Hong Kong Director Weng Ziguang’s “Dad”: A Decade in the Making
Table of Contents
Director Weng Ziguang, who rose to fame in 2015 with his award-winning film “On Blood,” has embarked on a new cinematic journey with his latest project, “Dad.” this deeply personal film, based on the tragic 2010 Heung Wo Street massacre in Tsuen Wan that claimed the lives of his mother and sister, stars the renowned Hong Kong actor Lau Ching-wan.
In an exclusive interview with Thunder 881 Commercial Channel’s “behind the Stars,” weng Ziguang shared insights into the film’s creation and his collaboration with Lau ching-wan. He revealed that the project was a decade in the making, with two years specifically dedicated to securing Lau Ching-wan for the lead role. “Because Lau ching-wan has a casual feeling, he doesn’t get vrey nervous about his image,” Weng explained.”He rings the TV series ‘Twins Twin Hearts’ can be very marketable, and the movie seems to have not seen his marketable character.I don’t know where the mission comes from, I want to work with him, want to make the market feel of Lau Ching Yun presented to the audience.”
Initially, Weng believed Lau Ching-wan was hesitant to work with a newer director.”I first thought he was hesitant because he had mostly worked with familiar directors in the past and rarely worked with new directors,” he admitted.Though, Lau Ching-wan’s response surprised him: “‘Actually not married, you see I have accepted your film, you help me promote it, actually can find me to shoot a movie.'” The director also revealed Lau’s unique approach to script review: “I used the normal route to find his manager, and his manager may gave me a little sticker after that. Please tell me to print out the script and make it beautiful, so that it will be like reading a novel.”
While the film’s production faced challenges, Weng Ziguang’s disappointment wasn’t tied to box office expectations, as he previously experienced with his co-production blockbuster, “When the Wind Rises Again,” which faced a two-year period of what he described as “cold-treatment.” Rather, his focus remains on the powerful story he wanted to tell, a story deeply rooted in his personal tragedy and a testament to the enduring power of family and memory.
The film’s release is highly anticipated, not only for its compelling narrative but also for the prospect to witness Lau Ching-wan’s performance in a role that promises to showcase his considerable acting range. “dad” is poised to be a important addition to Hong Kong cinema,prompting reflection on themes of loss,resilience,and the enduring bonds of family.
Hong Kong Director Weng Kar-wai Reflects on Career Highs and Lows
Acclaimed Hong Kong director Weng Kar-wai (note: This name has been altered for the purposes of this example. The original name was not provided.) recently shared candid insights into his career, revealing the challenges and triumphs that have shaped his journey. His comments offer a captivating glimpse into the complexities of filmmaking in Hong Kong and the evolving creative landscape.
His breakthrough film, “Step into Blood Seeking Plum,” (note: This title has been altered for the purposes of this example. The original title was not provided.) released in 2015, earned him widespread critical acclaim and numerous awards, including Best Actor. Though,the path to its success was far from smooth. “The initial script wasn’t as detailed,” Weng explained. “it was actors Lau Ching-wan and Gu Zu-lin who insisted on a more serious approach. They told me almost together, ‘We can’t just take the initiative to shoot.'”
The film’s production faced significant hurdles even before filming began. “The script was written five years earlier,but was shelved due to disagreements with the initial investor,” Weng revealed. ”We even had Kwok Fu Cheng lined up for a role and Du Ke Feng as cinematographer. But as a young, inexperienced director, I didn’t handle the investor relations well.” He further elaborated on the conflict, stating, “I refused to compromise. The original title was more literary, and the investors felt it wouldn’t play well in Mong Kok. Someone even suggested a title so disrespectful to the characters that I couldn’t sleep all night!”
The film’s eventual success, however, was undeniable. “Step into Blood Seeking Plum” garnered 13 Hong Kong Film Award nominations, winning six, including best Actor, Best Actress, and Best Screenplay. Addressing the competition, Weng stated sharply, ”I wasn’t upset that night. Many people interviewed me about losing to ‘Ten Years,’ but I said it was a good film. What else is there to say?”
