On December 20, at the Guangzhou International Financial Center IFC, the “Golden Age” themed painting exhibition of bald boys created by artist Liang He came to its final day.
At the event, Liang He and theater director and actor Zhan Ruiwen reviewed the artistic journey that lasted for more than a month through a relaxed conversation. Liang He was the first to talk about his experience of this exhibition. He said: “This is not just an art exhibition, but also an art co-creation that everyone can participate in. In order to let everyone experience art more deeply, we are Under the cute image of the bald boy, through three golden song review activities and three bald boy picture book graffiti creations, every visitor will be given an immersive artistic experience.”
Later, Liang He and Zhan Ruiwen shared the story of how they got to know each other through art, and jointly opened the interactive message mailbox at the event. Through on-site reading, they interacted with fans who had never met the exhibition, and provided them with paintings and texts. Sending my sincere blessings and thanks.
As the grand finale of the closing day event, Liang He passed the “art torch” to Zhan Ruiwen. Subsequently, Zhan Ruiwen officially announced that his “Comedy Universe Tour Plan” is about to start. He will bring the “King of Improvisation” performance to Guangzhou friends who like stage dramas in January next year, and will provide early ticket purchase benefits to the guests. .
The cocity Artist platform of Yuexiu Bay Area Company, the organizer of the event, stated that it will continue to work with artists in the Greater Bay Area to bring a rich and colorful artistic life to citizens through the cocity Artist platform, allowing the public to experience the beauty of art hidden in daily life.
Text丨Reporter Ai Xiuyu
Picture | Organizer
Editor: Gong Weifeng
Guangzhou Artist Liang He Bridges Art and Community Through Interactive Bald boy Exhibition
Liang He’s “Golden Age” exhibition recently concluded in Guangzhou, captivating audiences with its unique theme of bald boys and emphasis on community involvement. We sat down with Dr. Emily Chen, a renowned art historian and expert in contemporary Chinese art, to discuss the exhibition’s impact and meaning.
Reimagining traditional Artistic Boundaries
Senior Editor: Dr. Chen, Liang He’s exhibition seems to have gone beyond the typical art viewing experience. What makes it stand out?
dr. Emily Chen: Absolutely.Liang He ingeniously combines his unique artistic vision with participatory elements. By incorporating activities like golden song reviews and picture book graffiti, he transforms the exhibition from a passive viewing experience into an active co-creation.
Senior Editor: How do these interactive elements enhance the audience’s understanding and appreciation of the artwork?
Dr. Emily Chen: They invite the audience to engage with the art on a deeper, more personal level. For example, the bald boys, a whimsical motif, become conduits for exploring themes of childhood, innocence, and even social commentary.
The Power of Collaboration and Community
Senior Editor: The collaboration between Liang He and Zhan Ruiwen,a prominent theater director,is also intriguing. What role did this partnership play?
Dr. Emily Chen: It beautifully bridged the worlds of visual art and performance.Zhan Ruiwen’s involvement added another dimension of dynamism and interactive storytelling,reinforcing the exhibition’s focus on community and shared experiences.
Senior Editor: Liang He mentioned creating “immersive artistic experiences.” Can you elaborate on how he achieves this?
Dr. Emily Chen: He skillfully uses the exhibition space itself as a canvas for interaction. The playful elements, combined with the intimate setting, create a sense of belonging and encourage dialog among visitors – fostering a truly immersive experience.
Looking Ahead: The Future of Participatory Art
Senior Editor: Do you believe this approach to art-making will become more prevalent?
Dr. Emily Chen: Definitely. Artists like Liang He are leading the way by demonstrating the power of collaborative art-making to democratize art and make it accessible to a wider audience.
Senior Editor: Thank you for shedding light on this innovative exhibition, Dr. Chen.
