In recent years, Cristian Vogel’s music has seceded from the club. The Briton of Chilean origin was nevertheless, in the midst of nineties, an over-motivated rave party DJ. Within the Brightonian collective No Future, where he collaborated feverishly with Si Begg or Jamie Lidell, Vogel was a futuristic fury, who made techno twist with each new song, but always with the same idea behind his head: to transform the dance floor in the battlefield of the Last Judgment. It must be said that it was carried by a historical dynamic, never equaled since in the United Kingdom, where all the dance music of the country, brutal techno and mixed jungle, redoubled breathtaking innovation at the hectic pace of a small revolution per week .
Vogel’s own records were machines for exploring the unknown, ultra-perfected and directly linked to his youthful idols of research electronic music (Stockhausen), which he had studied at the…
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