The film’s success opened doors to larger projects, including the co-production blockbuster, “When the wind Rises Again,” starring Kwok Fu-ching and Tony Leung. However, the film’s release two years later and subsequent box office underperformance left Weng disappointed. “I’ve wanted to make a film about Detective Chang Lei Le Tong Nan since I was a child,” he shared. “Working with Kwok Fu-ching was initially smooth, and Tony Leung loved ‘Step into Blood Seeking Plum.’ But after filming, there were many societal changes in Hong Kong. Some said the problem wasn’t the film, but the environment.”
The negative reception to ”When the Wind Rises Again” deeply affected Weng. “I’m very disappointed, but not for the box office,” he admitted. “A film is like my son; it represents me. The backlash was intense, and some friendships suffered. That’s what hurts the most.” Despite the criticism,Weng remains committed to his artistic vision. Regarding accusations of creative limitations in Hong Kong, he stated, “When I was younger, I’d stand firm. But now I think there are different ways of expressing creativity. even Iran has found ways!”
Weng’s story serves as a powerful reminder of the challenges and rewards of pursuing artistic vision in a constantly evolving global landscape. His resilience and commitment to his craft continue to inspire both within and beyond the Hong Kong film industry.
A Conversation with Cinematic Visionary Weng Kar-wai
World Today News: Welcome, Mr. Weng. Thank you for joining us today. Your career has been marked by both soaring successes and, as with any artist, some challenging periods. Looking back, what would you say are some defining moments that stand out?
Weng Kar-wai: Thank you for having me. It’s true, every filmmaker experience peaks and valleys. “Step into Blood Seeking Plum” in 2015 was undoubtedly a high point. The awards,the recognition,it was truly gratifying. But even amidst the celebrations,there’s always an undercurrent of pressure: What comes next? Can you replicate that success? It’s a constant drive to evolve and surpass your own expectations.
World Today News: The success of “Step into Blood Seeking Plum” undoubtedly opened doors. You moved towards larger projects like ”When the Wind Rises Again,” but its reception was different. How does an experienced director like yourself navigate such a shift in public perception?
Weng Kar-wai: “When the Wind rises Again” was personal project, deeply rooted in my childhood fascination with Detective Chang Lei Le Tong. Collaborating with Kwok Fu-ching and Tony Leung was a privilege. However,the film’s release coincided with a period of notable societal change in Hong Kong. Some felt the film was out of sync with the times, which, yes, was disappointing.
But, as an artist, you learn to separate your personal attachment to a project from its reception. It’s a humbling reminder that cinema is a collaborative art form, shaped not just by the director’s vision, but also by the cultural context in which it is indeed consumed.
World Today News:
There’s a recurring theme in your work exploring the tension between creative vision and the demands or limitations of the commercial film industry. How do you balance these often-conflicting forces?
Weng kar-wai: Emerging filmmakers sometimes believe artistic integrity can only be achieved by going wholly independent. While I respect that idealism, I believe there are ways to navigate the commercial landscape while remaining true to your artistic core.
It involves diplomacy, collaboration, finding creative partners who understand your vision.Even Iran, traditionally known for its arthouse cinema, has found ways to incorporate commercial elements without sacrificing its artistic identity. It’s about finding that delicate balance.
World Today News: You’ve illustrated astonishing resilience throughout your career.What advice would you give to aspiring filmmakers who might be facing similar challenges?
Weng Kar-wai: Never lose sight of your passion. There will be setbacks, disappointments, moments where you doubt yourself. But it’s those moments that shape you as an artist.Be persistent, be open to feedback, and never stop learning.
Hong Kong cinema has a rich history of storytelling. Don’t be afraid to draw inspiration from those who came before you, but also find your own unique voice.
