Pop sensation Charli XCX turned heads at Variety‘s Hitmakers Brunch in Los Angeles on December 7th, showcasing a daring fashion choice that pushed boundaries.
The 32-year-old “Boom Clap” singer opted for a completely sheer, olive-colored Grecian-style gown. The sleeveless dress, reinforced only at the midsection, flowed gracefully to the ground, creating a captivating and ethereal silhouette.
Completing her striking look, Charli XCX styled her long dark hair in soft waves and accessorized with a large diamond ring and a flawless red manicure.
Beyond her fashion statement, Charli XCX also took to the stage at the event, which celebrated the teams behind the year’s biggest musical hits. During her speech, she offered a thought-provoking outlook on the concept of a “hit” song.
“This record is considered one of the greatest albums of all time, but it only sold 30,000 copies when it was first released,” she remarked, referencing the Velvet Underground’s iconic debut album. “It just goes to show that what’s considered a ‘hit’ is subjective and can change over time.”
Charli XCX’s appearance at the Hitmakers Brunch served as a reminder that artistic impact transcends commercial success, and that true innovation frequently enough challenges conventional norms.
Pop icon Charli XCX recently took the stage at Variety‘s Hitmakers Brunch in Los Angeles, reflecting on the enduring legacy of her groundbreaking 2014 album, Sucker.
“It’s one of the most influential and groundbreaking records of our time,” she told the audience, per Variety, while marveling at its lack of initial success. “It’s the apex of fine art and dirty culture, colliding high and low, poetry meets drugs, earnest and arrogant.”
Charli also reminded the audience that even the album’s cover art — the banana peel by legendary artist andy Warhol — whent unappreciated at the time. She then joked that while her own album art has yet to be featured at the “guggenheim or the Whitney,” she does have merch at Urban outfitters.
“So I guess that means I’m halfway there,” she quipped.
The pop star recently made headlines for garnering multiple Grammy nominations for her latest album, brat, which dropped in June. After its release, the hit album took on even more life when it became the unofficial mantra for vice President Kamala Harris’ 2024 presidential campaign.
Also in attendance at the star-studded brunch was Lana Del Rey, who presented music producer Jack Antonoff with an award.
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Music industry heavyweights gathered in New york City on Wednesday night to celebrate the best in songwriting at the 2023 Songwriters Hall of Fame induction ceremony. The star-studded event, held at the Marriott Marquis, saw legendary figures and rising stars alike come together to honor the art of songwriting.
One of the evening’s highlights was the presentation of the prestigious “Producer of the Decade” award to Jack Antonoff. The acclaimed producer,known for his work with artists like Taylor Swift,Lana Del Rey,and Lorde,received a playful jab from swift before taking the stage. “You’ll be richer than all of us with your 50% on everything,” the “Video Games” singer joked, drawing laughter from the crowd.
Antonoff’s acceptance speech was met with thunderous applause as he reflected on his career and the importance of collaboration in the creative process. The ceremony also saw a diverse range of attendees, including pop sensation Olivia Rodrigo, actress Rachel Sennott, and rising country star Shaboozey, alongside hundreds of songwriters, producers, label executives, and music attorneys.
The Songwriters Hall of Fame induction ceremony served as a testament to the enduring power of songwriting and its ability to connect people across generations and genres.
## Charli XCX Redefines “Hit” Song at Variety’s Hitmakers Brunch: An Exclusive Interview
The music industry gathered at Variety‘s Hitmakers Brunch in Los Angeles, where Charli XCX sparked conversation around the evolution of a “hit” song. The pop star, while promoting her latest album *brat*, used the mirror of history to challenge conventional definitions of success.
**World Today News: ** Charli, thank you for joining us. Your recent statements at the Hitmakers Brunch about the subjective nature of success in music resonated deeply. Can you elaborate on what inspired those thoughts?
**Charli XCX:** Absolutely! I was reflecting on the legacy of albums like the Velvet Underground’s debut. It’s now hailed as one of the greatest albums of all time, but it initially sold poorly. That contrast really highlights how our understanding of what constitutes a “hit” evolves over time.
**World Today News:** You’ve experienced phenomenal success yourself with albums like *Sucker* and your latest release *brat.* Do you approach the idea of a “hit” differently now compared to earlier in your career?
**Charli XCX:** I think my perspective has definitely matured. While commercial success is undeniably critically important, I’ve come to value artistic impact and longevity much more. *Sucker* might not have been an instant commercial smash, but its influence on pop music is undeniable. That kind of lasting impact is what truly matters to me.
**World Today News:** At the brunch, you also talked about the tension between “fine art and dirty culture” in your music. Could you expand on that concept?
**Charli XCX:** For me, music is a space where contradictions and complexities can coexist. I love exploring themes of vulnerability alongside gritty, subversive energy. That’s the essence of what I try to capture in my art – a blend of high and low, poetry and rebellion.
**World Today News:** You challenged fashion norms with your stunning sheer gown at the event. Does that same spirit of pushing boundaries extend to your fashion choices?
**Charli XCX:** Definitely! I believe in using fashion as a form of self-expression and a way to challenge expectations.
**World Today News:** Thank you so much for sharing your insights, Charli. It’s clear that you’re not just making music; you’re shaping conversations around creativity, success, and self-expression.
**charli XCX:** It’s a pleasure.
