Emmanuel Tjeknavorian opens Festspiele MV | NDR.de – culture – music

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A young Viennese violinist is the 2022 prizewinner in residence at the Festspiele MV: Emmanuel Tjeknavorian.
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Emmanuel Tjeknavorian: As far as I’m concerned, yes. But the first contact was in 2011. I was suggested for the “Young Elite” series and was not accepted. Of course I was very sad. But you have to have patience. I was then also motivated to continue and to show that I was a worthy artist for the “Young Elite” series. Then it happened six years later.

In your opinion, what is special about this festival here in Mecklenburg-Western Pomerania – how does the festival possibly differ from other festivals?

Emmanuel Tjeknavorian: I like the family very much. I like that Mecklenburg-West Pomerania is very welcoming. When you are there, the contact with the team, with the directorship, is very nice, very collegial and friendly. I have the feeling that even as a young artist you are treated in the same way as an established veteran star. When you feel comfortable, then the best artistic results come. For me, the festival is an artistic family.

They will also open the festival on June 18th in the Neubrandenburg Concert Church – together with the NDR Radio Philharmonic – with, among other things, Jean Sibelius’ Violin Concerto.

Emmanuel Tjeknavorian: That was a big wish of mine. I said that if I have the opportunity to open the Festival with an orchestra, then I must play “my violin concerto” – and that is Jean Sibelius’s. I started my career with this concert and have played it in public around 70 times in the last five years alone. This piece is a matter close to my heart. I’m happy to play this now with my colleague Andrew Manze, a former violinist.

For several years, the festival has opened with a specially composed overture. This year it will be composed by your father – conductor and composer Loris Tjeknavorian. Have you been able to listen?

Emmanuel Tjeknavorian: The overture is called “Noah’s Ark”. It is said that Noah’s ark ran aground on Mount Ararat. Mount Ararat is a sanctuary for all people of Armenian origin like my father. In this respect, he set this festivity, the stranding on Mount Ararat, to music. A wonderful overture, very virtuoso for the violin.

Further information

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The new prizewinner in residence at the Festspiele Mecklenburg-Vorpommern performed for the first time at the foyer concert in Greifswald. more

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You yourself were born in Vienna, but also grew up in Armenia. Where do you find yourself more – as an Armenian Austrian or as an Austrian Armenian?

Emmanuel Tjeknavorian: I’m Viennese with Armenian roots. I went to elementary school in Armenia for four years to learn the language, to get closer to the culture. Nevertheless, I think that’s understandable, when I land in Vienna by plane, I have the feeling of being home again.

Why the violin? Did the violin come to you?

Emmanuel Tjeknavorian: It wasn’t the parents. My father found it very funny, of course, that I attended his rehearsals and tried hard to imitate him and conduct. He then gave me a children’s podium, a children’s baton and so on. But that was all for amusement.

At some point I called my father. He was on tour. I have a sister who is 15 months older. What should he bring us? My sister wanted toys, dolls. I said, dear father, bring me a real violin. My mother picked up the phone and said: No, absolutely not. But my father didn’t listen to my mother.

In the meantime, you are not only on the road as a violinist, but also as a conductor – when did the baton increasingly come with the bow?

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The violinist and conductor Emmanuel Tjeknavorian likes the family atmosphere at the Festspiele MV.
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Emmanuel Tjeknavorian: I didn’t know anything else in my childhood than what my father did, namely conducting. He also taught me to read scores very early on. It was always clear to me that I would become a conductor. When I was 18, I said to my father that I want to do this seriously now. In those years, that was in 2013/14, I played a lot less violin. He worked with me on the craft. That’s when I started conducting youth orchestras and amateur orchestras. But I’m very happy that I then had a really gratifying career as a violinist and still have it. However, the feelings I have for conducting are far too strong to ignore. In this respect, I will focus very much on conducting from the 2022/23 season and only appear as a violinist in exceptional cases.

In this respect, we have another opportunity this summer at the festival to experience Emmanuel Tjeknavorian as a violinist in the full range. It’s a small conclusion, but you said yourself that the violin isn’t put aside entirely.

Emmanuel Tjeknavorian: From the 2022/23 season I will focus a lot on conducting. But I would never be able to put the violin down completely. Conducting is very important to me and I made this rather drastic decision. I very much hope that when I experience something like establishing myself as a conductor, that I will perform a little more as a violinist again.

In July you will be giving concerts in Ulrichshusen all about the gifted composer Wolfgang Amadeus Mozart and his instrument. I saw that you have played the Mozart violin several times. What distinguishes this violin from your own – a Stradivarius – and why is the Mozart violin so special for you?

Emmanuel Tjeknavorian: The answer lies in the question: it is Mozart’s violin. For me, Mozart is THE divine composer and touching him through the violin is unimaginable. But I also have to say that the violin is simply fantastic. Playing your music on this instrument – as a violinist, you can’t imagine anything more beautiful.

Axel Seitz conducted the interview.

Further information

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Star violinist Nigel Kennedy also delighted his audience at the SHMF and the MV Festival. Today he turns 65. more

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This topic in the program:

NDR 1 Radio MV | Kulturjournal | 01.06.2022 | 19:00

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