Miguel Nández, one of the essential voices of the Martínez Ares troupe, left more than satisfied with the pass to the semifinals. The connection, The communion with the public this Monday has been very resounding, and that is how the jury point has felt. “The crowd for the semifinal is a little hotter, we were lucky because of the timing, we didn’t get that late and we came with an arsenal, so everything came together and it was a super nice night.”
Arsenal del Fuerte, typical of the semifinals, “with a first letter to the king, very critical, and the other more sentimental, which it was even difficult for us to sing at the beginning without weeping two tears because we knew it would reach the people. And the that we have children and we live it up close, well, more excited, as has happened to Ramoni”, and to the entire theatre. In fact, the ovation has been long for this very current paso doble, focused on the acceptance of sexual diversity and which masterfully ends with a father’s fear of the cruelty of society in the face of what he considers different.
Two letters with which Antonio Martínez Ares returns to demonstrate the years of tables, de Falla and a contest whose threads he manages perfectly “He knows better than anyone how things are done and that is why he has been here for so many years and is the best. This is very long, you have to give once. And if you don’t give, you have to get up again and even if it happens, you have to keep doing it, give your best every day, and for that Antonio is number one”. He added that during the rehearsal they told the author, “you’re like Rafa Nadal, you return everything, and you exhaust your competitors mentally.”
And it is that Nández is clear about it, “when one sings and sings with truth there is a wave, a little cable that goes directly to the hearts of the people”. Sensations with which they intend to repeat in the final, “if we pass we come with a pass like today”.
As for the modality levelhas defended his, because “although it is said that the chirigota is coming strong, the troupe too. And above all the youth, like the Cornejo troupe (‘Cádiz de mi alma’), which has arrived stomping, well sung , with pieces of letters. Seeing that there are kids with this way of stepping on the tables is glory for me”.
