Home » News » Cuba’s Mafia Ties, Belkis Ayón’s Gods, and the Existentialist Legacy of Sartre and Beauvoir

Cuba’s Mafia Ties, Belkis Ayón’s Gods, and the Existentialist Legacy of Sartre and Beauvoir

The Enduring Legacy of Belkis Ayón: A Cuban Artist’s Ethereal World

Belkis Ayón, a Cuban artist who tragically passed away in 1999 at the young age of 32, continues to captivate art enthusiasts worldwide with her haunting and profound work. Through powerful engravings and paintings, Ayón weaved a tapestry of spirituality and the earthly, blurring the lines between the seen and the unseen.

"If Ayón already shows us the other world, the spiritual plane, why does she give the impression that there is much more still, hidden behind those Abakuá faces?" This profound question lingers in the minds of those who encounter Ayón’s art, leaving a lasting impression of mystery and intrigue.

Born in 1967, Ayón grew up during a time of intense transformation in Cuba. The embers of the 1959 revolution still glowed, and international enthusiasm for Fidel Castro’s regime was high. Intellectuals and artists alike were energized by the promise of a new Cuba. This era was defined by figures like Jean-Paul Sartre and Simone de Beauvoir. Their visit to Havana in 1960, a pilgrimage to witness the “sugar hurricane” firsthand, profoundly impacted the generation to which Ayón belonged.

Ayón’s artistic journey was deeply intertwined with her exploration of the Abakuá, an Afro-Cuban secret society. Her work delved into their spiritual rituals, especially the sacrifice of the goddess Sikán. “She explores the Abakuá universe, her research and the symbolic translation of these legends,” a new catalog raisonné of her work reveals.

This extensive catalog, published by Turner in 2021, is a testament to Ayón’s growing international recognition. In 2021, the Reina Sofía Museum in Madrid hosted a major retrospective, curated by her close friend Cristina Vives.

Ayón’s untimely suicide in 1999 adds a layer of tragedy to her already enigmatic life.

Her early works vibrantly explored themes of loyalty and betrayal, lost paradise, and desire. As Cuba experienced its “Special Period” of austerity and hardship, Ayón turned towards a stark palette of black, white, and gray.

The compelling title of the catalog, “It is a thick layer,” translates to “praise, deep conversation” in Spanish. This phrase encapsulates Ayón’s profound engagement with her chosen medium and invites viewers to contemplate the depths of her artistry.

Ayón’s legacy transcends her physical absence.

Her work continues to inspire and challenge us, inviting us to explore the ethereal realms hidden beneath the surface of reality.

Related News and Stories:

The recent death of Juan Manuel Salvat, a Cuban exile who dedicated his life to preserving Cuban literary heritage, further highlights the resilient spirit of Cuban artists who continue to find voices for themselves, both within and beyond Cuba’s borders. Salvat’s story, like Ayón’s, is a testament to the enduring power of art to connect people across borders and generations.

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A Recent Collection from a Cuban Veteran Reporter

A new collection by acclaimed Cuban reporter Alberto Garrido, titled ‘Screams and Whispers,’ was recently released by Ilíada Ediciones.

“They shook the panorama of national literature in many ways. Undoubtedly, pieces of excellence from a true Cuban storyteller at the level of Alejo Carpentier, Lino Novás Calvo, Virgilio Piñera and Onelio Jorge Cardoso,” Cuban novelist Amir Valle said of the stories.

This exciting new book further adds to the rich tapestry of Cuban storytelling and offers a poignant glimpse into the Cuban experience.

## Unveiling the Unseen: An Interview⁢ with Dr. Natalia⁣ Bolívar Aproposal on Belkis Ayón

**World Today News: Dr. Bolívar, thank you for joining us today.Belkis ​Ayón’s work continues to inspire awe and contemplation decades after her passing. ⁤For ⁣those unfamiliar with her art, how would you describe her unique style and the recurring themes she explored?**

**Dr. Bolívar:** It’s a pleasure to be here. Belkis Ayón was truly⁢ a​ singular⁢ talent. She primarily worked with⁢ engravings, specifically​ woodcuts, wich she often ⁢combined ⁢with vibrant, ⁤melancholic watercolors. ⁤Her style was deeply evocative, drawing heavily ​on Afro-Cuban traditions and specifically, the Abakuá ⁢fraternity, a secretive⁢ initiatic society. Her art delves⁤ into the realms of spirituality,mortality,and the ⁢liminal spaces between the physical ​and the‌ ethereal.

**WTN: You mentioned ​the Abakuá. Ayón’s ⁢work often features masked‌ figures and iconography associated with this group. Can you elaborate on the role these elements ⁣play ⁤in her art?**

**Dr. Bolívar:** Absolutely. The Abakuá,with its ‍elaborate rituals and ⁤beliefs,deeply influenced Ayón. The masked figures, often ⁤depicted in somber poses and surrounded by enigmatic ⁣symbols, represent the ancestors, spirits, and deities ⁣revered by the fraternity. Through them, Ayón explored themes of sacrifice,​ initiation, and the cyclical nature⁢ of life and death—concepts central to ​the Abakuá ethos.

**WTN: There’s a sense of mystery​ and the unknown pervading ‍Ayón’s work.It’s as if she’s hinting at something beyond our immediate perception. What ‍do you think ⁣she was trying to convey through this veil of the unknown?**

**Dr. Bolívar:** You’ve hit upon a crucial aspect ​of Ayón’s art. She wasn’t merely depicting the ‌Abakuá⁤ rituals; she ⁣was inviting us to participate ⁢in⁢ a spiritual journey. Her hauntingly beautiful imagery, often rendered in monochrome, creates a sense ‍of otherworldliness. ⁢It’s as though she’s daring us to⁣ look beyond the surface, to glimpse the hidden realms that lie beneath our everyday existence.

**WTN: You mentioned before that the Abakuá beliefs center around cycles of life and death. ‌how did Ayón reflect these cycles in her art?**

**Dr. Bolívar:** Ayón’s art often ⁤juxtaposes figures of the living and the dead, blurring the boundaries between ‍these states. ​ She⁤ used ​recurring motifs like ladders, doors, and‌ paths to symbolize the transitions between the physical and‍ spiritual planes.Her work suggests that death is not an ending ⁢but a transformation, a passage to another existence.

**WTN: Sadly,Ayón’s life was cut short at a‌ young age. How do you think this tragic ⁤loss has impacted the interpretation of her work?**

**Dr. Bolívar:** Ayón’s untimely passing undoubtedly adds a layer of poignancy to her art. There’s a feeling of unfulfilled potential, ‌a sense that ⁢she had so much more to say. However, her legacy endures, and her work continues to resonate with audiences around the world. Her exploration of life, death, and the mysteries of existence remains relevant and deeply moving, even decades after her death.

**WTN: Dr. Bolívar,⁤ what advice would Belkis Ayón give to aspiring artists seeking to explore similar themes in their ⁣own work?**

**Dr. Bolívar:** I ​believe Belkis would encourage them to embrace their cultural heritage, to delve deep into their personal experiences, ‍and⁢ to explore the unseen world with courage and inventiveness.She would remind them that art has the power to⁤ connect us to something larger than ourselves, to transcend ⁤the boundaries of time⁤ and space, and to illuminate the hidden rhythms⁣ of existence.

**WTN: Thank you, Dr.​ Bolívar,‍ for sharing your insights on the enduring‍ legacy⁤ of Belkis Ayón. Her art serves as a powerful ‌reminder⁤ of the ‍enduring mysteries and beauty that lie within the human experience.**

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