Criticism: It is night in America

The engage in of shadows that dominates each and every frame of It is evening in The united states reveals a universe often not known to us, that of the animals that inhabit the handful of inexperienced spaces still left in our cities and that too frequently close up in problems: overwhelmed by automobiles, trapped in private gardens, tamed by an city place that makes them undergo. With no ever resorting to a analyzed staging, the digicam helps make the most of its probable: zooms that method the curious and stranger protagonists of the film, panoramic shots and sequences to “spy” what the hustle and bustle of the town hides.

In a ongoing coming and likely amongst shut-ups of animal species – anteaters, boa constrictors, owls, maned wolf and capybara that the Brazilian metropolis (Brasilia) is devouring – and panoramic photographs of a metropolis whose inhabitants seem like so numerous tiny ants, Ana Vaz composes a political eco-symphony: distinctive mention for Chico BororoAna Vaz’s potent soundtrack and audio layout, Nuno da Luz And Erwan Kerzanet. Invisible citizens of metropolitan areas who overlook them, the protagonists of the film regain their dignity thanks to the benevolent gaze of the director. The shut-ups of the animals, which frequently search at the camera they don’t know exist, make us request who is spying on whom, reversing the set up roles supplying the animals the part of observers and us that of noticed topics.

As pointed out by the director and artist, the objective of her operates is “to consistently redefine one’s viewpoint, reconsider one’s put, reconfigure one’s romantic relationship with what surrounds us, with the other who life within us, with our animality , with an additional temporality, other races and all the ‘others’ that live within just us ”- a deviation from the norm that gets the leitmotif of his film.

It is night in America it is structured like a musical partition. Starting off with a higher-affect overture: a dizzying circular shot of a metropolis with twilight tones, the camera focuses on the animals that live in city darkness. The two realities seem to reside independently. The movie carries on by investigating the animal entire world it observes until finally it reveals the smallest information. It is then up to people, taken this time from afar, from over, as worldly presences. It is only in a 3rd instant that these two worlds fulfill: a group of monkeys dangerously crosses the highway, rescuers converse by radio, an otter struggles in a zoo. Finally, the movie finishes with a serious call involving individuals and animals represented by the intervention of a veterinarian and a rescuer who will take care of the capybaras. All people is pondering if these animals will ever return to their pure and wild state. The majestic waterfall at the conclusion of the movie would seem to suggest the need to break with the normal anthropocentrism by embracing a nutritious experience and dialogue between guy, animals and plants.

It is night time in America it was produced by the In In between Art Movie Basis (Italy) jointly with the French company Specter Production and the Brazilian corporation Pivô.