Heritage in more challenging materials. The very first vinyl data of Haraldas Sīmanis and Juras Pavītolas / Diena have been introduced

The resurgence of vinyl data is forcing musicians to regard them as a medium that has outlived all many others and is considerably extra at ease to use today. And it will be in the long term far too, when the present “Spotify” is replaced by anything extra modern-day. The history is like a replica of the musical product in a sound product – similar to inscriptions carved on stone or visuals cut out of wood, microscopic grooves are imprinted in the wafer, against which the needle can study the tunes by bodily rubbing, having said that shocking this is wonder still rings. The first recordings of two outdated masters of our new music who crossed the threshold of their seventies were being released nearly concurrently in the structure of a huge black history – both of those expert the moment when the report was the most widespread file release format and awaited its return and the incessant improve of consumers. is Inhabit information by founder Jura Pavītolas and singer Haraldas Sīmaņas – both are important sufficient to be in any Latvian audio lover’s collection.

Liv they do not know

For yrs, Juris Pavītols has felt undeservedly overlooked every time the group he launched in 1972 Livio the title is no lengthier related with him. Inhabit in the monument Ghost tree His tracks are not played in Liepāja, and neither are his music in the rating e book with fifty songs Liv shields, with which the assortment starts in hymn manner Livio. Gold 1 (2002, Microphone recordings). This point can be partly discussed by the point that most of Jura Pavitolas’ songs have not been recorded so much and a lot of have not listened to them at all. Very well, that hole was bridged, by 1st recording and releasing songs created and unveiled in the 1970s. Mirror portrait of the witness.

An inscription is visible on the protect of the plaque designed by Otto Zitmanis Livio on the flag hanging in front of the window, but it can also be witnessed as a depth of the graphic upcoming to textbooks, musical instruments and dishevelled pants (which, of course, draws in interest), relatively than as an sign that there is Livio. This name is not on the fringes of the document, even however the band of that name played the songs on the album about forty-5 years in the past. Mārtiņš Krastiņš, the compiler of the heritage of Latvian sound recordings, blended the material recorded very last yr in this sort of a way that the recording seems respectable and musically fulfilling in 2022 as perfectly, and produced the album for his own label. Dishin which Raimonda Paula and her teams have presently been thoroughly restored Thunder historical paperwork.

These are very distinctive in fact Livio, in which there is no trace of the subsequent hard rock and pop rock. Most of the tunes have superior-high-quality lyrics by Imantas Ziedonis, two by Vytautas Lüdens, although it truly is hard to notify them aside from Juras Pavitols himself when listening. The seem of the tunes, if that had been so then, could also be identified as the starting of Latvian prog-rock, which paralleled Raimonds Paul’s experiments in this style and people of Mārtiņš Braun Onions, and for the two of these instances the legs grow from the group Cathedral – Raymond Pauls collaborated with the musicians of this group at that time, but Onions actually it is Cathedrals continuation.

The characteristic theatricality of Latvian songs of the 70s is felt in some places, but the album was also born as a memorial to Jura Pavītolas, with the participation of his son Matīs, who sings alternately with his father, and of the former Inhabit associates, feminine voices are sung by Karina Tatarinova. The similarity of Zemgali’s war music to a common rock hit is placing Yellow River (Christie), but there is no reference to it. The musicians are ready to present this material in a live performance on Oct 7 in a historic put – the House of Society of Slampes, where by the 1984 microphone detection concert took spot, and Juris Pavītols took aspect with his group Experienced.

Who does not know the time

At the time, invited to a radio exhibit just to discuss about his recordings, Haralds Sīmanis confirmed up with a guitar and was completely ready to engage in, anything that only an complete bizarre would dare deny a piece like Sīmanis, for the reason that just about every time he sings reside in front you are an a must have enjoyment for the soul, if it is so mundane it can be said The operator of a powerful voice executed his songs by yourself with an acoustic guitar or organ, which, as he states, commenced to master and perform at the identical time even though repairing the roof of a church in Latvia – this has been his profession for many several years. Not walking on strong ground, but observing the globe from above, as perfectly as frequently hanging in the air and currently being on the verge of threat, he has created inspiration for tunes that do not know the time. Harald Símanis has constantly been outside the house the usually acknowledged counting method, and it never mattered when it was recorded, and this, somewhat than any other, evidently was more favorable to him.

Harald Sīmanis has also been joined in concert events and recordings by other musicians, most frequently instrumentalists Ilze and Andris Gruntes, as nicely as famed singers Ieva Akuratere and Zane Šmite, who are intently related to Harald Sīmanis. All of them can be listened to on this recording as well, together with percussionist, Latvian best percussionist Artis Orubas and guitar virtuoso Valdis Vanadzinas, who has not often been read recently.

Haralds Sīmanis, contrary to other singers, does not publish his personal text, and in this history almost all the text are composed by Arvīds Ulme, even if the singer has reworked some of them about time, letting the tracks to live their have everyday living. This disc does not incorporate tracks with poetry by François Villon (1431–1463), a representative of the early French Renaissance, which Haralds Sīmanis sang a lot, but this time there is no organ either. In the recording, as opposed to Jura Pavītola’s record, there is no attempt to maintain the authentic arrangements of the items, simply because in this situation it was not as crucial to make them audio as Haralds Sīmanis hears them now, at the age of seventy, and for this anniversary as a publishing home Fragment a plate is also devoted to the gift In the circle.

On a music streaming website Spotify (do not research with the word “Haralds”, just publish “Sīmanis”) you can also hear to three tracks that have been left out of the last version of the album, but there are twelve music on the disc, composed in unique time intervals more than diverse a long time . Of course, the title Haralds will continue to come in helpful when looking someplace for Simanis’ major hit the needle, which is not in this report. Haralds Sīmanis is also waiting around for us at the concert, which will be held as aspect of the Poetry Days at Lante Manor on September 10, and will be attended by Zane Šmite, Ilze Grunte and Raimonda Vazdika.

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