The former pupil of Maria De Filippi celebrated concert number 200. Ninety dancers, orchestra and Boomdabash guests
a triple party for Alessandra Amoroso. There is a round figure to celebrate, the concert number 200 of a career that started with the victory at Amici in 2009. There is a first time, the debut in a stadium with 42 thousand people, his big family that welcomes him in San Siro. And then there is the return to live concerts after two years of hiatus.
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Theme that Alessandra feels and that she wanted to underline in a speech with Matilde Gioli at the Sanremo Festival in 2021: this other traveling family made up of professionals is symbolically brought to the stage halfway through the show. Here are about ten trunksthose black profiled metal crates that are used to transport all the materials of a concert, those that have remained too long in the warehouses because of the covid: the dancers use them as scenographic elements and beat them to keep time on Strength and courage. From the trunks in the square, this was the name of the demonstration with which the workers of the show protested for the difference in treatment compared to other sectors, to the trunks on the stage.
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Alessandra Amoroso brought her entire story to San Siro. That of a girl with a powerful voice, a panoramic smile and an easy tear. It all started with that blue onesie – then it was still there – on the benches of Amici, at the school of Maria De Filippi, a professional mother and even something more. From that victory everything grew up to no longer make her understand if the Sandrina all home and vacuum cleaner that she felt could also be that pop star on stage. Time, maturity, and also a lot of analysis as she herself has recalled in recent years, have finally superimposed the two shapes. I want to take you into my world, she says from the stage.
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A career that has endured, like few others among those starting from the talent. This year also Mengoni arrived at the stadiums, 13 years after the X Factor victory (he was still Rai). And of course there are the Mneskins, who have exploded globally. With Emma ends the quartet of those who went to play with the strongest and did not get burned in a few seasons or returned immediately to anonymity. On the waiting list, Irama and Sangiovanni are still too fresh.
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The show – yesterday announced a return to the sports halls in autumn, debut on 29 November in Bari – he plays across the board. Dancers like we were on Broadway, there are 90 of them; an orchestra to give an elegant touch but also a bit of fires and tamarri flames; mega screens and 6 changes of clothes in about 2 and a half hours of show (a shorter duration would have helped the compactness). We are in the great house of pop.
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The show starts with the dancers crossing the audience (all seated, as always at Ale’s concerts). The big screen opens to reveal a staircase. Alessandra comes down with a nonchalance that she could sooner or later also show off in Sanremo, not just as a guest. With a full stop like her stadium debut she might as well … Take off the cape and stay in a crystal-encrusted blue onesie and hit the rhythm of AleAleAle. Alessandra seems to multiply on stage, the dancers have a wig that reflects the cut of her bob. Nice glance up Good morning with her towering over a mountain of intertwined bodies of dancers. The atmosphere changes when the orchestra housed at the end of one of the walkways arrives. They told me I couldn’t make it. I tell women: don’t give anyone a chance to make you feel wrong, she says. She grows intimacy with the piano of Dardus and Ale wipes a tear that certainly could not be missing.
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Stupid the return to origins and unleashes decibels of choirs. the moment to cross the stalls and stand on a platform that raises it above the heads. On the stage there is the orchestra conducted by Pino Perris. Here, too, a moment of emotion, with an attached request for a handkerchief that is promptly extended. The return to the main stage is a crowd bath on the notes of a classic like Immobile. He dances and jumps: Three steps away from you, Mambo Salentino and Karaoke with the big brothers Boomdabash show the playful side. The stage is colored not only because there Living in color to drag the party with dancers armed with drums. Here come the encores up Featherthe new Room 209 and big Smile. The night gets longer, the shadow line between the two Ale vanishes.
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July 13, 2022 (change July 13, 2022 | 23:39)
© REPRODUCTION RESERVED
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