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“Little Red Riding Hood” has been adapted into a captivating childrenS ballet performance by the State Opera – Burgas. This production, directed and choreographed by Maria Tabakova, has garnered significant attention and praise for its engaging storyline and educational elements.
Performances and Adaptations
- Performances: The ballet has been performed multiple times,including a premiere on October 29,2022,and subsequent shows on November 12 and February 11,2023. Each performance has been well-attended, indicating its popularity among audiences.
- Storyline: The ballet stays true to the original fairy tale, featuring a storyteller, charles Perot, portrayed by Jordan Hristozov. The performance includes moments and a light educational theme,emphasizing that “good should always win.”
Direction and Choreography
- Maria Tabakova: The adaptation,direction,and choreography are all handled by Maria Tabakova. She has incorporated new elements while respecting the original story, making the performance both entertaining and educational for young viewers.
Audience Engagement
- Interactive Elements: The performance includes interactions with the audience, such as a young Red Riding Hood from the audience participating in a photo opportunity with the performers, enhancing the overall experience.
Ticket Data
- Purchase Options: Tickets for the performance can be purchased at the opera box office, the clock cashier, GRABO networks, and through Eventim. The link to purchase tickets via Eventim is information.
The Enchanting Adaptation of “Little Red Riding Hood” at the State Opera – Burgas
The State Opera – Burgas has recently presented a captivating children’s ballet performance of “Little Red Riding hood,” directed and choreographed by Maria tabakova. This production has earned significant praise for both its engaging storyline and educational elements, making it a must-see for families.
Performances and adaptations
Multiple Performancesfailure
Interviewer: Can you tell us about the performance history of “Little Red Riding Hood” at the State Opera – Burgas?
Guest: certainly! The ballet had its premiere on October 29, 2022. Following the initial success, the performance was staged again on November 12 and February 11, 2023. Each show was well-attended, highlighting its popularity among audiences.
Storyline Integrity
Interviewer: How does this ballet stay true to the original fairy tale?
Guest: This adaptation maintains the core elements of the classic fairy tale, featuring a storyteller, Charles Perot, portrayed by Jordan Hristozov. The performance also includes light educational themes that emphasize messages like “good should always win,” making it both entertaining and instructive for young viewers.
Direction and Choreography
Maria tabakova’s Vision
Interviewer: What role did Maria Tabakova play in this production?
Guest: Maria Tabakova is the mastermind behind this production, handling the adaptation, direction, and choreography. She successfully incorporates new elements while respecting the original story, making the performance engaging and educational for children.
Audience Engagement
Interactive Elements
Interviewer: How does the performance engage with the audience?
Guest: The show includes interactive elements that enhance the overall experience. For instance, a young audience member is chosen to play the role of Little Red Riding Hood during a photo opportunity with the performers, making the children feel involved and excited.
Ticket Data
Purchase Options
Interviewer: How can interested audience members purchase tickets?
Guest: Tickets for the performance can be purchased at the opera box office, the clock cashier, through the GRABO networks, and on.Eventim. For the convenience of our readers, the link to purchase tickets via eventim is here.
This comprehensive overview of the “Little red Riding Hood” children’s ballet performance by the State Opera – Burgas includes performance details, direction insights, audience engagement strategies, and ticket information, providing a well-rounded look at this enchanting adaptation.
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