The pioneers of (social media) exchanged the voice of Muhammad Saad in the street, as he was heaping insults on his team of assistants, and as is clear from the (clip), there was no other voice. Saad challenged his aides to hear one of their voices, everyone preferred safety and resorted to silence, and this was the only scene In the series (Al-Hajj Excellence), which enjoyed wide public follow-up.
The director of the series, Ibram Nashat, denied that he or the work team were intended to be insulted. In any case, the series (Excellence), in which Muhammad Saad plays the character of Haj Hinnawi, which he played before in his movie (Karkar), and no one felt his presence or his departure, while everyone enjoyed his fasting. And he was enchanted by the sound of Saad’s cries in this clip.
Saad is a blatant example of talent whose owner does not possess the art of managing talent, and thus he has suffered a lot since his resounding launch in the 2002 Olympics.
We lived in the time of Mohamed Saad, in which the digital introduction extended for about five years, and the conflict led to a quarrel between the two largest production and distribution companies, in Egypt, when the two companies entered into a bet on his monopoly. his movie.
Saad is used to choosing the work team, and although his name in the market is no longer attractive, what has enabled him to stay at the negotiating table is that he is a Gulf citizen who still enjoys a degree of attractiveness, and with the increase in the exchange rate of the dinar, the riyal and the dirham compared to the pound, the productive equation has become possible. Saad remained captive to the character (Limby), directly or indirectly, and about ten years ago he went to television in the series (Viva Atata), also using his old heritage.
In the movie (The Treasure), its director, Sherif Arafa, tried to give the opportunity to the actor, Mohamed Saad. He was initially nominated for the role, Ahmed El-Sakka, and upon his apology, Arafa turned to Saad, who remained hesitant for a period of time. Saad won the Best Actor award about four times from different cinematic associations. However, all this did not push him to continue acting away from (The Lumpy) because he followed the box office revenues, especially in the second part of (The Treasure), and he was not enthusiastic about repeating the experience. On that day, I wrote a comment in which I said that whoever brought the goblin spends it, and the one who brought the Goblin (The Lumpy) is the director. Sharif Arafa in (Al-Nazir), and he decided to spend it in (The Treasure).
When (Al-Limby) was shown, I wrote three articles about him due to his excessive commercial success, in which I tried to analyze the situation socially, and when he was attacked fiercely by the People’s Assembly because he sang “Love Eh” and they considered him mocking Umm Kulthum, I defended him and this particular scene, as for the funniest thing that was said about (Al-Lambi) is the opinion of Mostafa Al-Akkad, the director of the films (The Message) and (Omar Al-Mukhtar), when he said that (Al-Lambi) is technically more important than Youssef Chahine’s movie (Salah El-Din).
Saad lives in a cocoon that keeps him completely away from the media, but when I was about to present a book about his teacher, Hassan Hosni, to honor him at the Cairo Film Festival, the cocoon was pierced, and Saad praised the merits of his teacher, Hassan Hosni, and when I asked Hassan Hosni about Saad, he told me that he is one of the most talented people of his generation. However, he is currently riding (the slide), and he intended to repeat it for characters he presented before. Will Saad listen to Hassan Hosni’s advice and jump away from (the slide)?!.
