Home » Entertainment » Fouad Hamira leaves, steals the pen and the nation… “Dying is nice, my kids.”

Fouad Hamira leaves, steals the pen and the nation… “Dying is nice, my kids.”

Fouad Hamira leaves, steals the pen and the nation… “Dying is nice, my kids.”

The viewers will all of a sudden see a social drama known as “Males Underneath the Tarbush,” directed by the late Sheikh Al-Kar. Hisham SharbatjiIndividuals ask who created this joke that gained girls’s rights? The work brand says, “Written by Fouad Hamira.” From this started the story of a author who made a particular mark in each work he introduced that might not go unnoticed, earlier than he left our world, with out a pen within the nation.

Humayra introduced Syrian social works that have been broadly acclaimed and nicely distributed, and most of them expressed of their messages the considerations and issues of ladies, which he addressed in his works and defined them with full bias in direction of the feminine factor. The sequence “Males Underneath the Tarbush”, with which he started his wonderful profession, was a piece that talked about how three girls suffered from the male management of their husbands, and betray them. The viewers sympathizes with the characters within the work, which pulls consideration to violence towards girls and the position of the legislation of their injustice.

Years later, Humaira introduced the sequence “Slender Corridors”, during which he visited a girls’s jail. The sequence was filmed in a girls’s jail in The nation of DamascusBy following a bunch of feminine prisoners, this sequence defined what occurs behind bars, and the way injustice and social and male stress have been the explanation most of them ended up in cells jail

Later, the ladies’s story was accomplished via the sequence “Scorching Winter”, the author’s newest work that was proven on tv, and during which he offers with a number of points, in did girls play a number one position.

Tales of injustice and corruption

register The late author In his archive is a well-known sequence that handled darkish tales concerning the injustice of state cronies and their followers, in “Deer within the Forest of Wolves,” directed by Rasha Sharbatji. By means of the character of Samer, the officer’s son, Fouad Humaira confirmed the quantity and high quality of “talking” that these individuals do in direction of poor and marginalized individuals, with the assist of the authorities.

Likewise, the author confirmed corruption from different angles in “Slender Corridors” and “Scorching Winter,” and was in a position to isolate the rampant corruption within the unjust authorities, and likewise in society, giving together with bribery, homicide, ignorance, and others. His works have been intrusive, refined, and daring, in contrast to different works that have been introduced, establishing a particular college that many individuals attempt to comply with at present.

Recorded Levantine atmosphere

The late author introduced a three-part Levantine Surroundings sequence, “Al-Hasram Al-Shami,” during which an elite group of Syrian stars gathered. As a substitute, Humaira didn’t depend on the Jirn al-Kubba, the Colonel, and the Commander. As a substitute, he spoke concerning the actuality of Damascus, with the accidents there, the uncertainty of the individuals , their errors, their racism, and their sectarianism, established. on the e-book Every day Damascus Incidents by Ahmed al-Badiri al-Hallaq.

“Al-Hasram Al-Shami” by director Saif Al-Din Al-Subaie revolves across the battle between Aghawat within the Levant, which left tons of useless and wounded, in addition to injustice, justice and excessive costs. Fouad Hamira didn’t present the great thing about the Levant as seen in present Levantine environmental works, however as an alternative allowed the viewer to see the true image of that point, together with incidents of rape that might result in the development of individuals discovered inside the household. to cowl up the scandal.

Humaira didn’t sing the praises of the town of Damascus, however as an alternative introduced it as a spot stuffed with blood, fireplace, and non secular intolerance between Muslims, Christians, and Jews a distinct view drawn from forgotten historic books. everybody besides the author. Nonetheless, the Orbit Community’s monopoly on broadcasting the work prevented it from dispersing, and it didn’t attain the general public till at present.

Fouad Hamira between journalism and performing

Earlier than coming into the world of dramatic writing, Fouad Hamira labored as a journalist. He began within the area of drama via the Youth Theatre, then the College Theater and the Staff’ Theatre. Later, he reached the world of dramatic writing via the artist Salim Sabry, who helped him enter the sector.

Later, Humaira participated as an actor in a number of works that he wrote, and his first look was as Abu Zidan within the sequence “Deer within the Forest of Wolves”, a guard in a psychological establishment that ‘ commit the crime of rape. The deceased performed his position with perfection and fame, so the director Rasha Sharbatji requested him to take part once more within the sequence “One other Wet Day” by the author Yum Mashhadi, the place he performed it’s a small half efficiently.

As for the primary position he performed, it was within the second and third a part of the sequence “Al-Hasram Al-Shami”, via the character of Kulla, the position that climbs on the labor of others and tries to earn cash there. varied unlawful methods, and that was the largest position the deceased performed in his position.

Out of Syria

With the start of the Syrian revolution, the author Fouad Humaira supported the Syrian individuals and directed his pen and his voice towards the Syrian regime and safety repression. He left the nation with the start of the growth of the battle, settled in Egypt and moved between Türkiye and Jordan. Throughout that point, the deceased lived alone, marginalized by shut buddies, buddies, and even manufacturing corporations, and manufacturing corporations stopped shopping for his scripts.

Later, within the 12 months 2020, his identify was advised to put in writing the third a part of the sequence “Al-Haiba” produced by Al-Sabah Firm. In reality, Fouad Hamira accomplished a particular state of affairs that ends with the dying of the character Jabal Sheikh al-Jabal. The manufacturing firm and actor Tim Hassan rejected this proposal, and the consequence was that Humaira was faraway from writing the script and assigned to direct it solely, after he additionally refused to vary his story.

In 2022, Humaira confirmed that the script of his sequence “Salty Life” was stolen and introduced beneath the identify “Kisar Adham” through the month of Ramadan, by author Ali Moin Saleh and director Rasha Sharbatji. The author mentioned on the time that the textual content of the work was in Sharbatji’s possession earlier than 2011, accusing the director and Clacket Productions of stealing an concept and submitting it beneath a brand new identify.

The case induced widespread confusion within the media, from which Humaira benefited solely from his identify being on the high of the trending lists, and the story ended when the case file was closed with out going to the courts. “Kisar Azam” gained recognition, with out understanding who was behind its success or who had the concept.

His dying

Six hours earlier than his dying, the late Fouad Hamira wrote on his web page “Fb”“Dying is nice, my kids,” as his final phrases, depicting the state of the border together with his personal hand. This might add some doubt to the character of his dying, particularly due to his dangerous psychological state and the way he’s left alone, preventing the illness more often than not.

Regardless of his dying, the identify Fouad Hamira lives on via his tv works, regardless of their restricted quantity.

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