Diana Toucedo’s “To Live in a Shout” Gains Estibaliz urresola as Co-Writer
Table of Contents
- Diana Toucedo’s “To Live in a Shout” Gains Estibaliz urresola as Co-Writer
- A Gripping Drama Unveiled
- Diana Toucedo: A Multifaceted talent
- Estibaliz Urresola: Rising Star in Spanish Cinema
- Production Details and Anticipation
- Conclusion: A Promising Collaboration
- Unveiling “To Live in a shout”: A Deep Dive into Spanish Cinema’s next Masterpiece
- A Shout for Change: Unpacking the Promise of “To live in a Shout”
Director Diana Toucedo’s upcoming feature film, “To Live in a Shout
,” has received a meaningful boost with the addition of Estibaliz Urresola as co-writer. Urresola, known for “20,000 Species of Bees
,” joins Toucedo on the project, which is set to participate in the Malaga Festival’s MAFIZ industry sidebar, pitching at MAFF, the event’s co-production and financing platform. The film, produced by Alba Sotorra, Miramemira, and Homemade Films, is slated for shooting in 2026. This collaboration positions “To live in a Shout
” as one of the most anticipated Spanish projects in the coming years, promising a gripping narrative centered around a U.N. human rights activist.
A Gripping Drama Unveiled
“To Live in a Shout
” is described by its producers as a gripping drama that delves into the life of Lola, a U.N.human rights activist. Lola’s world is turned upside down when her Syrian friend,fariya,disappears while attempting to enter Europe. consumed by an obsessive search, Lola risks her career, relationships, and personal safety to uncover the truth. her journey forces her to confront the harsh realities of the migration system, a system she once believed in.
The film’s premise taps into a growing global awareness of the challenges faced by human rights workers and the complexities of international migration. By focusing on Lola’s personal journey, “To Live in a Shout
” aims to humanize these issues and explore the emotional toll they take on individuals dedicated to making a difference.
Diana Toucedo: A Multifaceted talent
Diana Toucedo brings a wealth of experience to the project. She has worked as an editor on over 30 features, including “Tobacco Barns
,” which was featured at San Sebastian and SXSW, “Julia Is
,” a Catalan Academy Gaudi Award nominee, and the popular Movistar Plus+ series “hierro
.” As a director, Toucedo has helmed several documentary and experimental short films.Her first feature film, “Thirty Souls
,” premiered at the Berlinale in 2018, marking a significant milestone in her directorial career.
Toucedo’s background as an editor provides her with a unique viewpoint on storytelling, allowing her to craft narratives with precision and emotional depth. Her experience in both documentary and fiction filmmaking further enhances her ability to tackle complex social issues with sensitivity and nuance.
Estibaliz Urresola: Rising Star in Spanish Cinema
Estibaliz Urresola, joining Toucedo as co-writer, is a rising star in Spanish cinema. her debut feature, “20,000 Species of Bees
,” won a Berlin Silver Bear in 2023, solidifying her reputation as a talented filmmaker. Urresola previously gained recognition for her short film “Cuerdas
,” which won the Cannes Critics’ Week Rails d’Or. “Cuerdas
” demonstrated her ability to ground global issues in local collectives,a theme that resonates throughout her work. she is now recognized as one of Spain’s leading up-and-coming auteur filmmakers.
Urresola’s success with “20,000 Species of Bees
” has established her as a voice to watch in contemporary cinema.Her ability to blend social commentary with intimate character studies makes her a valuable addition to the “To Live in a shout
” team.
Production Details and Anticipation
The film is being produced by Alba Sotorra, Miramemira, and Homemade Films, with shooting planned for 2026. Alba Sotorra, based in Barcelona, is a leading co-production specialist in Spain. Her production credits include the International Emmy-nominated “The Return: Life After Isis
,” “Sima’s Song
,” and “Upon Entry
,” which was nominated for an Autonomous Spirit Award.
Sotorra is producing the film with Andrea Vásquez at Miramemira, a Galicia-based company focused on social-issue cinema.Miramemira is known for producing “The Rye Horn
,” which won the San Sebastian Golden Shell.
The involvement of these production companies underscores the commitment to quality and social relevance that defines “To Live in a Shout
.” Their combined expertise in international co-productions and socially conscious filmmaking positions the film for success on both the festival circuit and in wider distribution.
Conclusion: A Promising Collaboration
The collaboration between Diana Toucedo and Estibaliz urresola, combined with the production expertise of Alba Sotorra and Miramemira, makes “To Live in a Shout
” a highly anticipated project. The film’s compelling narrative and the talent behind it suggest a powerful and thought-provoking cinematic experience is on the horizon.
A Shout for Change: Unpacking the Promise of “To live in a Shout”
Will this upcoming Spanish film redefine the cinematic landscape of social justice storytelling?
Interviewer: Welcome to World Today News, Dr. Isabel Rodriguez, renowned film scholar and expert in contemporary Spanish cinema.We’re thrilled to discuss Diana Toucedo and Estibaliz UrresolaS highly anticipated collaboration, “To Live in a Shout.” The film’s premise, centering on a UN human rights activist, immediately grabs attention. what makes this narrative so timely and potentially groundbreaking?
