Cinemateaser n°113, the summary – cinemateaser

Cinemateaser n°113, the summary

Coverage and complete summary: discover the program of our June issue, on sale Wednesday 15.

ELVIS
After the birth of hip-hop in THE GET DOWN, Baz Luhrmann this time puts his grandiloquent and operatic style at the service of the rock ‘n’ roll icon, Elvis Presley. A giant biopic in which he reveals a part of himself. We interviewed the filmmaker and his main interpreter, the new star Austin Butler.

DECISION TO LEAVE
He is one of the greatest formalists of our time and he proves it once again with this fake thriller and true love melodrama: Park Chan-wook analyzes his visual language for us. As a bonus, his actor Park Hae-il looks back on his busy filmography, from Bong Joon Ho to Im Sang-soo.

BLACK PHONE
Scott Derrickson did well to leave the Marvel stable to find that of Jason Blum. With BLACK PHONE, the director of DOCTOR STRANGE signs his best film since SINISTER – his best film altogether? – and confronts the world of children with the violence of adults. Maintenance.

AFTER YANG
A year after its presentation at Cannes, Kogonada’s second feature film after COLUMBUS finally hits theaters in France. A soft and intimate SF, but no less political for all that. The filmmaker deciphers his idea of ​​the future.

PISTOL
He explored the legacy of the Beatles in YESTERDAY and today recounts the life and death of the Sex Pistols in the mini-series PISTOL, of which he directs all the episodes. Danny Boyle, musical filmmaker par excellence, analyzes his new creation in a long interview.

CANNES 2022
Barely back from the Croisette, we share our favorites and our disappointments. Above all, we return in images to Cannes 2022 with a portfolio listing some of the talents who marked this 75^e editing.

DENIS MENOCHET
He is one of our favorite (French) actors, with an international filmography. It is today in PETER VON KANT, variation of François Ozon around the figure of Fassbinder. Work ethic, physicality and desire for comedy: we spoke with Denis Ménochet.

ENNIO MORRICONE PAR DANIEL PEMBERTON
On the occasion of the release of the documentary ENNIO, we could have explained to you in great detail why Morricone is one of the greatest composers in history. We preferred to let Daniel Pemberton, one of his heirs, do it for us.

AKIVA SCHAFFER, TOON TAMER
TIC ET TAC, RANGERS DU RISQUE Did you break out? We come back with its director, a funny member of the Lonely Island group, on the creation and the intentions (artistic, meta…) of this successful return of the squirrel detectives.

OLIVIER ASSAYAS IN SERIES
In 1996, he directed the film IRMA VEP under the influence of Feuillade’s VAMPIRES. A little over twenty-five years later, he remade his own movie series for HBO. Past, present, fiction, reality: interview with Olivier Assayas.

And also : 5 things to know about BUZZ L’ÉCLAIR / Interview: Bowen Yang, Rainbow Rigolo / Cooper Raiff: the independent cinema of tomorrow? / What if we introduced you to Olivia DeJonge? / Video: THE MEDIUM, KOREAN FRIED CHICKEN, THE SHADOW OF VIOLENCE, POST MORTEM…

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Mots-clefs : after yang, akiva schaffer, Austin butler, baz luhrmann, black phone, Bowen yang, buzz l’éclair, cannes 2022, cha cha real smooth, cinemateaser magazine, Cooper raiff, daniel pemberton, danny boyle, decision to leave, denis ménochet, Elvis, Elvis Presley, ennio morricone, fire island, irma vep, kogonada, Olivia DeJonge, olivier assayas, park chan-wook, Park Hae-il, pistol, portfolio, scott derrickson, Sex Pistols, sommaire, tic et tac

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le mardi 14 juin 2022 à 1:05 et est classé dans le magazine.
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