Blizzard proc turbulentnm obdobm. During the last few years, a number of key people left, and last year a scandal about sexual sex at work erupted. Luis Barriga, for example, was firedwho worked at Diablo 4 as an editor. The only hope for Blizzard is the huge acquisition, within n Microsoft couple cel Activision Blizzard.
Blizzard has a kind of clean dream of communicating with the game to which he belongs quarterly update The director of the game, Joe Shely, first praised the progress of the work, and recalled that things like a bug and the implementation of a function were close to the point.
But you can see how systems such as itemization and skill trees have evolved, taking into account your feedback and internal testing. You can see how close we got to our artistic and many climatic gothic low-fantasy horror, Shely. Again, what we see today is not the final look.
Blizzard took to the heart of the game and dreams of processing Diablo IV darker. Clem is credibility, not realism. We achieve excellence by using materials and a well-thought-out construction of architecture and artifact, which you will encounter at the edges in dungeons and the open world. In addition, local weather conditions, a variety of local biomes, and a sense of history determine the foundation of what an object or city in a medieval world like Sanctuary should look like, to artist director Chris Ryder.
The atmosphere is a place of dark, tangible, weathered and enlightened plays a prominent visual role in Diablo IV. When the surfaces are wet, puddles form in the ridges and prints, the ground is muddy, the atmosphere is dry and dry. In contrast, the road to the foggy fodder is lit by fire, which immediately contrasts with the atmosphere outside, which is an exceptional place to provide food and warmth, add.
The creation of locations not only supports the narrative and the struggle, but also submits two pillars, namely the old masters and the return to darkness. The old master saw a look at the creation of the optics of classic paintings like Rembrandt, which includes original detail, tonal keys and color palettes. The return to darkness expresses the idea that the Sanctuary is a dangerous and dark Gothic world. Both strike consistency and harmony with the visuals of the game.
There will be over one hundred and fifty randomly generated dungeons, and thanks to the new way of creating the environment, they will have enough variety.
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