Cinema in the Donald Trump era

<div id="slideshow-anchor" class="slideshow-anchor-inpage" data-slides="[{"img":{"src_thumb":"https://mx.web.img2.acsta.net/c_80_80/newsv7/21/01/19/21/46/43608960.jpg","src_filename":"/newsv7/21/01/19/21/46/43608960.jpg","width":"","height":"","copyright":null},"page":1,"title":"Fahrenheit 11/9 (2018)","text":"Michael Mooreu00a0retrata una creciente violencia armada y lo que sucederu00eda si un empeachment se aprobara… u00bfQuu00e9 tal dos? (DVD)”,”main_title”:”El cine en la era de Donald Trump”,”main_img_src”:”https://mx.web.img3.acsta.net/newsv7/21/01/19/22/26/0681859.jpg”,”seo_mode”:”title”},{“img”:{“src_thumb”:”https://mx.web.img2.acsta.net/c_80_80/newsv7/21/01/19/21/49/33484980.jpg”,”src_filename”:”/newsv7/21/01/19/21/49/33484980.jpg”,”width”:””,”height”:””,”copyright”:null},”page”:2,”title”:”Una cena incu00f3moda (2017)”,”text”:”Salma Hayeku00a0cru00edtica el privilegio de los hombres blancos y su postura ante los migrantes. (Cinu00e9polis Klic)”,”main_title”:”El cine en la era de Donald Trump”,”main_img_src”:”https://mx.web.img3.acsta.net/newsv7/21/01/19/22/26/0681859.jpg”,”seo_mode”:”title”},{“img”:{“src_thumb”:”https://mx.web.img3.acsta.net/c_80_80/newsv7/21/01/19/21/45/01923590.jpg”,”src_filename”:”/newsv7/21/01/19/21/45/01923590.jpg”,”width”:””,”height”:””,”copyright”:null},”page”:3,”title”:”u00a1Huye! (2017)”,”text”:”Enu00a0u00a1Huye! la amabilidad es su00f3lo una mu00e1scara para ocultar el profundo odio y racismo que prevalece en Estados Unidos. Una de las esenciales del trumpismo. 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(Netflix)”,”main_title”:”El cine en la era de Donald Trump”,”main_img_src”:”https://mx.web.img3.acsta.net/newsv7/21/01/19/22/26/0681859.jpg”,”seo_mode”:”title”},{“img”:{“src_thumb”:”https://mx.web.img2.acsta.net/c_80_80/newsv7/21/01/19/21/45/01705180.jpg”,”src_filename”:”/newsv7/21/01/19/21/45/01705180.jpg”,”width”:””,”height”:””,”copyright”:null},”page”:6,”title”:”El infiltrado del KKKlan (2018)”,”text”:”El racismo sistu00e9matico nunca se ha ido yu00a0Spike Leeu00a0lo prueba mezclando la ficciu00f3n con eventos actuales. Seru00e1 la cinta esencial en la u00e9poca de Trump. (Cinu00e9polis Klic)”,”main_title”:”El cine en la era de Donald Trump”,”main_img_src”:”https://mx.web.img3.acsta.net/newsv7/21/01/19/22/26/0681859.jpg”,”seo_mode”:”title”},{“img”:{“src_thumb”:”https://mx.web.img3.acsta.net/c_80_80/newsv7/21/01/19/21/45/02142000.jpg”,”src_filename”:”/newsv7/21/01/19/21/45/02142000.jpg”,”width”:””,”height”:””,”copyright”:null},”page”:7,”title”:”Black Panther (2018)”,”text”:”El gran acierto deu00a0Ryan Coogler fue presentar una sociedad de rau00edces africanas acaudalada, moderna y en plena armonu00eda. Impactu00f3 fuertemente en la sociedad. (Disney+)”,”main_title”:”El cine en la era de Donald Trump”,”main_img_src”:”https://mx.web.img3.acsta.net/newsv7/21/01/19/22/26/0681859.jpg”,”seo_mode”:”title”},{“img”:{“src_thumb”:”https://mx.web.img3.acsta.net/c_80_80/newsv7/21/01/20/01/53/04885570.jpg”,”src_filename”:”/newsv7/21/01/20/01/53/04885570.jpg”,”width”:””,”height”:””,”copyright”:null},”page”:8,”title”:”El escu00e1ndalo (2019)”,”text”:”Producida poru00a0Charlize Theron muestra la fuerza del empoderamiento femenino en estos tiempos y cu00f3mo hacen tambalear a los que parecen intocables. 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1. Fahrenheit 11/9 (2018)
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Michael Moore portrays escalating gun violence and what would happen if one empeachment passed … How about two? (DVD)-
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There is a cinema that will define the chaotic four-year period of Donald Trump. A cinema that will not be able to detach itself from issues such as xenophobia, racism, arrogance and ineptitude. As The ambassador of fear portrayed the paranoia of the Cold War in the Kennedy era and Team America parodied George W. Bush’s fight against terrorism (“Hey terrorist, terrorrize this!”), in the future some young people will ask for a photo of the side spirit that the United States, the world and the media lived from January 20, 2017 to the same day in 2021. It is then that we must show you, at least, this handful of films. I have even emphasized that there was some directors, actors and musicians who openly supported him to win his election.

