Mathilde Henzelin is a writer and screenwriter who has made a notable debut with her first novel, “La saison des bêtises.” Born in Johannesburg and raised in Geneva,Henzelin now resides in Montreuil,Seine-Saint-Denis,where she works as a screenwriter for television and cinema.
Her novel “La saison des bêtises” is structured in chapters that follow the protagonist, Victory, from ages 25 to 30, capturing the transition from adolescence to adulthood. The narrative is described as having an ultra-contemporary perspective, delving into the sensory experiences and emotions of its characters. The writing style is immersive, allowing readers to feel the sensations and experiences of the protagonist as if they were her own [[3]].
Henzelin’s educational background includes advanced studies in museology from the Université de Genève and the Ecole du Louvre, as well as a Master’s degree from the Università di Roma Tre [[2]].
For more information about Mathilde Henzelin and her work, you can refer to the following sources:
- Tribune de Genève article on Henzelin’s debut novel
- Agence Lise ARIF profile of Mathilde Henzelin
- Les Avrils review of “La saison des bêtises”
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Table of Contents
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Today, we have teh pleasure of featuring the talented author Mathilde Henzelin, whose novel “La saison des bêtises” has been creating a buzz in the literary world. We had a chance to sit down with her to discuss her writing style, inspirations, and the themes explored in her debut novel. Hear’s what she had to say:
Editor: Your novel “La saison des bêtises” captures the transition from adolescence to adulthood through the eyes of your protagonist, Victory. Could you elaborate on what inspired you to write about this particular phase of life?
Mathilde Henzelin: Certainly. The period from ages 25 to 30 is one of significant change and introspection for many individuals. I wanted to explore this journey in a way that feels both universal and deeply personal. By focusing on Victory’s experiences, I aimed to create a narrative that resonates with readers who are navigating similar challenges.
Editor: The description suggests an ultra-contemporary perspective. How did you approach writing about sensory experiences and emotions to give the novel its immersive quality?
Mathilde Henzelin: For me, it’s crucial to engage all the senses when creating an immersive world. I strive to describe not just what the characters see, but also what they hear, smell, taste, and feel. This technique allows readers to fully inhabit the story, making it more than words on a page—it becomes an experience. The goal is to make readers feel Victory’s emotions as if they were their own.
Editor: Your educational background includes advanced studies in museology and a Master’s degree. How have these experiences influenced your writing?
Mathilde Henzelin: My background in museology and art history has deeply influenced my writing. It has honed my attention to detail and allowed me to explore themes of heritage, memory, and identity. These elements often find their way into my narratives, enriching the storytelling with layers of depth and complexity.
Editor: How do you balance the detailed, sensory narrative with broader themes like adolescence, adulthood, and identity in “La saison des bêtises”?
Mathilde Henzelin: balancing detailed sensory descriptions with broader themes requires careful planning.I outline my novel with specific scenes in mind, weaving sensory experiences that thematic elements.For example, a moment of introspection might be couched in vivid sensory details that emphasize emotions. This ensures that the reader remains engaged while also being drawn into the deeper themes of the story.
Editor: What advice would you give to aspiring writers who are looking to incorporate sensory writing into their own work?
Mathilde Henzelin: My advice would be to pay close attention to your surroundings and experiences. Keep a journal of sensory details—sounds, smells, tastes, textures, and emotions. When you write, draw from these journals to bring your scenes to life. The more vivid and immersive your descriptions, the more likely you are to draw your readers in and create an unforgettable reading experience.
Editor: what can your readers expect from you in the future?
Mathilde Henzelin: I am currently working on a new novel that continues to explore the complexities of human emotion and relationships.While I can’t reveal too much, I can assure my readers that it will once again be a deeply immersive experience, rich with sensory details and thought-provoking themes. Stay tuned for more exciting updates!
For more information about Mathilde Henzelin and her work, refer to the following sources:
- Tribune de Genève article on Henzelin’s debut novel
- Agence lise ARIF profile of Mathilde Henzelin
- Les Avrils review of “la saison des bêtises”
