Paris, France – The Comédie-Française’s recent production of Paul Claudel’s sprawling drama, Le Soulier de satin (The Satin Slipper), has captivated audiences adn critics alike. Directed by Éric Ruf in a grand finale to his decade-long tenure as administrator, the production is a theatrical spectacle unlike any other.
Ruf’s vision transforms the classic play into an immersive experience. The nearly eleven-hour performance unfolds on a minimalist stage, wiht actors moving fluidly through the audience and utilizing a unique footbridge that breaks down the fourth wall. This innovative staging, coupled with the sheer scale of the production, creates a truly unforgettable theatrical event. The role of Don Rodrigue, Claudel’s semi-autobiographical character, is masterfully portrayed by Baptiste chabauty, showcasing a remarkable transformation from dashing conquistador to aged, enslaved man.
Ruf’s choice to stage this monumental work holds meaningful historical weight. A previous production, directed by Jean-louis Barrault in 1943 during the Nazi occupation of France, served as a powerful act of resistance. This historical context adds another layer of depth to Ruf’s ambitious undertaking, a point he emphasized in a recent interview.”As the Comédie-Française is going through budgetary troubles, the reflex would be to reduce artistic ambition; in contrast, I think that it is indeed necessary, in these cases, to expand it further,” ruf stated.
A Masterful Ensemble Cast
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The production boasts a large ensemble cast of approximately 20 actors, each taking on multiple roles. Thier performances are described as “sensual” and deeply moving, bringing Claudel’s complex characters to life with remarkable nuance. The play’s epic love story between Don rodrigue and Dona Prouhèze is brought to the forefront, captivating the audience with its intensity and emotional depth.
The play’s opening is set by the Announcer, played by Serge Bagdassarian, who sets the tone with his vibrant delivery: “Everything must seem provisional, in progress, sloppy, incoherent, improvised in enthusiasm! (…) Order is the pleasure of reason: but disorder is the delight of the inventiveness.”
A Theatrical Triumph despite Budgetary Constraints
Despite facing budgetary challenges, the Comédie-Française has delivered a production that is both artistically ambitious and technically stunning. Ruf’s decision to embrace this challenge, rather than scale back, is a testament to the company’s commitment to artistic excellence. The production serves as a powerful reminder of the enduring power of theater to transcend limitations and captivate audiences.
The Satin Slipper, a production that defies easy categorization, is a must-see for theater enthusiasts and anyone seeking a truly immersive and unforgettable theatrical experience. Its success underscores the enduring appeal of classic drama and the power of innovative staging to breathe new life into timeless stories.
Comédie-Française Stages a Dazzling “Satin Shoe”
Paris’s prestigious Comédie-Française has unveiled a spectacular production of Paul Claudel’s The Satin Shoe, a theatrical odyssey that transcends time and genre. Directed by Éric Ruf, the play, starring Marina Hands, is a whirlwind of passion, ambition, and thwarted love, all set against the backdrop of the Spanish conquest.
The play’s intricate plot, spanning decades of intertwined lives, is masterfully condensed by ruf into a captivating four-day journey. “Proof that it is easier to conquer lands than hearts and that violence achieves its ends more quickly than the integrity of a soul torn between the demands of faith and the hurricane of passion,” the production powerfully demonstrates. This statement encapsulates the central conflict: the clash between conquest and conscience, a theme that resonates deeply even in contemporary society.