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With the exception of Borat, the following documentary film, which spiraled from the incompetence of the president’s close collaborators, Trump could boast of the importance of some of the films that his regime will inherit. The first edition of Sundance, which happened while he was swearing on the Bible, already foreshadowed it with some movies filmed during the pitched battle of his election campaign. Puerto Rican Miguel Arteta’s irregular An Uncomfortable Dinner was, however, one of the first films to capture those feelings of superiority to foreigners. Doug (John Lithgow) is an overbearing hospitality businessman and Chloë Sevigny and Jay Duplass They play a young couple similar to Ivanka and Jared Kurshner, did you match? Nah. Beatriz (Salma Hayek) has to put up with innuendo and jokes stoically before she can walk away with the pride of her Latin roots battered.

As in that film, the promise to build the wall would make the complaints against the unborn in the country more and more present. For its part, the art community responded by delivering migrants three of the four Oscars for Best Director in the following order: two Mexicans –Guillermo del Toro and Alfonso Cuarón– and a Korean, Bong Joon-ho. Too bad we can no longer reread your complaints on Twitter every time this happened …

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That same Sundance of 2017 a jewel appeared in the form of horror. In ¡Huye! Something was still being done to hide the racism so deeply rooted in American society, which the president was continually accused of promoting with his followers. One year later, Spike Lee at The KKKlan infiltrator, not only proved that white supremacy is not past history, but that it showed that its dangerous ramifications were still here. By then, few cared to hide their feelings towards the other races. The proof is in the epilogue of this tape, where he shows the amateur recording of the terrible events that happened in the rally of the ultra-right movement Unite the Right, in Virginia. So much ¡Huye! as The KKKlan infiltrator they will always be essential to understand this time.

The history that becomes cinema

Thus came the heyday of the Black Lives Matter movement, footballer Collin Kaepernick’s knee on the floor, the NFL, the NBA demanding respect in helmets and jerseys as police brutality continued (“I cant breath!”). The protests and the news, films and series fed each other with an increasingly remarkable social discourse. It is undeniable that the great Watchmen series did so with the re-enactment of the race riots in Tulsa, the same place where 99 years later, Trump would hold a rally to be re-elected in the middle of the pandemic in a half-empty auditorium. Black Panther also arrived, a comic book hero who became a symbol of progress and power of his race: Artists and athletes celebrated successes and activism with the Wakanda salute.

Joe Biden is the new President of the United States and celebrities react

In these four years the term fake news it was used like never before. Steven Spielberg He did what he could to once again glorify journalism before power with The Post: The Dark Secrets of the Pentagon, while also empowering women in the face of patriarchy. At a time when feminism became stronger than ever, it also found an echo in The Scandal, produced by Charlize Theron, which shows how the journalist Megyn Kelly confronts the then candidate on offensive comments to women. He responded with 15 tweets and the phrase: “You could see blood coming out of his eyes, blood coming out of his … wherever.” Right there they tell how they knocked down Roger Alies (also played by John Lithgow), President of the Fox News network, an ally of Trump during almost his entire term. As symbols of these times, the youngest congresswoman, Alexandra Ocasio-Cortez, and the first vice president in the history of the United States, Kamala Harris, arrived in counterpart. And it will never be forgotten.

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The 45th president of the United States leaves early before the cinema portrays his response during the pandemic, another of the essential themes of his government. Those documentaries and series will hardly be released in these months. It is true that Donald Trump had appearances and cameos in film and television long before and for fun, but it has nothing to do with the audiovisual legacy that will leave through the eyes of the filmmakers who lived through this time. The challenge facing his successor, Joe Biden, is definitely very great and we will also be attentive to how his actions will be portrayed in these coming years. This is power: the story ends, the story begins.

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