Home » News » For 86 yrs the history of the Dubourgnoux household has been created with that of the cinemas of Montluçon (Allier)

For 86 yrs the history of the Dubourgnoux household has been created with that of the cinemas of Montluçon (Allier)

Whether or not he’s a cinephile or not, no a person in Montluçon is unaware of where by the Le Palace cinema is situated. Located at no. 30 Boulevard de Courtais, in the busiest element of the axis, the establishment is the final survivor of a wealthy cinematic historical past of the metropolis on the banks of the Cher.

A qualified opportunity for two young Clermontois

A story that is also that of a relatives for 86 years, the Dubourgnoux. It all began in 1936 when Joseph and Germaine Dubourgnoux acquired the Cinémonde, at amount 7 on the boulevard. The youthful pair will come from Clermont-Ferrand and has no connection with the world of cinema.

Frédéric Dubourgnoux, their nephew and recent owner of the Palace, sums it up soberly.

They had a skilled prospect in Montluçon and they took it.

The couple will hardly ever go away Montluçon all over again.

The household at the head of the palace considering that 1938

Two many years soon after their arrival, they bought the creating in 1938. They then became the managers of the 3rd cinema on the avenue, the Rex, situated at no. 50 (now Banque Populaire) which they acquired in 1961. Frédéric Dubourgnoux remembers the spot.

It had a huge staircase that led to a steeply sloping area. The monitor was massive. It was the very first cinema in Montluçon to be equipped with TODD, the most state-of-the-art audio process of the time.

Rooms with 900 seats

Right until 1987 the Palazzo had only one particular area.

At the conclude of the 1950s, all the cinemas in Montluçon, put in on the correct financial institution or on the left bank of the Cher, have been solitary theaters. The quantity of seats is breathtaking: 900 seats at the Palace, as many at the Rex, 700 at the Cinémonde, just to mention the golf equipment on the avenue. On the other hand, Frédéric Dubourgnoux recontextualizes the figures.

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