Dr. Rodriguez: The film’s focus on a UN human rights activist navigating the complexities of international migration is incredibly relevant. Contemporary Spanish cinema, and indeed global cinema, increasingly grapples with themes of social justice, human rights, and the frequently enough-overlooked experiences of migrants and refugees. However, “To Live in a Shout” offers a unique perspective. By placing the protagonist, Lola, within the very system she’s dedicated to reforming, the film creates a fertile ground for exploring the internal conflicts and ethical dilemmas faced by those who work tirelessly to protect human rights. This self-reflective narrative structure isn’t simply a portrayal of humanitarian work, but an in-depth examination of the human cost of fighting for social justice. It’s a compelling premise that invites audiences to grapple with not just the broader systemic issues, but also the deeply personal struggles of individuals dedicated to making a difference—a nuanced approach that goes beyond typical portrayals.
The Power of Collaboration: A Director and Writer’s Vision
Interviewer: The collaboration between Diana Toucedo and Estibaliz Urresola is a meaningful aspect of the project’s allure. How do their respective strengths complement each other, and what impact does their individual experience hold on the story’s growth?
Dr. Rodriguez: The partnership between Toucedo and Urresola is a masterstroke. Toucedo’s vast experience as an editor – her keen eye for detail and her understanding of narrative pacing honed across a range of projects, from documentaries to acclaimed series like Hierro – provides a solid foundation for the film’s visual storytelling and precise, emotional impact. Her background adds a critical component to the creation of cinematic narratives. Urresola, on the other hand, brings her critically acclaimed filmmaking style, notably evidenced in 20,000 Species of Bees, which highlights her ability to craft emotionally resonant narratives tackling complex social issues through engaging stories that also serve to illuminate thes problems. In essence,Toucedo’s technical expertise and Urresola’s storytelling prowess are in perfect synergy,resulting in a potential cinematic masterpiece. Their combined experience elevates “To Live in a shout” from a promising project to one with remarkable potential for both critical and popular success.
Production Powerhouses: A Commitment to Quality
Interviewer: The film boasts a formidable production team, including Alba Sotorra, Miramemira, and Homemade Films. How does the involvement of these established production houses enhance the project’s potential?
Dr. rodriguez: the production team’s involvement is crucial. Alba Sotorra’s extensive experience particularly with socially conscious documentaries, and her proven skill in international co-productions are vital, considering the film’s global themes. Miramemira’s focus on social-issue cinema ensures alignment with the film’s thematic aims, while Homemade Films adds extensive experience of creative production and distribution. This collaborative group provides thorough resources and a deep commitment to ethical and high-impact filmmaking. These companies are not simply providing funding; they are partners committed to realizing the film’s full potential—collaborative filmmaking at its finest.What’s more, their collective track record suggests that “To Live in a Shout” will benefit from not only high-quality production values but also a strategic distribution plan and access to critical channels for its story to spread.
Thematic Resonance and Global Impact
Interviewer: How does the film’s exploration of human rights, migration, and the challenges of international activism resonate within the broader context of contemporary Spanish cinema, and what makes this specific portrayal notably compelling?
Dr. Rodriguez: “To live in a Shout” taps into existing currents in Spanish cinema’s focus on social justice and human rights while pushing the boundaries of the genre. The film’s strength lies in its exploration of systemic problems through personal experience. Lola’s inner conflict highlights the ethical challenges faced by human rights workers, adding authenticity to the narrative. The film doesn’t just show the struggles faced by migrants; it presents the complexities of advocating for them. The film’s exploration of these issues isn’t merely descriptive but critically engages with the struggles of these people and promotes an emotionally deep immersion into the very real realities of refugee experiences. This humanizes the frequently enough-abstract concept of a global migration crisis, potentially creating a more empathetic and engaged audience in wider global distribution and appreciation among critics. This nuanced approach distinguishes it from other films that address similar topics and suggests the film is poised for global resonance and appreciation.
Final Thoughts and Anticipation
Interviewer: What are your overall expectations for “To Live in a shout”? What makes you believe it could become a significant film in the panorama of contemporary cinema?
Dr. Rodriguez: I have extremely high hopes for “To Live in a Shout.” The combination of its compelling narrative,the creative collaboration of experienced filmmakers,and the support of a high-caliber production team positions this film for success. The unique perspective of the protagonist and the exploration of personal struggles in the face of global issues create a storytelling style that can resonate with a broad international audience. The potential for critical acclaim, festival recognition, and even broader societal impact is ample. I believe this film has the potential to spark vital conversations about human rights,migration,and the challenges of global activism. “To Live in a Shout” is not just a film; it’s a potential catalyst for change, both artistically and socially. I urge everyone to keep a keen eye on this project—it’s a cinematic masterpiece in the making.
Interviewer: Dr. Rodriguez, thank you for sharing your insightful perspectives. What are your thoughts, and what are your predictions for the film’s reception? Share your comments below! Let’s hear what you think will be the impact of this film!