It is clearly visible to us, in the picture above, which haunted the harmony between architecture and nature, in the “Wasit Wetlands Center” reserve, in the city of Sharjah, in the United Arab Emirates.
We can be almost certain that the feeling of completeness in the vision of harmony between these visual concepts of architecture in the spontaneous areas of nature is certainly the result of our ability, through cultural knowledge, to imitate to build a community within the natural environment, and even to consider it as a creative space capable of building a living dialogue with human creativity For example, it is not possible to overcome the “impressionism” of the French artist Claude Monet in the painting “Impression, Sunrise,” or the “Impression, Sunrise”. astronomy” of the Emirati artist Abdul Qadir Al Rayes through the symbolism of local trees, without establishing a fundamental convergence of the meaning of “visual anthropology” and research on human cultures and civilizations, which have always been united in one main thing, which is to follow the behavior of the natural world around us, including living organisms and non-living things, that is, a conscious statement of the natural nature of things, and from it that man fulfills his abilities anew, and through him the compatibility and change between man and nature continues, because it is a true desire, driven by our need to communicate, and then achieving cognitive and cultural development based on exposure to the natural environment.
