/ world right this moment information/ After a two-year hiatus, Ballet Arabesque’s acclaimed efficiency of Rely Dracula by choreographer Mila Iskrenova returns to the stage of the Musical Theater in a brand new model on January 29, 2015 at 7:00 p.m.
The daring interpretation of the mythological “prince of darkness” relies on authentic texts by Milena Fuchedzhieva, mixed with the music of Emilian Gatsov – (Elbi), the scenographic options of Nina Pashova and the imaginative and prescient of Nikola Nalbantov.
Within the new model, Asen Nakov would be the “dancing Dracula”, and Mila Iskrenova develops the female ingredient within the picture of Dracula, recreated with a difficult mixture of eroticism and violence by the actress Bilyana Pertinska and the ballerina Angelina Gavrilova. This makes the picture of Dracula much more layered and complicated.
The unique thought of the choreographer is to multiply the picture of Dracula within the dance interpretations of the remainder of the dancers from the Ballet “Arabesque” – Andreya Andonova, Victoria Petrova, Marina Popova, Mariana Kruncheva, Petya Koleva, Stefka Tabakova, Stefani Khandzhiyska, Valeri Milenkov, Vasil Dipchikov, Ervin Esen, Stefan Vuchov, who ship Vampira’s monologues with inspiration.
“Nevertheless, I’m afraid that right this moment the great-great-great-grandchildren of Dracula are already residing, for whom love shouldn’t be a lot a longing as an unattainable mirage, an abstraction, an unattainable actuality,” says choreographer Mila Iskrenova. “I’m horrified by the pragmatism of our time, which has relegated sentimentality and sensuality to the attics of our materialistic minds and turned them into low-cost, lip-glossed circus props,” she added.
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