New York September 8:
At any time since Fujifilm introduced the GFX procedure of medium structure cameras, the selection of lenses has steadily increased. Today at the Fujifilm X Summit 2022 in New York they introduced a different lens. No wait, a few truly, but let us take the new Fujinon GF 20-35mm F4 R WR to start with.
GF 20–35mm f4, is a weatherproof vast-angle zoom with a 108-diploma diagonal impression angle of 20mm. It’s smaller sized than you consider, weighing just 725 grams, which is practically amazingly light-weight for a extensive-angle zoom for medium structure cameras.
The focal length is equivalent to 16-28mm in the 35mm format, which is a zoom vary appropriate for a huge array, from landscape to interior and architectural pictures. Fujifilm has geared up the internal zoom of the lens, so that the duration of the lens does not improve with the focal length.
The lens is weather conditions resistant and the bayonet mount is strengthened with magnesium for enhanced longevity and minimized weight.
The optical development consists of 14 lenses in 10 groups. They are divided into a few aspherical ED components, one aspherical and a few ED lenses. They are intended to cut down distortion, chromatic aberration, and lessen ghosting and scattered light. Lenses with this sort of a huge angle are more sensitive to stray light-weight, so this is an critical element.
Fujinon zoom is out there at the stop of September 2022 for 27,999 SEK.
Technical specs:
- Focal duration: 56mm (equal to 16-28mm for 35mm format)
- Utmost aperture: f / 4
- Minimum aperture: f / 22
- Filter diameter: 82 mm
- Proximity limit: .35m
- Maximum magnification: (T) .14x
- Number of slats in the opening: 9 (rounded)
- Size: 88.5mm x 112.5mm
- Excess weight: 725 g
Fujinon tilt and change
Simultaneously with the launch of the 20-35mm, Fujifilm showed two prototype tilt and shift lenses for perspective correction. Here we have incredibly tiny to say, other than that it is a 30 and a 110 mm, both with f5.6 in brightness.
Both equally are produced for Fujifilm’s GFX sequence medium structure cameras. With a 30mm equal to 24mm and a 110mm equal to 87mm – in the 35 film format we can guess that there is also area for a 63mm. Which corresponds to a 50 mm.
When and so on, we do not have the slightest ifs, but really don’t hold our breath, due to the fact we possibly is not going to see any on store shelves until 2023. By then, they’ll possible be a major In addition to photographers finding a lighter architectural career, product or service and trend photography.
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