Exploring Emotions: Filmmaking Training for Actors, Directors and Screenwriters – Why You Need to Enroll Now!

ANALYZING EMOTIONS: Film training for actors, directors and analysts
With collaborations from: Nylon, Spathios and Brillando con Lara

Why do you need to do this training?

‘Exploring Emotions: Filmmaking Training for Actors, Directors and Screenwriters’ designed as a process of dedication with Pelayo Muñiz y Lara Corrochanowho has extensive experience in film and television, who understands the the importance of emotional connection in acting, directing and scriptwriting. it is training focus on immersing yourself in the the emotional depth of the characters from these 3 basic rolesrealizing that the authenticity and true expression of feelings They are fundamental in any audiovisual work. .

Through this program, participants will not only acquire the technical skills necessary for filming, but will explore the character development and creation from a deep emotional perspective.

They will find out how feelings they become the motor who drives a true and meaningful statement.

This knowledge goes beyond just being a course: it represents a an opportunity to discover, explore and connect with the emotional meaning of each and its relationship to cinematography.

About us?

PELAYO MUÑIZ (www.srmuniz.com)

Throughout my career, I have been screenwriter in the Globomedia series and co-founder of the NYLON production company, where I have written and directed over 50 projects, mainly short fiction films for branded content. My movie “ICEBERG” got recognized in Sitges pitch box and is in the final stage of post-production with the name “BOREAL”. I have developed several series projects, including “VOYAGER” with whom I signed a co-production contract to seek international funding. In theatre, I wrote, directed and acted “FINAL”presented at various festivals and venues.

Next to my teaching, I created the training itineraries for fiction script writing and actor guidance for TVE and I founded the group “THE COMMUNE” there Platform Directors Center. In addition, I have training in therapeutic theatre, I am completing an expert course in gestalt therapeutic theatre, which allows me to study. psychodramatic techniques applied to the character and the relationship between mind, body, movement and emotion. This training is a good place to do those studies.

LARA CORROCHANO (www.instagram.com/brillandoconlara)

I am passionate about learning, and throughout my career I have been combined my training in Marketing, Communications, Psychology and a Master’s in Coaching and Emotional Intelligence with over 20 years of experience in film, television and theater.

through my project “Glowing with Lara”, I combine knowledge and experiences to offer a comprehensive approach that transcends the platform. I use coaching, Mindfulness and acting exercises in “Brillando con Lara” to balance the personal and professional lives of artists. As “actress in love with feelings”, I combine acting, psychology and coaching in my “Great Actors Method”, aims to build characters from the deepest layers. I emphasize the importance understand and analyze the emotions in both the characters and the actors themselves, looking for a true and deep explanation. My approach leads to a constant commitment to emotional truth in acting.

The psychology of the character?

We believe that understand the psychology and motivations of the character It is fundamental to the process of creating the bus translatorsbut also for the leaders when they lead them and for them the writers when faced with the blank page.

So, in this intensive training we will work together actors, directors and script writers to work as a team and move forward 2 scenes what + the filmed material will be given to all students for the video book or reel as a director or screenwriter.

How does the workshop work?

Our workshop is going to be especially practicalalthough each session will have a theoretical component.

we will create teams of script writer + director + 2 translators so they can rewrite the scenes and rerun them to shoot the first one around week 6 of the training and the second one (with another crew consisting of script writer + director + 3 interpreters) week 11.

After each shoot, we have a day of watch the edited scenes and let’s start again the process again, with increasing difficulty (less preparation time and more complex scenes emotionally and also in terms of staging).

Some of the techniques/dynamics we are going to use…

• Beliefs, values, weaknesses and strengths of the character – player
• Light 100 questions character key through coaching
• Body work: Mind
• Love with objects
• Psychology of the character and emotional world (David Corbett)
• Character anatomy (Gina Stevenson)
• Directing the actors (The Judith Weston Method)

Film crew

To make the training as real as possible, we will share the hours of filming between the crewswhich must fulfill the vision within that schedule only and only (although obviously they can practice outside the workshop as much as they like)

To achieve this, the team will:

• Pelayo and Lara as “coaches”
• Camera operator / DoP
• Camera assistant
• from Sonid
• assistant director
• Makeup / Hairdressing
• Art direction
• The director, actors and scriptwriter of each scene

Burning properties

• Professional camera, sound and lighting equipment
• Active technical team in the audiovisual world
• Real places (in collaboration with the Spathios group)

One guest per month

During the workshop, guests will be invited to tell us about their personal experience, such as those responsible for the representation of artists, casting or directing/creating series.

Ann Lopez

Graduate in audio visual communication and information sciences from the Complutense University of Madrid, has more than Ana 15 years of experience In the audio-visual sector, he has worked as a booker and agent for actors and actresses, as well as playing roles in casting, directing, production, communication, media, construction photography and editing. Since 2010, Ana López has worked as an artistic agent at Ana López Actors and
Actresses and is a member of CIMA (Women Filmmakers and Visual Media Association).

Ignacio Ysasi

The actor graduated from ESAD in Seville, adding to his training with various professionals such as Phillippe Gaulier, Roberta Carreri or Macarena Pombo. In play house He has worked under the orders of Pombo himself, José Troncoso, Andrés Alemán or Calixto Bieito. He has participated in short films, films and series, his latest work is Netflix’s “El Vecino,” “García!” from HBO Max or “Cristóbal Balenciga” from Disney + and the movie “Let Nobody Sleep” with Malena Alterio. Besides being a musician and video editor, he is From 2020, María Rodrigo has a casting assistant in all her projects.

Nacho Guillo

Most of his career was spent working for the production company “Globomedia”, where he has been the director / producer of the series such as “Menudo es mi padre”, “More than friends”, “Compañeros”, “Un paso siempre”, “Los Serranos”, “My adorable neighbors”, “Out of control”, “Countdown”, “Shoot for the King” and “Scarlet Tip”. Recently it has been director of “Servir y Proteger” in most of its seasons.

Tables:

• Tuesday from 10am to 2pm (to be extended to 15h depending on the size of the group)
• Top 12 actors/actresses + 6 directors + 6 script writers

Price:

• Separately: 250 € / s
• Directors and screenwriters: 170 € / eg

The price includes all recorded material and 2 complete scenes edited