talk of a quarter of a billion, in recent months a number fifty balls higher has begun to be put forward, and Deadline even recently swears by the fact that the mouse actually spent an incredible 329 million on the filming of Indy (as well as Jurassic World tens of millions of dollars are said to have gone towards the rentier Steven Spielberg). Not to mention the extra kilo for the necessary advertising. This will simply hurt all interested parties, and not just the troubled head of Lucasfilm Kathleen Kennedy is surely asking: God, why such a cashier?
Mangold Holt didn’t shoot the ball we’re embarrassed about Kingdom of the Crystal Skull everyone wanted, and teenagers obviously don’t care much about the aging archaeologist fifteen years after the premiere of Skulls. Instead of a repair after four, we got an adventure film, which, although many rate it better than a convincingly rambling colleague Mr. Hladhowever, even those who are more satisfied have reservations and agree that no flawless show has landed in cinemas that would approach with its qualities number one a triplet. Rotteny reports an average rating of 6.3/10, an average B Cinemascore just a hair better than SkullsIMDb has stabilized at 6.9 and relatively the most satisfied are actually the domestic users of CSFD, where the average rating to date is a satisfactory 73%.
I’ve been asking myself for a week now, what exactly? Disney’s led to posting Indy’s to Cannes. Did they misinterpret the test screenings and think they were going to show a cracker in the south of France? After all, already in the second half of May (after the first festival screening), the whole world was talking about the fact that the fifth was not very successful, and this was subsequently answered by the tracking, which warned of a similarly low opener for many weeks in advance.
At the same time, the rule in Hollywood has always been that if I am no longer sending a show to the cinema, or at least a highly above-average thriller, I postpone press screenings until the last possible moment. Above all, let it not be shouted a week before the premiere that no miracle is heading to the multiplex. When Indiana Jones it went viral a month and a half before the premiere. It’s summer and before the competition shows up, it will be Tool of Fate pouring in tens of millions of bucks every weekday, however, after a 130 million global opener, it looks like it will end up somewhere around the necessary four kilos. In other words, half of what was taken by the already mentioned fifteen years ago Kingdom of the Crystal Skull. That’s the work.
Bob Iger has some Fridays to think about. If we don’t take into account Christmas Avatarto which a reappointed boss and a vainly looked for savior Disney’s he came blind to the violin, so he observes one disappointment after another. Something tells me he’s taking it personally because he was the one who, to the cheers of watching shareholders, once bought Lucasfilm, Pixary a Marvel. Formerly highly successful branches, which, with the exception of the ranks already mentioned Guardians of the Galaxythey are throwing one flop/disappointment after another into the multiplexes.
For the second place in the USA, two – perhaps in every way different – animes are fighting with the same 11.2 melons. For example, the budget. While Spider-Man: Across Parallel Worlds came out Sony to a surprisingly low kilo, Pixar purchased Among the elements for double. Another difference is sales. Popular and perhaps praised by everyone Spidey counting a whopping 607 watermelons from around the world and it’s not over yet. Classic and not particularly cool pixarovka then, despite decent numbers from weekdays, she still hasn’t lost even two kilos.
The triumph of the uniquely drawn spider only tarnishes rumors of desperate and overworked animators leaving the team of perfectionists in droves Phil Lord. Premiere watched triples next year is therefore very uncertain, and the next few weeks should tell whether it will be postponed again. I’d bet pretty much on it.
She probably won’t even be naked when she’s satisfied Jennifer Lawrence in the potato position. Simple comedy Nothing bad although it satisfied most viewers in cinemas with its qualities, but… With a budget of 45 million bucks and a launch in more than 3,200 cinemas, it still wanted more than the current 29 balls from American and another 20 from world cinemas.
Although I think that on the stream (given that the film is produced by Sony, we will quite possibly see it in a few months on Netflix) will be a hit, but unfortunately it’s not a big show in cinemas. somewhere JLaw not even the studio will be satisfied. Especially when they observe half dips, so no perennial.
Transformers: The Awakening of the Monsters I’ll finish with a note that the next two-hundred-million return of the Autobots to cinemas is not among the biggest flops of the year, but the current 381 global watermelons are still not enough. Paramount probably can’t afford to cut one of their last big franchises, but their accountants are going to have to work hard to get the bots into the black. A few tens of Mega will certainly play their part, which they will send to themselves for the streaming premiere on Paramount Plus.
Sixth place and another weekend loser. Animation Krakenteena Ruby you can also see it in our cinemas, but who would after weak trailers for god’s sake did he bother? Although the generic-looking picture received a decent A- from the first viewers, the opening 5.3 balls from the USA and another 7.6 from the rest of the world is an appalling result for a hitter for seventy mega. Universal by the way, last year just this weekend they sent the ultra-successful to the cinemas sequel to Mimons, which with a slightly higher budget almost cost a billion. That’s just for comparison.
What about the other four? She can actually be relatively satisfied in the end The Little Mermaid. Not that 523 global megas is an amazing certificate for a Disney star, but when you look around…
What is important is the fact that 280 rounds have already fallen in America, and the successful campaign in American multiplexes will certainly be reflected in early PVOD sales on iTunes and then the numbers from Disney+. It could have been worse and I wasn’t the only one expecting to be boycotted by stupid people a few weeks ago Fairy it won’t even surpass half a billion.
Flash at number eight he has 99 million from America and 146 mega from the rest of the world. This is the number that would u Warnersstruggling for years with crazy by Ezra Miller, it may have passed in the first weekend. The problem is that we are talking about total results after the third weekend in theaters. Something tells me we have a hot candidate for biggest loser of the year here. And there are so many Batmans…
The nine is taken by the individual Wes Anderson and his Asteroid City. Looking at 18 balls from the USA and another 11 from the rest of the world is not exactly optimistic, but Wes he never broke box office records and, like many times in the past, almost everyone played for him practically for free in a movie for a reasonable 25 megs. It’s just Scarlett Johansson would rake in a similar amount if she hopped in another Marvel movie or headed to Applewhere she had a place Any of Arms originally tokat s Chris Evans v Ghosted.
The ranking is closed by either solutions Guardians of the Galaxy: Volume 3or Skeleton. The average horror film with a relatively high budget of 35 million started in America a few weeks ago with an insufficient 12 balls, but as in many other (not only this year’s) examples of the genre, it has become a decent perennial and currently already has almost 40 melons in the US. The world adds two, so in the end, one more.
Overall ranking of weekend sales here
The fifth installment of the horror film will try its luck in cinemas next weekend Insidious with a subtitle Red door. Well, for those who can’t wait, the previews that have been delayed for years will start already on Sunday Mission: Impossible Retribution – Part One. If he should Tom Cruise after Maverick to save cinemas again, he couldn’t have chosen a better time.
2023-07-02 22:01:00
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