Artist questions our founding myths in a context of globalization

Mexico Metropolis. The exhibition In celicayotl in itzmolincayotlby Santiago Robles Bonfil (Mexico Metropolis, 1984), brings collectively questions concerning the interpretation of founding myths of our society in a context of late capitalism or globalization. Put in on the Autonomous College of Chapingo, alongside murals on social justice and the Mexican countryside painted a century in the past by Diego Rivera and Xavier Guerrero, it displays on pre-Hispanic roots, traditions and the connection with the cornfield.

The works on the Nationwide Museum of Agriculture in that college are a evaluation of the artist’s final decade of manufacturing. Some 40 items are offered, together with drawings, work, engravings, ceramics, a codex and altarpieces made with corn grains and pre-Hispanic dyes. The title translated from Nahuatl means Freshness, germination.

It’s a transient however very constant anthology that begins with works from 2014 and concludes with some that I completed just a few weeks in the past within the engraving workshop on the Los Pinos Cultural Complicated. They’re lithographs that take care of the topic of corn.says Santiago Robles in a dialog on the event of this retrospective.

Above all, what I take into account specific about this exhibition is that it comprises supplies used since pre-Hispanic instances, similar to indigo, cochineal or pericón dyes, which had been used to make murals within the pyramids or the codices themselves, together with different supplies which are usually rather more fashionable, similar to oil paint or acrylic.

In your opinion, For Mexicans, the countryside is key. Not solely are we the middle of an amazing variety of corn on the planethowever as a part of the milpa, tomatoes, pumpkins and all kinds of meals stand out, says the artist who graduated from the College of Arts and Design (FAD) of the Nationwide Autonomous College of Mexico.

The chapel within the previous hacienda’s hull shows the mural Music to the Earthwhich Diego Rivera (1886-1957) captured on its partitions and ceilings, It is just like the Sistine Chapel, however revolutionary.the place he expressed the theme of social justice within the rural sector. These works within the seventeenth century constructing had been commissioned when the agricultural faculty moved to Texcoco at first of the final century.

The then younger artist Xavier Guerrero (1896-1974), a pioneer of the muralist motion, created his personal work at this faculty between 1923 and 1927. In two murals he alluded to capitalism and social justice, whereas in 9 panels, in addition to 11 panels and grisailles, he included socialist symbols, these of Freemasonry, together with angels and clouds. A lot of his work has disappeared, however among the finest collections of this Coahuila artist is discovered on the Autonomous College of Chapingo.

Santiago Robles, who used to go to the college continuously to admire the works, says that when he acquired the invitation to current his work he thought it was the perfect place.

Along with curator Christian Barragán, the thought was to keep up a dialogue with the murals of Guerrero and Rivera, in addition to with the richness of the Nationwide Museum of Agriculture assortment.

Based in 1987, the museum’s mission is to protect the creative heritage and supply an outline of a very powerful exercise of the Mexican folks all through the centuries: agriculture.

Along with housing the college devoted to the countryside, Texcoco has a deep historical past, which fits again a very long time. There are the baths of Nezahualcóyotl, who had a botanical backyard and a water system to produce water to the town. As well as, the brigantines of Hernán Cortés that attacked Tenochtitlan for water left from Lake Texcoco, Robles Bonfil lists.

This museum displays our historical relationship with the cornfield, our meals and cultural supply; for instance, our calendar is predicated on the cornfield cycle and patron saint festivals.

Curator Christian Barragán particulars within the museum textual content that the artwork created by the Mexican artist It workouts the potential for transferring from the person to the communal, from what’s one’s personal to what’s overseas, from the previous to the current, from ethics to aesthetics. The potential of the artwork he practises lies in social motion, in exercising it every day, within the complicity of the opposite, within the willingness to know and mirror on others..

The Nationwide Museum of Agriculture of the Autonomous College of Chapingo is positioned at kilometer 38.5 of the Mexico-Texcoco Chapingo freeway, within the state of Mexico, and will be visited from Monday to Friday from 10 a.m. to three p.m.; Saturdays and Sundays, from 10 a.m. to five p.m.