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Photo: REUTERS
With the latter she may have referred to the division in French film criticism, but also to the booing in Cannes at some screenings. Titanium may not be a film for the general public, but the Golden Palm may be able to help direct people to it who are open to cross-border cinema. The film will hit Belgian cinemas on July 28.
‘Now that I’m an adult and a director, I realize that perfection is a chimera, a dead-end street. Monstrousness, which terrifies some and which permeates my work, is a weapon and a strength. It pushes us to challenge the normativity that traps us and drives us apart. Because there is so much beauty, emotion and freedom to be found in what cannot be placed in a box.’
She thanked the jury for recognizing the need for a more inclusive and fluid world with this award. Thank you to the jury for calling for more diversity in our experiences in both cinema and our lives. Thanks to the jury for admitting the samples.’
Ceremony in total chaos
Spike Lee’s blunder turned out to be the prelude to a ceremony in total chaos. Spike Lee even had to be stopped a second time just in time to prematurely call off the Palme d’Or. Celebrities on stage regularly looked at the judges in hopes of finding out exactly what the intention was. The jury itself seemed hopelessly divided and even went for an ex aequo several times. For a director of Asghar Farhadi’s stature, that’s almost embarrassing – even if he may not see it that way himself. Finnish director Juho Kuosmanen was clearly pleasantly surprised and said Farhadi on stage that he had long been happy to hold on to his award.
The prize for best direction went to the Frenchman Leos Carax for his musical Annette with Adam Driver and Marion Cotillard. The man did not collect the prize himself, but left it to the two brothers of the pop band Sparks, who came up with the entire concept of the film and wrote the lyrics and music for it.
Belgian director Joachim Lafosse therefore returned home empty-handed – even though he had The unquiet made a very strong film. The director of the best debut, Croatian Antoneta Alamat Kusijanovic, was unable to pick up her Caméra d’Or herself, but had a good excuse: she had given birth to her first child the day before.
In the side competition ‘Un Certain Regard’ the prizes were already awarded on Friday. The main prize went to Unclenching the fists , a Russian film by Kira Kovalenko about a girl in North Ossetia who tries to escape from her village. Teodora Ana Mihai received the ‘prize for courage’ for Civil , about a Mexican mother who fighting the drug mafia . The Fipresci Prize, an award presented by a jury of journalists, went in this category to the French-speaking Belgian film A world by Laura Wander.
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Photo: REUTERS
Honors of the 72nd Cannes Film Festival
Golden Palm: Titanium, Julia Ducournau
Grand Prix, shared between : Un héros, Asghar Farhadi en Cabin No. 6, Juho Kuosmanen
Jury prize shared between: Memory, Apichatpong Weerasethakul in Ha’berech, Nadav Lapid
Golden Palm short film: All the crows in the world, De Tang Yi
Best actress: Renate Reinsve, The worst person in the world
Best actor: Caleb Landry Jones, Nitram
Best director: Leos Carax, Annette
Scenario: Drive my car, Ryusuke Hamaguchi
Un Certain Regard Prize: Unclenching the fists, Kira Kovalenko
Golden Camera: Murina, Antoneta Address Kusijanovic
Palme d’or of honor: Marco Bellocchio
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