A Crossroads of Theatrical Styles
Ruf’s vision transforms the Salle Richelieu into a vibrant tapestry of theatrical styles. he seamlessly blends vaudeville,tragedy,farce,and comedy,creating a dynamic and engaging experience. The inclusion of musicians alongside the actors,a nod to Molière’s theatrical traditions,adds another layer of richness to the performance. “Summarizing the plot is not only unachievable but futile,” Ruf might say, “it is indeed enough to know that traveling the world on a theater stage in a disheveled cavalcade of thwarted loves, of noble or vengeful ambitions, all equally subject to the indomitable course of time, amounts for Éric Ruf to making the Salle Richelieu the crossroads of all theaters: vaudeville, tragedy, farce, comedy, without forgetting the ballet theater dear to Molière through the presence of musicians alongside the troupe in a form Olympic, nothing is missing from the party.” The result is a truly immersive and unforgettable theatrical experience.
the production’s visual spectacle is equally impressive. The set design, also by Ruf, is both grand and intimate, perfectly complementing the play’s sweeping narrative. Hands’ performance is nothing short of mesmerizing, capturing the complexities of her character with both grace and intensity.
The Satin Shoe, a production that seamlessly blends historical drama with timeless themes, is a must-see for theater lovers. Don’t miss this opportunity to witness a truly remarkable theatrical event.
The Satin Shoe by Paul Claudel, stage version, scenography and direction by Eric Ruf. Until April 13, Salle Richelieu, Comédie-Française.
Comédie-Française Stages a Dazzling “Satin Shoe”: An Interview with Theater Historian dr. Anne-sophie Dubois
The Comédie-Française’s stirring production of Paul Claudel’s epic drama, ”The Satin Shoe,” has made waves in the Parisian theatre scene. Directed by Éric Ruf, the sprawling spectacle, set against the backdrop of the Spanish conquest, explores themes of passion, ambition, and the clash between faith and desire. We spoke with Dr. Anne-Sophie Dubois, renowned theatre historian and specialist in French dramatic literature, to gain insights into the production’s unique elements and its significance within contemporary theatre.
World Today News: Dr. Dubois, the Comédie-Française’s “Satin Shoe” has been praised for its ambitious staging.What makes this production stand out?
Dr. Dubois: Éric Ruf’s direction is truly remarkable. His vision transforms Claudel’s complex narrative into a vibrant theatrical tapestry. The use of vaudeville, tragedy, farce, and comedy woven together creates a dynamic experience that keeps the audience completely engaged. It’s a masterclass in theatrical storytelling.
World Today News: The play’s historical context,set against the backdrop of the Spanish conquest,adds a layer of complexity. How does Ruf address this historical weight?
Dr. Dubois: Ruf skillfully blends historical accuracy with contemporary relevance. The production doesn’t shy away from the brutality and complexities of colonialism, but it also highlights the global themes of love, ambition, and the struggle for identity that still resonate today. It’s a powerful reminder that history continues to inform our present.
World Today News: The production is known for its large ensemble cast and masterful performances. Could you elaborate on their contribution?
Dr. Dubois: the acting is simply outstanding. Each member of the cast imbues their roles with remarkable depth and nuance. They seamlessly navigate the play’s shifting moods and intricate relationships, bringing claudel’s characters to life with breathtaking authenticity.
World Today News: “The Satin Shoe” tackles profound themes of faith and morality. How does Ruf convey these themes through the performance?
Dr. Dubois: Ruf masterfully uses symbolic imagery and theatrical techniques to explore these complex themes. the play raises profound questions about the nature of faith,the consequences of ambition,and the burden of conscience. It’s a production that encourages deep reflection long after the curtain falls.
World Today News: Despite budgetary constraints faced by the Comédie-Française, the production looks incredibly lavish. How has the company managed to achieve such a high level of artistic excellence?
Dr. Dubois: This production is a testament to the unwavering dedication and creativity of the Comédie-Française. Despite facing financial challenges, they have chosen to invest in artistic ambition, resulting in a truly remarkable theatrical experience.It’s a powerful statement about the enduring power of theatre to transcend limitations.
World Today News: Would you recommend “The Satin Shoe” to audiences unfamiliar with Claudel’s work?
dr. Dubois: Absolutely. This production offers a compelling entry point into claudel’s rich and multifaceted world. It’s a theatrical experience that will stay with viewers long after they leave the theatre. It’s a must-see for anyone who appreciates powerful storytelling, masterful acting, and the enduring power of theatre.
