On the boards three men: a daffodil, a conservative, a lukewarm. A modern, provocative, indecipherable and expensive painting bursts onto the scene. That’s her, just as white as Chandler’s icy blondes that no one can get too close to because they are far away, always distant, immersed in reading The Waste Land or another similar work. Of course, the tribal logic that governs the friendship of the closed group of observers will turn the new piece into the perfect enemy. The dialogue will then become entangled like a spiral to stir the limpid waters of a friendship that soon becomes clouded with resentments, fears and anxieties that rise to the surface. In this way, much more than questioning the market or weighing how taste is acquired, Art is about everything that it does not directly name. And it reminds me that talking about painting is the fastest way to get to know people and that art is the most effective lie detector.
2024-03-17 02:33:34
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