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Art Is More Than a Snapshot: Why It Defies Simple Reproduction

Istanbul’s vibrant art scene welcomes a new gallery dedicated to the timeless beauty of historic photographic techniques. 1851.gallery opens its⁣ doors with a captivating exhibition showcasing ‌the platinum palladium​ prints of Avni Lifij, a celebrated Turkish painter from the influential ‌”1914 ⁢generation.”

The exhibition, curated by dr.Necmi‌ Sonnez, unveils a collection of 36 ⁢glass ⁤negatives meticulously preserved within Lifij’s family archives. These negatives, produced by Studio 1851 over a six-month period using the intricate platinum palladium printing process, offer​ a glimpse into Istanbul and Ankara during the early 20th century, more than a ⁢century after the photographs were originally captured.

Lifij’s photographs provide ‌a fascinating window into the​ lives and working conditions of the “1914 generation” of artists. The exhibition features intimate ⁤portraits of family members alongside skillfully ⁤staged self-portraits, revealing previously ⁤unknown details about Lifij’s life‌ through his masterful ‌lens.

“Avni Lifij : “Sorry to say but art is not a Kodak photograph””

the exhibition poses a thought-provoking question: were these photographs a tool or the ultimate goal of Lifij’s artistic expression? As a ‌pioneering member of the painter-photographer movement and a champion of ⁣modernism, Lifij’s work invites viewers to contemplate the relationship between photography and art.

The exhibition runs until January 18, ⁢2025, at 1851.gallery, located in the Edin & ⁣Suner Plaza in Istanbul. for more data, visit www.1851.gallery.

Image of‌ Avni Lifij's⁤ photograph

Istanbul’s 1851.gallery ⁣Unveils the Artistic Vision of Avni Lifij Through Historic ⁣Photographic Prints



Image of Avni lifij's photograph

Istanbul’s burgeoning ⁤art scene is graced with a new gallery dedicated to ⁣preserving the beauty and​ history of photographic art. 1851.gallery opens its doors with a captivating exhibition featuring the‍ platinum⁢ palladium prints of Avni Lifij, a ⁤renowned Turkish painter and key figure of the⁣ influential “1914 generation”. Curated by Dr. Necmi Sonnez, the exhibition showcases 36 glass negatives meticulously preserved from Lifij’s family archives. Produced over ​six ‌months by Studio 1851 using the intricate‌ platinum ⁤palladium process, these⁢ prints offer ⁣a‌ unique glimpse‌ into Istanbul and Ankara during the early 20th century.





the exhibition, titled “Avni Lifij: Sorry to say but art is not ⁣a Kodak ​photograph,” ​probes a thought-provoking question: were these photographs a tool or the ultimate goal of Lifij’s artistic expression? As a champion of modernism and a pioneer of the painter-photographer movement, Lifij’s work challenges viewers⁤ to consider ​the intersection of photography and⁤ art.⁣







Unlocking Lifij’s artistic Legacy: A Conversation with‌ Dr. Necmi Sonnez



To delve ​deeper into the meaning and significance of this ​captivating exhibition, we‌ spoke with Dr.⁢ Necmi ⁣Sonnez, the exhibition’s ‌curator.Dr.Sonnez is a renowned art historian specializing in Turkish modernist art with a particular focus on ⁢the “1914 generation.”





A‍ Window into a Bygone Era



WTN: Dr. Sonnez, these platinum palladium prints offer a remarkable glimpse into Istanbul ⁢and Ankara over a century‍ ago. What can these⁤ photographs tell us about the ⁣lives and working conditions of the “1914 ‌generation” of artists?





Dr. Sonnez: these images offer an‍ intimate portrait‌ of their daily lives, their studios, ‌and their ‌social circles. Lifij expertly captured the vibrancy and intellectual ferment of ⁢the period, offering valuable insights ​into the artistic and social landscape of early 20th-century Turkey.





Art Through the Lens: Photography⁤ as ​a Medium





WTN: ⁢lifij was⁣ both a⁢ painter and‍ a⁤ photographer. How did these two artistic pursuits inform and influence each other in his work?





Dr. Sonnez: Lifij saw photography not as a​ mere documentation tool but as a powerful medium of artistic expression. He ⁣experimented with composition, light,⁣ and ‍shadow, pushing the boundaries of the photographic medium‍ and blurring the lines‍ between painting ​and photography.







“Avni Lifij :​ “sorry to ‌say but art is not a Kodak photograph””





The Enduring Power of Lifij’s Vision



WTN: the exhibition’s title is ⁤a ⁢powerful statement. Could ‍you elaborate on Lifij’s belief that “art is not​ a Kodak photograph”?





Dr. Sonnez: Lifij​ believed that true art went beyond mere ⁢technical‍ reproducibility. He saw art as a means of conveying emotions,​ ideas, and a unique⁤ vision of the ⁣world. ‍Photography, in his hands, became a tool for artistic exploration ‌and‍ expression, not just a mechanical representation of reality.





An Invitation to Discovery









⁤ Dr. Sonnez, thank you ‍for shedding light on the captivating intersection‍ of art and photography embodied in Avni Lifij’s work. “Avni ⁢Lifij: Sorry to say but art is⁣ not a ‍Kodak photograph,” ⁢is a must-see exhibition ⁣for anyone‌ interested in the ⁢history of Turkish art and the evolution of photography as an artistic medium.



The exhibition runs until January 18,⁤ 2025,‍ at 1851.gallery, ​located in the Edin & Suner ‍Plaza in istanbul. For more data, please ⁣visit www.1851.gallery.







don’t miss this opportunity to explore the captivating‍ artistry of Avni Lifij. share your thoughts and impressions with us in⁣ the comments below!



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