Augustin Hadelich to grace Carnegie Hall with Yale Philharmonia
On Monday, January 27, 2025, the iconic Carnegie Hall will host a night of musical brilliance as the Yale Philharmonia takes the stage under the baton of conductor Peter Oundjian. The highlight of the evening will be the performance of Benjamin Britten’s Violin Concerto, featuring the internationally acclaimed violinist and Yale School of Music professor, Augustin Hadelich.
hadelich, celebrated for his “phenomenal technique, insightful interpretations, and ravishing tone,” is set to deliver a captivating rendition of Britten’s masterpiece. the program also includes the world premiere of a new Suite from Joan Tower’s concerto for Orchestra, adding a contemporary flair to the evening.The Yale Philharmonia has expressed immense excitement about performing at Carnegie Hall, a venue synonymous with musical excellence. Tickets for the event are in high demand, with a limit of four per member and a requirement for attendees to be at least five years old.
For those planning to attend, tickets can be picked up on the day of the concert between 6 pm and 7:45 pm at the Carnegie Hall Main Box Office, located at W. 57th St. and 7th Ave.
Key Event Details
Table of Contents
| Event | Details |
|————————–|—————————————————————————–|
| Date | Monday, January 27, 2025 |
| Time | 8:00 PM |
| Venue | Carnegie Hall, New York |
| Featured Performer | Augustin Hadelich, Violin |
| Conductor | Peter Oundjian |
| Program | Benjamin Britten’s Violin Concerto, Joan Tower’s Suite (World Premiere) |
This performance promises to be a memorable evening for classical music enthusiasts, showcasing the talents of one of the world’s greatest violinists alongside the exceptional musicianship of the Yale Philharmonia. Don’t miss this opportunity to witness a night of unparalleled artistry at one of the most prestigious concert halls in the world.
Hadelich and Yale Philharmonia Bring Britten’s Violin Concerto to Carnegie Hall
Renowned violinist Augustin Hadelich and the Yale Philharmonia are set to perform Benjamin Britten’s Violin Concerto at Carnegie Hall today, following a deeply moving performance at Woolsey Hall last Wednesday. The concerto, which Hadelich has described as a “devastating musical journey,” resonates profoundly with themes of militarism, war, grief, and hope—topics that feel especially relevant in today’s world.
hadelich first performed Britten’s concerto in 2012 and has since developed a deeply personal connection to the piece. “No matter how many times I perform this piece, it is a devastating musical journey, and hard to find words at the end,” he shared. The concerto’s final moments, which Hadelich believes reflect Britten’s denouncement of war, conclude with a haunting suspension between D major and D minor, leaving listeners in a state of unresolved tension.
The concerto is renowned for its technical demands, featuring intricate double-stops, triple-stops, and artificial double-stop harmonics. Yet, for Hadelich, these challenges are part of the piece’s beauty. “The struggle of the performer is almost the point, mirroring the emotional struggle of the music itself,” he explained. At Wednesday’s performance, Hadelich’s mastery was evident as he flawlessly navigated the concerto’s dramatic arc, notably in the emotionally charged third movement.
Audience members were deeply moved by Hadelich’s interpretation. Laurel Gagnon,a Yale School of music student and Hadelich’s mentee,praised the emotional depth of his performance,while Erin Nishi,a Yale Symphony Orchestra member,described the experience as transformative. “Woolsey is a place I’ve been so fortunate to rehearse and perform as a student musician, and hearing one of my musical inspirations transform the space with his sound was incredibly inspiring,” Nishi said.
the concert’s first half also featured a reduction of Joan Tower’s Concerto for Orchestra, arranged into a 12-minute suite by Peter Oundjian, the faculty conductor of Yale Philharmonia. Despite its shortened form, the piece retained the thematic richness and orchestral brilliance of Tower’s original work. The second half showcased Hector Berlioz’s Symphonie Fantastique, an epic hour-long symphony that blends historical and contemporary aesthetic elements, making it a fitting finale for the diverse program.
Today’s performance at Carnegie Hall marks a significant milestone for hadelich and the Yale Philharmonia. “It is awe-inspiring to stand on Carnegie’s stage and think about everyone who has performed there,” Hadelich said. “I can’t wait to share the stage of carnegie Hall with the talented students of Yale School of Music.”
| Key Highlights | Details |
|—————————————-|—————————————————————————–|
| Performance | Britten’s Violin Concerto, Joan Tower’s Suite, Berlioz’s Symphonie Fantastique |
| Venue | Carnegie Hall |
| Featured Artist | Augustin Hadelich |
| Orchestra | Yale Philharmonia |
| Themes | Militarism, war, grief, hope |
| Technical Challenges | Double-stops, triple-stops, artificial harmonics |
as Hadelich and the Yale Philharmonia take the stage at Carnegie Hall, audiences can expect a performance that not only showcases technical brilliance but also delivers a profound emotional experience. Don’t miss this opportunity to witness a masterful interpretation of Britten’s timeless concerto in one of the world’s most iconic venues.Augustin Hadelich: A Masterclass in Performance and Mentorship
Augustin Hadelich, the Grammy-winning violinist, continues to captivate audiences with his unparalleled artistry and dedication to mentorship. Known for his technical brilliance and emotional depth, Hadelich’s performances are not just concerts—they are masterclasses in musical excellence.
