Lifeless lady on the seashore
Within the first minutes we be taught that Monika (performed by Zofia Jastrzębska), whom we now have simply met, is lifeless. Her physique is fished out of the ocean (the motion takes place on the Polish coast) and the police haven’t any illusions that it may have been an accident. The physique exhibits quite a few traces of violence and in addition proves brutal amputation. The investigation is led by a younger prosecutor, Leopold Bilski (performed by Jakub Gierszał). We all know little about him, however it’s clear that he adopted within the footsteps of his father, who remains to be remembered throughout the partitions of the prosecutor’s workplace constructing. Younger Bilski is bold, dedicated, and it’s clear that he cares. Sadly, his superior values the unusually outlined “effectiveness” greater than the thoroughness of the investigation.
The script didn’t develop the traits of the principle characters. Bilski is devoid of any distinguishing options, he gives the look of a straight-A scholar who was by accident thrown into the vortex of a troublesome investigation. He’s variety, tenacious, centered on the objective. It is a bit too little to become involved within the destiny of the following crime story hero we might observe.
At numerous levels of the investigation, Bilski is supported by the sufferer’s mom, Helena Bogucka (performed by Maja Ostaszewska). Helena is one other bland, personalityless heroine. The scene the place he escapes from the nightclub by automotive is unintentionally comical. The heroine has been given a “rape tablet” and when she escapes, she goes on a mad sprint by way of town, consistently colliding with obstacles or different automobiles, and the heroine’s facial features reminds us of Hanka Mostowiak, a second earlier than colliding with lethal cardboard containers within the collection. “M like love”. It is not possible to take a film too critically when it makes such a mistake.
The opposite characters concerned within the story are equally uninteresting. Suffice it to say Helena’s husband, in addition to the native gangster (Przemysław Bluszcz was as soon as once more forged “below the phrases”. This isn’t shocking, however figuring out his achievements, you possibly can predict prematurely which hero he’ll play), native policemen and different representatives justice.
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Unexpectedly wrapping up threads
At first the case drags on with none breakthrough, after which a “deus ex machina” happens; somebody pulls out a pendrive filled with helpful proof from his pocket and the story unfolds in an avalanche. Its particular person components occur with out a particular order, on the finish we get suspense, however one other character may simply as simply be the perpetrator, as a result of the psychological likelihood of the actions of Monika Bogucka’s assassin is so slim.
Theoretically, the movie had all the things to be a hit. The attendance will definitely be excessive, however the viewer’s satisfaction after the screening will not be sure. There was no thought what ought to occur between the characters in order that “The Colour of Evil: Crimson” wouldn’t develop into one other movie forgotten instantly after the screening. There isn’t a social prognosis, no try to indicate the characters’ lives in a selected context, or any thought of how the evil with which the characters deal was born.
Too stereotypical?
Cliché follows cliché, so for viewers who commonly watch crime movies and collection, “The Colour of Evil: Crimson” is not going to be groundbreaking or intriguing. A villain, corrupt policemen, the one honest “sheriff” within the city and an upper-middle-class household that has no thought concerning the lifetime of their grownup daughter. This aspect could be very grating. How is it attainable that Monika, who nonetheless lived along with her mother and father, was virtually a stranger to them? She was returning dwelling after experiencing violence, she had quite a few traces of it, and her mom and father didn’t discover her drama on a regular basis. There was no clarification of what occurred that induced the Bogucki household to cross one another each day, not noticing one another’s wants and issues.
Once we find out about Monika’s destiny, it seems that on the final day of her life, she skilled one other disappointment and trauma. All the things that occurs to her appears to be a torture to the heroine and an pointless show of violence. The scenario is comparable within the case of her mom’s non-public investigation, on whose head subsequent misfortunes fall.
The movie follows a widely known state of affairs. On the finish, he swiftly wraps up the threads in order to not lose the viewer’s consideration. The largest benefit of the manufacturing is the forged, particularly Zofia Jastrzębska. “The Colour of Evil: Crimson” is the start of the movie collection. We will solely hope that subsequent movies is not going to repeat the errors of the movie directed by Adrian Panek, who has produced many attention-grabbing titles, reminiscent of the ultimate season of “The Raven”. In the meantime, it is simply one other present to neglect.
Movie “Colours of Evil: Crimson” is on the market from Might 29 Netflix.
