The creator of the Sopranos, David Chase, on September 22, at the preview of the film “The Many Saints of Newark” at the Beacon Theater in New York / AFP
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“But he showed it in an audition, and I never doubted again. I just sometimes had to prevent him from being + too much + his father”, because in the film, “he had to be this version young and tender of the character”, added Alan Taylor, already behind the camera for several episodes of the series at the 21 Emmy Awards and five Golden Globes.
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If it retraces the years of Tony’s youth, a gifted but unmarked teenager, between an absent father and an overly strict mother, the film is centered on a character he venerates, Dickie Moltisanti, played by Alessandro Nivola.
The story also explores the tensions between the Italian-American and African-American communities in New Jersey at the time, as well as the 1967 Newark riots and police brutality.
But like any self-respecting prequel, “The many saints (“molti santi” in Italian) of Newark”, multiplies the references to the series and delivers some keys to fans who master the genealogy of the Sopranos at their fingertips.
“I saw the series maybe six or seven times, and it really lived up to my expectations,” said Robert Quinn, 23, after the screening, still blown away by the final twist.
“I grew up in New Jersey, where you really hear people talk like that,” he added, saying he identifies “a lot” with the show.
Broadcast in the United States simultaneously in cinemas and on HBO Max from October 1, the film is released this week in the United Kingdom and in early November in France.
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