MEXICO.- Born in Reynosa, on January 28, 2002, 21 years ago, Hannia Valle Rosales has been a flash since her appearance in the Rafael Solana Theater Competition. Short in stature, petite and graceful, Hannaia has been a disciplined artist who dances as well as she sings with the natural gift of gesticulation that provokes laughter and emotion from those who have seen her performances in forums in Tamaulipas and now in North America. .
Selected in a Latin casting, to stage the play The Little Prince by Antoine de Saint Exupery, legendary French writer and aviator, who with his work has infected the hearts of children and adults in the world, 80 years after its appearance. Called by the Casting Hispanic Alliance for Perfoming and Audiovisual Arts HAPPA, of Houston, Texas, for the role of Las Flor y el Zorro, from the well-known work of the French author, in the month of May and December of last year, in two successful seasons in theaters, TBH the MECA and at the Luxory Theater with the sponsorship of the Houston Arts Council.
Her quality had already been visualized by the filmmaker Luis Felipe Tovar, who included her in a short film where Hannia showed her enormous abilities for cinema. She also under the guidance of Medardo Treviño, in the play The Nutcracker, and in that order with the directors Martha Valdivia, Marte Rodríguez, Norma Valenzuela, Mario Treviño, Eduardo Calderón and Sandra Balderas. Without a doubt, an effort of great drive and fresh air in the performing arts of Tamaulipas. Now at the spearhead of the Hispanic Theater of
the United States under the direction of Alexander Martínez, who discovers Hannia’s innate qualities, by subjecting her to rigorous discipline in alternative roles on the Hispanic stage, which prefigures an actress of open competition for the theater but also for the cinema, for her characteristics as a young adult and her appearance as a girl.
Friendly, smiling, her gesticulating skills infect audiences. For its extraordinary capacity to adapt and enrich the characters with solutions outside the original text. In her recent performance at Houston’s Luxury Theater, she plays two roles; The Flower and the Fox, in the absence of the second character, attracting the admiration and applause of a packed theater in the 6 presentations, the last under contract. I ask him; As you arrived at the Hannia theater, she answers me, pointing to her mother, Tania Rosales, “for my mother, who likes theater and acting…” With a concentrated memory, with the ability to break the dialogue, the young actress is a promise that points to big steps towards its consolidation in the theater of the United States, where it has received proposals from other directors. She tells me; “I would like to make movies, I think I can do it, it helps me a lot that she looks like a girl and my adaptation to the characters very quickly. For now I’m learning, and I’m having fun, I thought I still have a long way to go, but I’m moving forward with my breath.
of my parents…” She moves a lot in Jackson Pollock’s Chair during her recent visit to my workshop, her hands flutter, she moves her eyes, she plays, she claps her hands, she makes dengues that invite you to laugh, without a doubt a versatile actress, who will find other proposals in comic and dramatic works.
Maybe I say it from my heart, but this young girl was born for bigger dreams, because of her theatrical quality it opens the doors to the theater of the United States, and the opportunity to be observed by other directors and authors, including cinematographic ones. Being on the billboards in theaters in the United States predicts better work and quality of their performances. The support of the Hispanice Alliance for Performing and Audio Vidal Arts and the Arts Council of the City of Houston is the starting point for the tangible dreams of Hannia Valle Rosales, my granddaughter, pride of Reynosa Tamaulipas.
PER. ALEJANDRO ROSALES LUGO
EXPRESS/THE REASON
2024-01-07 17:41:58
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