The brush of the Syrian visual artist, Muhammad Aref, born in Syria, aims to shed light on algebraic literature and art, which requires intellectual and cognitive depth, to form the broader meaning of the fusion of literature with art, which is embodied through visual factors, for an aesthetic vision that represents a kind of transitional transformation between… Text and image, and the inspiring suggestion to evoke what is complex in Algebraic literature through the balance of the brush with the colors that he senses from his words, to be in an intertextuality that inspires the brush to many color combinations, to add a kind of visual wisdom to the movement that deepens the aesthetic meaning in Algebraic literature, leading to research. About his vision of art in general, in the continuing life of the meanings he left in his literature and art together. Visual simulation is a kind of allusion to fatalistic literature, and the arts associated with analysis that includes the intellectual perspective of a human being who gave beauty the whiff of survival that paves the way for a complete fatalistic civilization through literature and art together. Does the literary reflection have visual effects that constitute a kind of plastic beauty that varies from generation to generation? Or is it a re-reading of a present reality through what was imagined in the past to be humanistic and formative in the language of the era? Is there a visual osmosis between the layers of colors and the unity of lines in their emotions to play their role in conveying human meaning?
Muhammad Arif’s paintings are full of intellectual content that includes the wisdom of the plastic vision balanced between simplification and complexity in flexible color rituals, to include a kind of open imagination to a multiple reality between the past and the present, as if the story of life is constantly being renewed in a life that consists of several elements, as The painting through which he translates his artistic approach, and contemplation of algebraic literature, from which several characteristics are generated that increase the value of the recipient’s visual questions, and his sensory impressions of the internal and external elements in the sense of what is sensory and material through the drawings, and their formative dimensions of shadow, light, and spaces, and it is he who provides color Up and down, with contradictions tending to romanticism, and through which emerges the history of man who repeats himself continuously, and with a renewal of plastic visions that the artist inherits and through which he sheds light on his own view of art or his existential philosophy in generating meanings of beauty that he refines away from lost scribbles, to explore the power of expressions in literature. Al-Jubrani, which leads to the creation of musical harmonies that embody the integrated meaning between art of all kinds and literature. Is there continuity in the beauty emanating from wisdom and its expression in artistic work? Or is it the feeling fused with literature and pasted with layers of colors that form a kind of visual text synonymous with his vision of life in general? Does he write visually with his pen? Or is it a perpetuation of the meaning of his plastic philosophy, through which he denounces violations of human beauty in life?
Muhammad Arif borrows expressive meaning from plastic vocabulary to serve as formations of several meanings, which are a kind of conflict between reality and philosophy to deduce the value of the human endeavor without abandoning the splashes of white, even in the many paintings, the color movement and conflict between white and black, and even the gray intervals, or the subtlety or transparency of the other colors. In fragmented notes sometimes in some paintings, it is as if he were leaving peoples’ stories through colours, to extrapolate history through lines and colors and their laws in expressing psychological emotions with a sentiment that arouses a kind of sympathy that leads to dismantling the harshness or strictness in making decisions that lead to renewed conflicts in the world. In terms of wars or the struggle between man and his fellow man. Is there a journey towards immortality through the spirituality of meaning in plastic art?