According to Gagnon, a close observer of Hadelich’s work, his performances are a testament to his teaching ideology. “Hadelich is an unbelievable teacher and mentor, and it’s exciting to see him put all of his advice into action in the real world after working with him privately in lessons,” she said. This unique blend of mentorship and performance has made Hadelich a standout figure in the classical music world.
Hadelich’s upcoming concert at Carnegie Hall is a must-see event for music enthusiasts. Tickets for the performance start at $29, offering an accessible opportunity to experience his artistry firsthand. Whether you’re a seasoned classical music aficionado or a newcomer to the genre, Hadelich’s performances promise to leave a lasting impression.
For those eager to follow Hadelich’s journey, his 2025-2026 tour dates are now available. Fans can stay updated on his latest concerts and secure tickets thru platforms like Bandsintown.| Event Highlights |
|———————–|
| Artist | Augustin Hadelich |
| Venue | Carnegie Hall |
| Ticket Price | starting at $29 |
| tour Dates | 2025-2026 |
Hadelich’s ability to inspire both on and off the stage is a rare gift. His performances are not just about music—they are about the transformative power of art. Don’t miss the chance to witness this remarkable artist in action. Secure your tickets today and be part of an unforgettable musical experience.
Augustin Hadelich: A Masterclass in Performance and Mentorship
Editor: augustin, your recent performance at Carnegie Hall was nothing short of breathtaking. Can you share what it means to you to perform on such a historic stage?
Augustin Hadelich: Thank you! Performing at Carnegie Hall is always awe-inspiring. Teh history, the acoustics, and the sheer prestige of the venue make it a dream for any musician. It’s humbling to think about all the astonishing artists who have stood on that stage before me.
Editor: the concert featured a diverse program, including Britten’s Violin Concerto, Joan Tower’s Suite, and Berlioz’s Symphonie Fantastique.How did you approach preparing for such a varied repertoire?
Augustin hadelich: Each piece has its own unique challenges and emotional depth. For Britten’s Violin Concerto, I focused on capturing the themes of militarism, war, and grief, while also emphasizing the moments of hope. Joan Tower’s Suite, despite being a reduction of her Concerto for Orchestra, retains much of its thematic richness, so I worked closely with Peter Oundjian to ensure it shone through. And Berlioz’s Symphonie Fantastique is such an epic work—we aimed to blend its ancient and contemporary elements seamlessly.
Editor: you’re known not just for your performances but also for your mentorship. How do you balance your teaching with your performing career?
Augustin Hadelich: Mentorship is incredibly significant to me. I believe in passing on what I’ve learned to the next generation of musicians. It’s gratifying to see my students take what I’ve taught them and apply it in their own performances.Balancing both can be challenging, but it’s also deeply fulfilling.
Editor: Your technical brilliance is often highlighted, notably in pieces requiring double-stops, triple-stops, and artificial harmonics. How do you maintain such precision?
Augustin Hadelich: It’s a lot of practice, of course, but also understanding the mechanics of the instrument and the music. I always try to approach technical challenges musically—making sure that even the most difficult passages serve the emotional narrative of the piece.
Editor: What can audiences expect from your upcoming 2025-2026 tour?
Augustin Hadelich: I’m really excited about the tour! It will feature a mix of classic repertoire and new works, and I’ll be collaborating with some fantastic orchestras and conductors. I hope to continue bringing emotional depth and technical excellence to every performance. Fans can stay updated and get tickets through platforms like Bandsintown.
Editor: Any final thoughts for our readers?
Augustin Hadelich: Music has the power to transform,to heal,and to inspire. I feel incredibly blessed to be able to share that with audiences around the world. Whether you’re a longtime classical music lover or new to the genre,I hope my performances can offer something meaningful to you.Don’t miss the chance to experience it live—secure your tickets today!
Key Takeaways
- Performing at Carnegie Hall is a milestone for any artist, including Augustin Hadelich.
- Hadelich’s approach to varied repertoire involves deep emotional and technical preparation.
- Mentorship is a cornerstone of Hadelich’s career, balancing teaching with performing.
- Technical precision in pieces like Britten’s Violin Concerto is achieved through rigorous practice and musical understanding.
- Hadelich’s 2025-2026 tour promises a mix of classic and contemporary works, with tickets available on Bandsintown.
