“Da Vinci made the portrait on the shores of Lake Como in Lecco, northern Italy,” says geologist Ann Pizzorusso
Maybe probably the most convincing reply to this point about the place he painted Leonardo da Vinci the “Mona Liza” was lately given by the Italian Anne Pizzorusso, a geologist and artwork historian specializing within the Renaissance. By combining her data in two fully totally different fields, she believes she has lastly solved the good thriller of the panorama in one of many world’s most well-known work. A thriller that has lengthy preoccupied artwork historians, with some believing that the panorama was nothing however a product of the painter’s creativeness or some idealized model of the panorama in his thoughts and others suggesting totally different areas of Italy, however with out enough arguments.
The Italian geologist and artwork historian specializing within the Renaissance, Ann Pizzorusso
“Geologists do not have a look at work and artwork historians do not have a look at geology,” stated Pizzorusso, who believes the Da Vinci he painted the portrait in Lecco, on the shores of Lake Como within the Lombardy area (northern Italy). By combining the bridge, mountain vary and lake depicted within the portray with the 14th-century Atsone Visconti Bridge at Lecco, the view in direction of the southwestern Alps and Lake Garlate, which the painter is understood to have visited, he believes he has recognized all the weather of the mountainous panorama behind the “Mona Liza”. He additionally factors out that it’s a mistake to focus solely on the portray’s arched bridge, a trademark of the Italian countryside, to find out the precise location depicted.
To assist her concept she identified that the rocks at Lekko are limestone, which is why the Da Vinci depicted its rocks in gray-white shade, and likewise that from his notebooks we all know that he had explored for a very long time the realm of Lekko and additional north. “I’m very happy as a result of we actually have all of the proof gathered in Lekko,” stated Pitsorusso on the geology convention held within the space. Maybe that is probably the most scientific reply ever given for probably the most scientific artist of all time, who is understood by his college students to have insisted on the correct depiction of nature.
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