A portrait of Chiara Ferragni with lots of lights and few shadows the one provided by Candida Morvillo a In other wordsthe program hosted by Massimo Gramellini on La7 Saturday 24 February. The journalist signed together with Giuseppe Guastella the interview with the influencer and entrepreneur overwhelmed by the investigation born from Pandoro-gate and what seems to be a full-fledged crisis with her husband, the rapper Fedez born Federico Lucia.
It starts right from the marital crisis with Morvillo inviting everyone to avoid “sarcasm and the screen, because to be able to imagine that a couple invents a crisis when there are children involved, you need to have, not just imagination, but also sensitivity to the smallest terms”. The journalist says she was faced with “one woman with great strengthwith great courage and certainly with an ongoing crisis as there can be in all families”. The interview, however, was carried out days before the scoop of Dagospia about Fedez who had left home.
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“The words that Chiara used to describe this crisis were, in my opinion, of maximum protection towards the family”, says Morvillo. The journalist then comments on the objection that is often made when i Feragnez they invoke privacy: “I wonder: when have we completely lost sight of the meaning of humanity? It’s not just the Ferragnez who put their breakfast on social media in the morning, their children’s games in the park and their holidays with their boyfriend or husband – argues Morvillo – How many millions of Italians do this?”.
Some complain that Ferragni continues not to provide all the explanations regarding the legal matter. In the interview, Gramellini recalls, the entrepreneur returns to the “communication error” and attributes any mistakes to her and her staff’s lack of experience. “They will ascertain what happened magistrates, the theme that you raise is that of good faith – continues Morvillo – and tells a detail that was previously unpublished.” What are you referring to? “You say: ‘Be careful, if there hadn’t been a request from me, a specific request from me contractual clause, that charity perhaps would not have been done’. That is, she says: ‘I was doing with Balocco a sponsorship, a commercial operation to promote pandoro. Since I have always thought that when you do charity work and tell them you create an emulation effect, when I could, naivelyI have always tried to add a small part of charity”. A version which has been contested by many parties, both due to the consistency of the charity itself and because the communication of charity campaigns for those who make their personal image their economic asset is a value added.
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Having said this, we move on to the more “personal” Ferragni: the journalist said she saw a woman endowed with “great strength of character on a day that must have been among the most difficult of her life” for her, even “on the day when we met her, we didn’t know that the crisis with her husband had escalated to the extent of what was later reported in the newspapers.” Despite everything she “had a determination and serenity rare in a young woman who finds herself, as we have read, with a husband who left home”. How will it end with Fedez? “My feeling is that within a young, exposed, in love and in any case stormy couple, there is also the case for the husband to leave the house and then return, then succeed. But we don’t know how it ends.” Once the chapter is closed, the telenovela The Ferragnez continues. Sunday 3 March, in the living room of Fabio Fazio…
2024-02-24 21:54:00
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