“Once upon a time in winter, when snow fell from the sky, a queen sat at the window and sewed. She would have loved to have a child. And as she thought about it, she pricked her finger with the needle, so that three drops of blood fell into the snow. Then she made a wish and said: Oh, if only I had a child as white as snow, as red-cheeked as red blood and as black-eyed as this window frame. Soon after, she had a beautiful little daughter.”
The well-known fairy tale by the Brothers Grimm with an imaginative Snow White and the fantasy of seven dwarves is played by Marie Bretschneider, directed by Ulrike Langenbein. The figures come from the wood sculptor Verena Waldmüller.
The Christmas family play will take place on Sunday, December 8th, 11 a.m. in the Doberlug Castle Museum and is suitable for children aged five and over. Admission 6 euros, reduced price 4 euros. Please register in advance by calling 035322/ 688 85 20 or museum-schlossdoberlug@lkee.de. Since there are only a limited number of places available, only one accompanying adult per child can take part.
**PAA:** How does the setting of Doberlug Castle contribute to the atmosphere and overall appeal of this “Snow White” production for families?
## Interview: A Winter Tale Reimagined: Snow White at Doberlug Castle
**Guests:**
* **Ulrike Langenbein:** Director of the Snow White production
* **Verena Waldmüller:** Wood sculptor responsible for the figures
**Introduction:**
Welcome to World Today News! Today, we delve into the enchanting world of fairytales with a unique, local production of “Snow White.”
Joining us today are Ulrike Langenbein, the director behind this captivating rendition, and Verena Waldmüller, the talented sculptor who brought the characters to life through her intricate wood carvings.
**(Section 1: The Magic of Fairytales)**
* **Interviewer:** Ulrike, why “Snow White” and why now? What captivates audiences about classic fairy tales in the 21st century?
* **Interviewer:** Verena, how did you approach translating these iconic characters from the page to tangible, wooden creations? Did you draw inspiration from past interpretations, or did you craft your own unique vision?
* **Interviewer:** What challenges and rewards come with bringing a beloved fairytale to life for a modern audience? How do you balance respecting the original story while adding your own artistic flourishes?
**(Section 2: Collaboration and Creativity)**
* **Interviewer:** Ulrike and Verena, what was it like collaborating on this project? How did your distinct artistic visions intertwine to create a cohesive theatrical experience?
* **Interviewer:** Was there a particular scene or character that presented unique challenges or creative breakthroughs during the design and production process?
**(Section 3: Audience Engagement)**
* **Interviewer:** This production is aimed specifically at families with children. What makes “Snow White” particularly appealing to young audiences, and how does your production cater to their unique sensibilities?
* **Interviewer:** What do you hope families will take away from this Christmas production?
**(Section 4: Looking Ahead)**
* **Interviewer:** Are there any plans for future performances or adaptations of other classic fairytales?
* **Interviewer:** Do you have any advice for aspiring theater directors, sculptors, or anyone interested in bringing artistic visions to life?
**Conclusion:**
Thank you, Ulrike and Verena, for sharing your insights into this enchanting production. We wish you all the best with “Snow White” and hope countless families will experience the magic of this timeless tale at Doberlug Castle.
Remember to check the website for more information about tickets and reservations.
